V2V
http://v2v.cc/
this is the V2V video syndication newsfeed
for the distribution of high resolution video material
through P2P-networks
V2V video syndication networkV2V
This work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way,
Stanford, California 94305, USA.
Information - Ted ByfieldNew York, September 26th 2009, 11:30
Information is, first and foremost, an English-language word with a checkered past -- in hermeneutics, jurisprudence, physics, genetics. Its current use is partly defined by context, communications, and partly by the baggage it carries from its prior incarnations, which are irreconcilable. Those tensions are precisely what lends the word the dynamism it needs to function as it does, as a sort of universal solvent.2015-10-13T09:56+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/70183271UnknownOgg -
http://v2v.cc/v2v/show/ENL3VNQG3GGX5BZ4KTL2MHUE6OUZN7OL
http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Information_Ted_Byfield.torrented2k://|file|v2v_wdk_Information_Ted_Byfield.ogv|70183271|2ffcf1e5668c563f25f8b40a53bf9a8b|magnet:?dn=v2v_wdk_Information_Ted_Byfield.ogv&xt=urn%3Asha1%3AENL3VNQG3GGX5BZ4KTL2MHUE6OUZN7OLThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Not-not-war - Rosalind C. MorrisNew York, September 26th 2009, 12:002015-10-13T09:56+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/255795554UnknownOgg -
http://v2v.cc/v2v/show/NH246UI6NF37DCZDQLAF5S75OODIT334
ed2k://|file|v2v_wdk_Not-not-war_Rosalind_C._Morris.ogv|255795554|58eb01535b3667cf7ecf17021bde2277|magnet:?dn=v2v_wdk_Not-not-war_Rosalind_C._Morris.ogv&xt=urn%3Asha1%3ANH246UI6NF37DCZDQLAF5S75OODIT334http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Not-not-war_Rosalind_C._Morris.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.War Games - Ashley DawsonNew York, September 26th 2009, 16.30
When Schiller penned his Aesthetic Letters shortly following the French Revolution, he saw the "play drive" as a virtuous alternative to the violence that had engulfed the world of politics, a force capable of reconciling the conflict between human beings' material, sensuous nature and their capacity for reason. Much of the subsequent history of aesthetic theory hinges on this vision of creativity as a redemptive alternative to the fallen world of modernity. But gaming is serious business.2015-10-13T09:54+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/26000955600:27:07.158Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/4JGR7ACG4FNXMFNNPHUNNUWDJ32PHPPU
ed2k://|file|v2v_wdk_War_Games_Ashley_Dawson.ogv|260009556|22cdd9f2e13753e9d0d887f455037f2f|magnet:?dn=v2v_wdk_War_Games_Ashley_Dawson.ogv&xt=urn%3Asha1%3A4JGR7ACG4FNXMFNNPHUNNUWDJ32PHPPUhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_War_Games_Ashley_Dawson.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Explosion Implosion: war in our time - Susan CrileNew York, September 26th 2009, 17:00
In EXPOLSION IMPOSION: War in Our Time, I show four series of paintings and works on paper that are concerned with war and/ or terrorism and torture. I talk about its affect on society the society. The four series are, FIRES OF WAR, 9-1, ABU GHRAIB: Abuse of Power and IN OUR NAME: Black Sites and Guantanamo. These works explore the sensory and experiential nature of violence, war and torture as distinct from their conceptual and historical dimensions.2015-10-13T09:54+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/30442073300:27:07.125Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/SSMBK6GHCRLONCUR5U2UJG3XQXHQX2WE
ed2k://|file|v2v_wdk_Explosion_Implosion_war_in_our_time_Susan_Crile.ogv|304420733|99d38db9df164bde29b78d9f2eacd146|magnet:?dn=v2v_wdk_Explosion_Implosion_war_in_our_time_Susan_Crile.ogv&xt=urn%3Asha1%3ASSMBK6GHCRLONCUR5U2UJG3XQXHQX2WEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Explosion_Implosion_war_in_our_time_Susan_Crile.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.When a riot becomes a war - Suketu MehtaNew York, September 26th 2009, 17:302015-10-13T09:54+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/29145622300:24:49.554Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/GQOILA2QWD2TXQEYTWUMOB3NKPOGPCA5
ed2k://|file|v2v_wdk_When_a_riot_becomes_a_war_Suketu_Mehta.ogv|291456223|be5f2bf707b8f1ce603f91c0e1d37bd5|magnet:?dn=v2v_wdk_When_a_riot_becomes_a_war_Suketu_Mehta.ogv&xt=urn%3Asha1%3AGQOILA2QWD2TXQEYTWUMOB3NKPOGPCA5http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_When_a_riot_becomes_a_war_Suketu_Mehta.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Annexpression - Tony ConradNew York, September 26th 2009, 14:30
The unexpected degree to which having a job is not only selling your time, but is also selling your voice. The annexpression job divide is a ragged edge, in which those with expressive options overlap with job holders in certain ways; still, the overwhelming preponderance of those with jobs have sold their voices almost completely, as their outlook has been annexed to corporate enterprise - and as they have moreover introjected the workplace values, political postures, and social outlooks of their employers.2015-10-13T09:54+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/48901137300:24:33.238Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/2KLUOCICOVBRWSYH53P7PBKDSZ4BYBEB
ed2k://|file|v2v_wdk_Annexpression_Tony_Conrad.ogv|489011373|dae808ce4fc34585706caac310fe5925|magnet:?dn=v2v_wdk_Annexpression_Tony_Conrad.ogv&xt=urn%3Asha1%3A2KLUOCICOVBRWSYH53P7PBKDSZ4BYBEBhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Annexpression_Tony_Conrad.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pigeon - Gediminas UrbonasNew York, September 26th 2009, 13:00
"La colombe qui fait bourn!" The dove that goes boom! Similar to other animals pigeon is lending out their features to the war techniques. Like Trojan horse and Medici’s giraffe, Warhorses and Elephants, Durer’s Rhinoceros and bomber dolphins , pigeons become devices that share their belonging to both – nature and techne. Animals lending their skin to the camouflage patters, logic of their movements to the one of robots, their muscles to carrier of ammunitions, their senses to control protocols, their species names to name technologies or war.2015-10-13T09:54+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/43216192400:30:13.511Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/AZTUGU65EDBRXFZFU5SYRWZRKECJNFDG
ed2k://|file|v2v_wdk_Pigeon_Gediminas_Urbonas.ogv|432161924|5081ed0b7b4d8fb481d10829c134503b|magnet:?dn=v2v_wdk_Pigeon_Gediminas_Urbonas.ogv&xt=urn%3Asha1%3AAZTUGU65EDBRXFZFU5SYRWZRKECJNFDGhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pigeon_Gediminas_Urbonas.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Re-appropriating the city of fear - Fiona JeffriesNew York, September 26th 2009, 13:30
Fear is seen to be one of the defining political emotions of late modernity. Filmmakers, sociologists, artists, philosophers and pundits see fear everywhere. If fear has become a way of life, the contemporary city is seen by many to be one of its most prominent and productive social laboratories. But while fear is seen to be so politically significant, the way it is studied often both naturalizes and exteriorizes fear from politics. As a result, fear's more complex and antagonistic status as both a social relation and an arena of political action is submerged.2015-10-13T09:54+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/39012307000:19:55.961Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/IYWKE3R4LTW74OE26CF6KPNPDO7OH4PN
ed2k://|file|v2v_wdk_Re-appropriating_the_city_of_fear_Fiona_Jeffries.ogv|390123070|111fc9cd20127dba9ac6c825a176d842|magnet:?dn=v2v_wdk_Re-appropriating_the_city_of_fear_Fiona_Jeffries.ogv&xt=urn%3Asha1%3AIYWKE3R4LTW74OE26CF6KPNPDO7OH4PNhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Re-appropriating_the_city_of_fear_Fiona_Jeffries.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Wounded Cities - Ida Susser and Jan SchneiderNew York, September 26th 2009, 18:002015-10-13T09:53+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/73326632500:21:23.148Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/UO2H327E7C35ZBSDZP2CUASWOMBUAJNJ
ed2k://|file|v2v_wdk_Wounded_Cities_Ida_Susser_and_Jan_Schneider.ogv|733266325|cb364c9bf3bc765153a76775bd6763d9|magnet:?dn=v2v_wdk_Wounded_Cities_Ida_Susser_and_Jan_Schneider.ogv&xt=urn%3Asha1%3AUO2H327E7C35ZBSDZP2CUASWOMBUAJNJhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Wounded_Cities_Ida_Susser_and_Jan_Schneider.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Urban Warfare - Gar SmithNew York, September 26th 2009, 15:302015-10-13T09:53+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/62809941900:20:50.782Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/2VBDRT3J7BMMXL3FQXIIYGK7OIB3GV7H
ed2k://|file|v2v_wdk_Urban_Warfare_Gar_Smith.ogv|628099419|1ebcbb9bd97eaf7527d53cc627ec041f|magnet:?dn=v2v_wdk_Urban_Warfare_Gar_Smith.ogv&xt=urn%3Asha1%3A2VBDRT3J7BMMXL3FQXIIYGK7OIB3GV7Hhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Urban_Warfare_Gar_Smith.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Virutous WarNew York, September 26th 2009, 16:00
Technology in the service of virtue has given rise to a global form of virtual violence, virtuous war. In virtuous war, made-for-TV wars and Hollywood war movies blur, military war games and computer video games blend, mock disasters and real accidents collide, producing on screen a new configuration of virtual power, the military-industrial-media-entertainment network.James Der Derian2015-10-13T09:52+00:00en2009DICTIONARY OF WARmultitude@kein.orghttp://dictionaryofwar.org55329572000:21:17.409Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/XQPITQEQTBTPA4SOTTBFJQ7NX3DTMZBI
ed2k://|file|v2v_wdk_Virtuous_war_James_Der_Derian.ogv|553295720|14325f23b74af34d418fbee7f6dfdfa7|magnet:?dn=v2v_wdk_Virtuous_war_James_Der_Derian.ogv&xt=urn%3Asha1%3AXQPITQEQTBTPA4SOTTBFJQ7NX3DTMZBIhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Virtuous_war_James_Der_Derian.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Documentary Moments - Take 3Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930).
In Take 3 of the Documentary Moments, Eyal Sivan and film historian Stella Bruzzi introduce Frederick Wiseman and "direct" cinema. Frederick Wiseman has scrutinised American life and institutions revealing the mechanisms of administration and hierarchy. As a benchmark in the history of social documentary, as both a school and a genre, Wiseman’s infinitely re-qualified and “direct” cinema is indispensable in any debate on the potential of the documentary image to produce truth. The introduction was followed by a screening of Primate (F. Wiseman, USA 1974, 105 min) and by a conversation between Frederick Wiseman, the film historian Stella Bruzzis and Eyal Sivan, both of which could not be included in this documentation.
<iframe style="width:415px;height:304px" border="0" frameborder="0" scrolling="no" src="http://stream.v2v.cc/video/204/iframe/"></iframe>2010-06-28T12:27+00:00en2010bdf.tvhttp://hkw.de/bdf.tv4169546100:13:32.000Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/PRUPO67RPCXDHX6NTKM2UDUWKLB65RTM
ed2k://|file|v2v bdf.tv 20100605 Documentary Moments Take 3.ogv|41695461|0a983497f28eba0126236be3dd50c496|magnet:?dn=v2v+bdf.tv+20100605+Documentary+Moments+Take+3.ogv&xt=urn%3Asha1%3APRUPO67RPCXDHX6NTKM2UDUWKLB65RTMhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100605 Documentary Moments Take 3.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Documentary Moments - Take 4Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930).
In this 4th take of the Documentary Moments, Eyal Sivan introduces Marcel Ophuls' use of the documentary interview and montage to review and re-edit historical narration, subverting the hegemony of authority. His epic oeuvre – both in scope and in length – is a landmark of the critical historical essay.2010-06-28T12:26+00:00en2010bdf.tvhttp://hkw.de/bdf.tv5764645000:21:25.400Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/MVS2NKC6KAQPHPHQZCR4LUXVSBNCNYDP
http://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100606 Documentary Moments Take 4.torrentmagnet:?dn=v2v+bdf.tv+20100606+Documentary+Moments+Take+4.ogv&xt=urn%3Asha1%3AMVS2NKC6KAQPHPHQZCR4LUXVSBNCNYDPed2k://|file|v2v bdf.tv 20100606 Documentary Moments Take 4.ogv|57646450|a51625db14f2663a770f075e2807b3cb|This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Eduardo ThomasCurator Eduardo Thomas was presenting contemporary experimental documentaries in his series “authorship”, “authority” and “authenticity” at the Berlin Documentary Forum. He selected films, that erode the seemingly immutable conventions of the consistent abuse of hierarchical structures within the field of documentary filmmaking. In this in-depth interview by Alan Toner, Eduardo Thomas introduces the films he selected, reflects on his series and discusses the questions he encounters when thinking about documentary practices today.2010-06-28T09:49+00:00en2010bdf.tvhttp://hkw.de/bdf.tv79783763401:40:24.040Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/HQIHCJEJVLOZNBCAV7CFBH444A6XH7Z3
ed2k://|file|v2v bdf.tv Interview Eduardo Thomas.ogv|797837634|8da3cb8749817c7684c6f68e7d98ea19|magnet:?dn=v2v+bdf.tv+Interview+Eduardo+Thomas.ogv&xt=urn%3Asha1%3AHQIHCJEJVLOZNBCAV7CFBH444A6XH7Z3http://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Eduardo Thomas.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Florian SchneiderFilmmaker Florian Schneider has organised a retrospective about Michal Mraktisch for the Berlin Documentary Forum on June 2-6 2010 under the title "Missing Image". Alan Toner asks Florian Schneider about the background of this remarkable film-maker and his role and influence for the development of the Documentary Film as we know it today.2010-06-28T09:46+00:00en2010bdf.tvhttp://hkw.de/bdf.tv11059619000:57:00.360Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/26WJDEMQFG74R5GXAHYUSMMG5M7MPEHI
ed2k://|file|v2v bdf.tv Interview Florian Schneider.ogv|110596190|14e0a277f22a5d41dc5e9e9e1e07ec3d|magnet:?dn=v2v+bdf.tv+Interview+Florian+Schneider.ogv&xt=urn%3Asha1%3A26WJDEMQFG74R5GXAHYUSMMG5M7MPEHIhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Florian Schneider.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Lee Anne SchmittFilmmaker Lee Anne Schmitt presented her film "California Company Town" at the Berlin Documentary Forum on June 4th 2010. In this interview, she discusses artistic and film making practice with Alan Toner. Having chosen chosen to work with 16mm film, she describes her rationale, working conditions and artistic practice. These are significantly determined by the difficult economic situation faced by independent filmmakers today.2010-06-28T09:46+00:00en2010bdf.tvhttp://hkw.de/bdf.tv21821922600:46:44.560Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/SM65P4OSUPSMMCK3JYPKQWDYI7KEW347
ed2k://|file|v2v bdf.tv Interview Lee Anne Schmitt.ogv|218219226|370131b11229c9e8b10f8678239b6c08|magnet:?dn=v2v+bdf.tv+Interview+Lee+Anne+Schmitt.ogv&xt=urn%3Asha1%3ASM65P4OSUPSMMCK3JYPKQWDYI7KEW347http://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Lee Anne Schmitt.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Angela Melitopoulos and Bettina KnaupAlan Toner asks Angela Melitopoulos and Bettina Knaup about their performance "Möglichkeitsraum - Feminism and Performance Art" presented at the Berlin Documentary Forum on June 3rd 2010. Most of the program cannot be screened online due to copyright problems that burden much video performance art. Bettina Knaup and Angela Melitopoulos explain the particular situation of that genre, and how it is effecting their work with an archive of feminist performance art.2010-06-28T09:45+00:00en2010bdf.tvhttp://hkw.de/bdf.tv13711001500:52:19.960Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/XFL6EGC46HHHLNJYH4POL5ENNVOIVVLF
ed2k://|file|v2v bdf.tv Interview Angela Melitopoulos and Bettina Knaup.ogv|137110015|c5c59afff10aee4a69b56d05bea01835|magnet:?dn=v2v+bdf.tv+Interview+Angela+Melitopoulos+and+Bettina+Knaup.ogv&xt=urn%3Asha1%3AXFL6EGC46HHHLNJYH4POL5ENNVOIVVLFhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Angela Melitopoulos and Bettina Knaup.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Stella BruzziIn this in-depth interview film historian Stella Bruzzi and Alan Toner discuss the development of documentary film in relation to advances in film technology, and consider possible perspectives for the future. This conversation took place during the Berlin Documentary Forum, where Stella Bruzzi investigated in conversation with Frederick Wiseman questions about “direct” cinema and the potential of the documentary image to produce truth.2010-06-28T09:44+00:00en2010bdf.tvhttp://hkw.de/bdf.tv16923604201:08:53.880Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/EEZLAWUGWMQCG5FO5OPBZLYP3SIN4MQS
ed2k://|file|v2v bdf.tv Interview Stella Bruzzi.ogv|169236042|f9d67e30c5f5497c5c30c8043be2124b|magnet:?dn=v2v+bdf.tv+Interview+Stella+Bruzzi.ogv&xt=urn%3Asha1%3AEEZLAWUGWMQCG5FO5OPBZLYP3SIN4MQShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Stella Bruzzi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Rabih MrouéRabih Mroué opened the Berlin Documentary Forum with his performance "The Inhabitants of Images" on June 2nd 2010. In this interview, Alan Toner and Rabih Mroué discuss implications that images might have and the possibility that they bear an reality of their own. Rabih Mroué also gives some insights about his performance, for those who didn't get a chance to see it.2010-06-28T09:43+00:00en2010bdf.tvhttp://hkw.de/bdf.tv7609686400:40:04.760Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/6DZGLWUEENWDCG6DIGAUAAYQAZAE2ETS
ed2k://|file|v2v bdf.tv Interview Rabih Mroue.ogv|76096864|0be2ca2e5aa754f82fbc589f3498b0c1|magnet:?dn=v2v+bdf.tv+Interview+Rabih+Mroue.ogv&xt=urn%3Asha1%3A6DZGLWUEENWDCG6DIGAUAAYQAZAE2ETShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Rabih Mroue.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview Eyal SivanConceived by filmmaker Eyal Sivan, the long-term project “Documentary Moments” that was for the first time presented at the Berlin Documentary Forum, elaborates documentary film practice through screenings and encounters with filmmakers who shaped particular moments of the practice’s history. In this interview, Alan Toner discusses with Eyal Sivan the background of the "Documentary Moments" and questions that evolve from revisiting films and filmmakers who have shaped the concept of the Documentary so strongly.2010-06-28T09:42+00:00en2010bdf.tvhttp://hkw.de/bdf.tv6846853800:41:38.880Ogg Theora/Vorbis - 640x360/Stereo
http://v2v.cc/v2v/show/WVEEG37BKTFICNLXMZKMMLHAP3727XZ3
ed2k://|file|v2v bdf.tv Interview Eyal Sivan.ogv|68468538|735dc9050a11feb292279bff41dc9a7c|magnet:?dn=v2v+bdf.tv+Interview+Eyal+Sivan.ogv&xt=urn%3Asha1%3AWVEEG37BKTFICNLXMZKMMLHAP3727XZ3http://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Interview Eyal Sivan.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Struggle in Jerash (conversation and film)Artists Eileen Simpson and Ben White re-animate the film "Struggle in Jerash" by appropriating the tactic of the commercial DVD director’s commentary, subverting its standard authorial voice and placing the audience at the centre of a copyright-expired film. The film offers access to the process of self-understanding through the careful compilation of new commentary voiceover by contemporary Jordanian thinkers on the first feature film shot in Jordan (D: Wassif Sheik Yassin, 1957). At the Berlin Documentary Forum, curator Eduardo Thomas interviews the artists about their work and on the (re)production of conventional notions such as “authorship”, “authority” and “authenticity” in documentary film making. (Conversation and Film)2010-06-28T09:40+00:00en2010bdf.tvhttp://hkw.de/bdf.tv77297468501:17:09.680Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/DR3V2BG4AR6TQHBSJ7AYMFO4LSQFZZLM
ed2k://|file|v2v bdf.tv Struggle in Jerash_ conversation and film.ogv|772974685|29df6f642d3995cf39643cbcc48bfe3f|magnet:?dn=v2v+bdf.tv+Struggle+in+Jerash_+conversation+and+film.ogv&xt=urn%3Asha1%3ADR3V2BG4AR6TQHBSJ7AYMFO4LSQFZZLMhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv Struggle in Jerash_ conversation and film.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Missing ImageFilmmaker Florian Schneider has organised a retrospective about Michal Mraktisch for the Berlin Documentary Forum on June 2-6 2010 under the title "Missing Image". This conversation between Florian Schneider and Rick Prelinger, founder of the Prelinger Archives sums up the series "Missing Image".2010-06-28T09:37+00:00en2010bdf.tvhttp://hkw.de/bdf.tv22779414201:03:42.800Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/FUHNR363VQBDXIUNJDM4VXPB7IDGR74Y
ed2k://|file|v2v bdf.tv 20100606 Missing Image.ogv|227794142|1c9435ab923c4d0e7b4da0acad8b0b0d|magnet:?dn=v2v+bdf.tv+20100606+Missing+Image.ogv&xt=urn%3Asha1%3AFUHNR363VQBDXIUNJDM4VXPB7IDGR74Yhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100606 Missing Image.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Möglichkeitsraum - Extra-disciplinary Art and Media ActivismVideo artist Angela Melitopoulos engages Media Activism Brian Holmes at the Berlin Documentary Forum in a dialogue on extra-disciplinary Art Practices and Media Activism while he is presenting his archives and research. Holmes examines four audiovisual regimes that have emerged in the, USA since WW II: broadcast television in the Cold War consumer society; video as a subversion of the televisual norm; networked computing and its new forms of “control environments”; and new communication tactics of migration movements.2010-06-28T09:33+00:00en2010bdf.tvhttp://hkw.de/bdf.tv21437610201:42:31.960Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/QDQT3KEJ424OPI4O2RRRP4YUA4NRZLDS
ed2k://|file|v2v bdf.tv 20100604 Moeglichkeitsraum - Extra-disciplinary Art and Media Activism.ogv|214376102|7fb5f13858dca07264ad01faa14a75ff|magnet:?dn=v2v+bdf.tv+20100604+Moeglichkeitsraum+-+Extra-disciplinary+Art+and+Media+Activism.ogv&xt=urn%3Asha1%3AQDQT3KEJ424OPI4O2RRRP4YUA4NRZLDShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100604 Moeglichkeitsraum - Extra-disciplinary Art and Media Activism.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Documentary Moments - Take 2Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930).
Take 2 focuses on "Chronicle of a Summer" by Jean Rouch and Edgar Morin (FR 1961, 76 min.). The film builds truth through constructed or almost fictional situations. When released, it provoked heated debates on the relationship between cinema, reality and truth. In 2007, artists Ayreen Anastas, François Bucher and Rene Gabri unearthed an interview with Edgar Morin, in which he mentioned a cache of original rushes. Take 2 introduces shots from the original 16 mm rushes of Chroniqle of a summer and discusses them between the artists Rene Gabri, Ayreen Anastas, François Bucher and Eyal Sivan.2010-06-28T09:31+00:00en2010bdf.tvhttp://hkw.de/bdf.tv18471145401:14:05.960Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/BJEDVC4BWGLXOSGYDLHRZF4SS7SZPB75
ed2k://|file|v2v bdf.tv 20100604 Documentary Moments Take 2.ogv|184711454|b4a20d4f4473a11e64b486e11cf4839a|magnet:?dn=v2v+bdf.tv+20100604+Documentary+Moments+Take+2.ogv&xt=urn%3Asha1%3ABJEDVC4BWGLXOSGYDLHRZF4SS7SZPB75http://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100604 Documentary Moments Take 2.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Möglichkeitsraum - The Life of a Film ArchiveThe Arsenal - Institute for Film and Video Art works on establishing new relations between the conservation and actualization of a film archive. Video artist Angela Melitopoulos engages curator Stefanie Schulte Strathaus at the Berlin Documentary Forum, who presents the idea of a "living" film archive in a selection of feminist and queer films from three historic cinematic events at the Arsenal. (German only)2010-06-28T09:29+00:00de2010bdf.tvhttp://hkw.de/bdf.tv21517798502:16:04.840Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/OXEBXOTKREALC4YIKWSW64FXAW4ZMUU3
ed2k://|file|v2v bdf.tv 20100603 Moeglichkeitsraum - The Life of an Archive.ogv|215177985|ca161f4227a217d601f78e8eaba74711|magnet:?dn=v2v+bdf.tv+20100603+Moeglichkeitsraum+-+The+Life+of+an+Archive.ogv&xt=urn%3Asha1%3AOXEBXOTKREALC4YIKWSW64FXAW4ZMUU3http://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100603 Moeglichkeitsraum - The Life of an Archive.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.A Blind SpotA conversation between Catherine David and Joachim Koester at the Berlin Documentary Forum. The project evolves around key art works from the past fifteen years as well as new pieces that explore the link between aesthetics, history and politics. David’s prologue to a subsequent exhibition (BDF 2,2012) highlights the work of artist Joachim Koester, who explores the tension between imaginary sites, aesthetic tropes and physical places. In “Morning of the Magicians” (2005) and in “One + One + One” (2006), Koester visits a house in Cefalú, Sicily, known as “The Abbey of Thelema”, which once served as a communal home for the occultist Aleister Crowley and his group of devotees.2010-06-28T08:51+00:00en2010bdf.tvhttp://hkw.de/bdf.tv18821479201:01:27.040Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/X66M4KEFTKI53GICMOAKG73FT2YOCEVN
ed2k://|file|v2v bdf.tv 20100604 A Blind Spot.ogv|188214792|bd167b9f578456cdb354dbb9b145c33c|magnet:?dn=v2v+bdf.tv+20100604+A+Blind+Spot.ogv&xt=urn%3Asha1%3AX66M4KEFTKI53GICMOAKG73FT2YOCEVNhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100604 A Blind Spot.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Documentary Moments - Take 1Conceived by film-maker Eyal Sivan, the long-term project “Documentary Moments” elaborates documentary film practice through screenings and encounters with film-makers who shaped particular moments of the practice’s history. Its initial chapter is an homage to artists who contributed to the renaissance of documentary film in the post-war period: Alain Resnais (b. 1921), Edgar Morin (b. 1921), Marcel Ophuls (b. 1928), and Frederick Wiseman (b. 1930).
In Take 1, Eyal Sivan discusses with Marie-José Mondzain and Adrian Rifkin Alain Resnais documentary practice and the narration of genocide, that Alain Resnais has created with Nuit et brouillard (Night and Fog), where he quintessentially demonstrates the use of images to establish an independent authority.
This video has two audio channels, first English/French, second english translation2010-06-28T08:48+00:00en2010bdf.tvhttp://hkw.de/bdf.tv27519160501:34:50.800Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/FJI6IAU2KNOADKLSQMGCEO757WVF7FJW
ed2k://|file|v2v bdf.tv 20100603 Documentary Moments Take 1.ogv|275191605|99f914f99a350efbcaf6251031fb1c10|magnet:?dn=v2v+bdf.tv+20100603+Documentary+Moments+Take+1.ogv&xt=urn%3Asha1%3AFJI6IAU2KNOADKLSQMGCEO757WVF7FJWhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100603 Documentary Moments Take 1.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The CatastropheCultural historians Ariella Azoulay and Issam Nassar discuss at the Berlin Documentary Forum the representation of Palestinian refugees in photographs from 1947 to the early 1950s. Their conversation addresses theoretical and aesthetic aspects of interpreting photographs, as well as the role photography can play in questioning the dominant discourse on the creation of the State of Israel.2010-06-28T08:38+00:00en2010bdf.tvhttp://hkw.de/bdf.tv22640312501:48:44.600Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/GVHPPANPMQD67BAL7VIUCSDM75GVLTQE
ed2k://|file|v2v bdf.tv 20100603 Catastrophe.ogv|226403125|9cef5ada7381433eb7116eb269414028|magnet:?dn=v2v+bdf.tv+20100603+Catastrophe.ogv&xt=urn%3Asha1%3AGVHPPANPMQD67BAL7VIUCSDM75GVLTQEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v bdf.tv 20100603 Catastrophe.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Remembering a Future CairoLecture by Clare Davies
“The connoisseurs of fine living often look back fondly on old downtown Cairo in the 1920s. Everything about life was so French. The pace, the architecture, the settings. Life was unhurried, untouched by pollution and congestion and marked by quaint buildings, café boulevards and premium arcades."
So begins an advertisement for the Rivoli compound at Centre Ville, New Cairo, a real estate project of development giant, DAMAC, designed to capitalise on nostalgia for the old city's downtown, an area which now represents to many some of the prime reasons for urban flight: pollution, high population density, and dilapidation. While areas of medieval Cairo are being restored or reconstructed to recapture something of their supposed original appearance, new versions of the city's early "modern" quarters are being rebuilt at its outskirts. As the expansion of the Greater Cairo Region continues apace, the old city offers parallel models for imagining a future Cairo. The newness of New Cairo and the oldness of the old city are shown to be relative, the products of intersecting projects.
Clare Davies is a Ph.D. candidate in art history and Erwin Panofsky Fellow at the Institute of Fine Arts. She divides her time between Cairo and New York.2010-01-04T09:21+00:00en2009Kharitahttp://pericentreprojects.org10191792200:31:23.281Ogg Theora/Vorbis - 640x360/Mono
http://v2v.cc/v2v/show/PGS2CHTN3SHZRGNGIW67QHM2TLOQ4Y2D
ed2k://|file|Clare Davies-Remembering a Future Cairo.ogv|101917922|00cc6b0bfaae4c597c61fef011be9313|magnet:?dn=Clare+Davies-Remembering+a+Future+Cairo.ogv&xt=urn%3Asha1%3APGS2CHTN3SHZRGNGIW67QHM2TLOQ4Y2Dhttp://v2v.cc/sites/v2v.cc/files/torrents/Clare Davies-Remembering a Future Cairo.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Benoît Turquety: Objectified VisionToo Early/Too Late shows certain aspects of Danièle Huillet and Jean-Marie Straub’s work at their most radical. But what does the film show precisely? What exactly do we see, when watching those “panoramas” of the French and Egyptian cities and countryside around 1980? What we hear may give us clues: something about history is at stake here. So the question could be: when we are looking at a landscape, what do we see of its history?
Other artists have worked on this matter. Some of them have also shared with the Straubs other problems and principles: the “Objectivist” poets, a group formed in the USA around 1930, featuring Louis Zukofsky, George Oppen, Charles Reznikoff and William Carlos Williams. They wanted a highly innovative poetry that could also be politically radical, a poetry that would engage at the same time vision (they were influenced by Ezra Pound’s Imagism), and history. They proposed solutions that have to do with the films of Danièle Huillet and Jean-Marie Straub, and with us.Landscape, History, Poetry, Film2009-11-22T15:46+00:00en2009KEIN TVadmin@kein.orghttp://www.ofapeoplewhoaremissing.net22276333900:39:12.680Ogg Theora/Vorbis - 512x384/Stereo
http://v2v.cc/v2v/show/33JTNZLMSPSDAHHFG3JBZKA2Z3B5723A
ed2k://|file|turquety(1).ogv|222763339|8ecc06dc2b425eedd7360426439f2b82|magnet:?dn=turquety%281%29.ogv&xt=urn%3Asha1%3A33JTNZLMSPSDAHHFG3JBZKA2Z3B5723Ahttp://v2v.cc/sites/v2v.cc/files/torrents/turquety(1).torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Wall - Richard SennettNew York, September 26th 2009, 15:002009-09-29T15:22+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/26202946800:26:00.258Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/2B3ZINEP2CVDEFUTTVVGIXVYXHUSYDR4
ed2k://|file|v2v_wdk_The_Wall_Richard_Sennett.ogv|262029468|8696a668bf876b86d288af93ce48e914|magnet:?dn=v2v_wdk_The_Wall_Richard_Sennett.ogv&xt=urn%3Asha1%3A2B3ZINEP2CVDEFUTTVVGIXVYXHUSYDR4http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_The_Wall_Richard_Sennett.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Marketing War - Danny KaplanNew York, September 26th 2009, 14:00
In times of war commercial considerations present new ways to promote culturally available sentiments of nationalism, previously sustained by state institutions. As governments withdraw from managing emergency services this vacuum may be taken up by private agents, particularly at the local-municipal level. This question of marketing war is examined in a case-study of a commercial radio station in the city of Haifa during the 2006 Lebanon War.2009-09-29T14:44+00:00en200924503122200:17:19.071Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/J2QX7R4YRGXOABO7BN6UNL2HF7CMKEJQ
ed2k://|file|v2v_wdk_Marketing_War_Danny_Kaplan.ogv|245031222|9a18e92bb556922d41b0c36862559d08|magnet:?dn=v2v_wdk_Marketing_War_Danny_Kaplan.ogv&xt=urn%3Asha1%3AJ2QX7R4YRGXOABO7BN6UNL2HF7CMKEJQhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Marketing_War_Danny_Kaplan.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Cold war planning - Jennifer S. LightNew York, September 26th 2009, 11:00
Cold war physical planning is frequently invoked in contemporary discussions about post 9/11 urban planning in the US, but another equally important/pervasive aspect of collaborations between defense planners and urban planners in the Cold War era is forgotten in these discussions. I'll talk about several technology-focused collaborations in the 1960s and suggest why this more expansive definition of Cold War planning history is important and relevant for thinking about cities and war today.2009-09-29T14:32+00:00en2009DICTIONARY OF WARhttp://dictionaryofwar.org/91806192UnknownOgg -
http://v2v.cc/v2v/show/RZLMI3RWIZVQDH334OK2BNI5A2K4RL54
http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Cold_war_planning_Jennifer_S._Light.torrented2k://|file|v2v_wdk_Cold_war_planning_Jennifer_S._Light.ogv|91806192|cf7d1a89e219a626755f533bf66b212a|magnet:?dn=v2v_wdk_Cold_war_planning_Jennifer_S._Light.ogv&xt=urn%3Asha1%3ARZLMI3RWIZVQDH334OK2BNI5A2K4RL54This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Oksana Bulgakowa: On Eisensteins Que viva Mexico"Que viva Mexico!", is the film Eisenstein came to shoot in Mexico, and he would tragically be excluded from editing it. The film's hybrid images depict Mexican life as a simultaneity of past and present. Reminiscent of, and yet surpassing the modern 'primitivist' fascination with the 'archaic', Mexico presented for Eisenstein a tableau of dialectic imagery that allowed him to re-conceptualize the role of modern art and revolutionary cinema in traversing the modern dichotomies of subject and object, rational and irrational, inside and outside, individual and collective, and even death and life. Oksana Bulgakowa is Eisenstein's biographer and, together with Anselm Franke, co-curator of Sergei Eisenstein: The Mexican Drawings. The lecture has been recorded on April 3, 2009 in MuHKA_media, Antwerp. http://www.extracity.org2009-05-27T21:21+00:00en2009KEIN.TVinfo@kein.orghttp://kein.org40050874300:49:33.760Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/ELIPIIV2ZXE7GDG6IJDRFYXZ23Q4RNNP
ed2k://|file|bulgakowa1a.ogv|400508743|ae7e99cdf36536d3438d945bb05dadc3|magnet:?dn=bulgakowa1a.ogv&xt=urn%3Asha1%3AELIPIIV2ZXE7GDG6IJDRFYXZ23Q4RNNPhttp://v2v.cc/sites/v2v.cc/files/torrents/bulgakowa1a.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Marwan Fayed: Legalising an Urban TumourKharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009 (in Arabic)
Marwan Fayed proposes alternative approaches to conventional urban design practices. In Fayed’s interventions, function is not dictated by design, but rather, is ascribed by city inhabitants who constantly reprogram the use of public space. Based on observations of public behaviour, his site-specific applications lend themselves adaptable to the spontaneity of a constantly mutating landscape.2009-04-05T13:42+00:00ar2009Kharitahttp://pericentreprojects.org/13290405800:24:25.296Ogg Theora/Vorbis - 640x368/Mono
http://v2v.cc/v2v/show/RGO3F2QMD3P2QLYKMVF7W52ZDMYCXRCG
ed2k://|file|Marwan Fayed-Legalising the Urban Tumour.ogv|132904058|44d1b8271fcf4b0a3c6d9576d91a3dbd|magnet:?dn=Marwan+Fayed-Legalising+the+Urban+Tumour.ogv&xt=urn%3Asha1%3ARGO3F2QMD3P2QLYKMVF7W52ZDMYCXRCGhttp://v2v.cc/sites/v2v.cc/files/torrents/Marwan Fayed-Legalising the Urban Tumour.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Zoom - Shaina AnandDictionay of War Taipei, October 25th 2008
ZOOM begins with a popular film from the 1970's that was said to define the "look of the 20th Century". We wonder about the powers of then, and the powers of now.
The look acts at collapsable distances, and varying focal lengths. The captured subjects will not know whose eyes their bodies will receive, (even though they will imagine it), in which galaxies their images will wander, in blackholes of memory or as data-stamps of unique flesh. At various levels of X, equations emerge, governing the relationship between the subject/ actor and the explicit or phantasmic, but always-powerful "viewer". We take a closer look at some of these ratios and their registers of violence: in visual anthropology, CCTV, iris scans and more.2009-03-01T09:47+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org25007896300:32:49.834Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/RWWE6ZGRVFV2H4NBPFBLEX7RVWASRZ5M
ed2k://|file|Zoom.ogv|250078963|6b4c9600742af99ed261427e86135502|magnet:?dn=Zoom.ogv&xt=urn%3Asha1%3ARWWE6ZGRVFV2H4NBPFBLEX7RVWASRZ5Mhttp://v2v.cc/sites/v2v.cc/files/torrents/Zoom.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Markus ElKatsha: The Return of Mixed-Use SpacesKharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009
Mixed-use communities have been a traditional mode of urban habitation. Cairo's historic core is exemplary of such pedestrian environs. In the nineteenth century precincts of the city, people moved on foot, depending sometimes on horses and cattle for the circulation of goods. They resided in buildings that provided space for both domestic life and economic activity. The mixed-use pattern of development declined in Egypt during the mid 1950s in favour of large-scale single-function zoning, reflected in areas such as Medinat Nasr, al Mohandiseen and parts of Giza. Drawn by governmental and industrial job opportunities, people migrated from rural to urban areas. This mass influx of workers created a demand for housing. New single-use urban districts emerged; housing, industrial and governmental complexes separated; and reliance on automobiles and mass transit increased. The combination of poor regulations, mediocre urban design practices, and a rapidly growing population contributed to the proliferation of these single-use enclaves. Recent development patterns are changing this trend around Cairo. The rise in land-costs, along with the realisation of the benefits of high-density commercial, domestic, and entertainment habitats, is prompting development corporations and government institutions to revisit mixed-use planning strategies.2009-03-01T09:41+00:00en2009Kharitahttp://pericentreprojects.org/16416537600:24:02.941Ogg Theora/Vorbis - 640x368/Mono
http://v2v.cc/v2v/show/SEP2O4SMXQDPBO7WXRC4YRCJ3SXKVMDO
ed2k://|file|Markus ElKatsha-The Return of Mixed Use Spaces.ogv|164165376|af67431d69ddcb799eb03e0f8bf1acae|magnet:?dn=Markus+ElKatsha-The+Return+of+Mixed+Use+Spaces.ogv&xt=urn%3Asha1%3ASEP2O4SMXQDPBO7WXRC4YRCJ3SXKVMDOhttp://v2v.cc/sites/v2v.cc/files/torrents/Markus ElKatsha-The Return of Mixed Use Spaces.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Park – Investigation in a Post-Productive ClusterKharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009
Presentation by Marion von Osten, Katja Reichard, Peter Spillmann (in English)
Throughout the history of human common areas, the park has played the role of both model and stage. It has functioned as an artificial paradise, a showcase for innovative technologies, and a masterpiece of the latest engineering arts; a proof of man's mastery over nature, a mirror of its times, a celebration of the transformation of ideology into materiality, a political arena, and a governmental terrain; finally the park has often offered itself as a place of retreat, idyll, freedom, a place outside of society's utility zones. In the park, the world shows itself in its subtlest variation, and the world comes to the parks to be entertained there, or to contemplate, perceive and encounter. Today, park-like ensembles are conceived as consumption zones, amusement parks, or as places to live and/or work. The future trend in architectonic projects calls for an island, separated from the surrounding urban or rural landscape, a gated community in which all daily needs are covered within a park-like setting. The rules of concentration foresee having everything in one place in the future. The citizen becomes a parkizen.2009-02-28T12:03+00:00en2009Kharitahttp://pericentreprojects.org/58287748201:02:32.252Ogg Theora/Vorbis - 640x368/Stereo
http://v2v.cc/v2v/show/Q4PBBUML6LGZELD2TQBX74QIHRY6MOSD
ed2k://|file|Katja, Marion, Peter-The Park.ogv|582877482|1174f7e232fe36c259d38f02d7efc0e5|magnet:?dn=Katja%2C+Marion%2C+Peter-The+Park.ogv&xt=urn%3Asha1%3AQ4PBBUML6LGZELD2TQBX74QIHRY6MOSDhttp://v2v.cc/sites/v2v.cc/files/torrents/Katja, Marion, Peter-The Park.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Joseph Schechla: Housing Rights and the New UrbanismKharita 01: Symposium on Urban Trajectories in Cairo
Saturday, January 17th, 2009
The “new development paradigm,” integrating at once technical and human rights criteria, is not very new. The long development of human rights norms pertaining to adequate housing and corresponding state obligations dates back some 40 years. What urban technicians in both private and public sectors may discover as new in those norms is their relevance to project implementation. The housing rights norms in international law have developed over time through a process of trial and error in the field, as well as through jurisprudence. This presentation unpacks these criteria to show how state compliance with current treaty obligations to respect, protect and fulfil the human right to adequate housing, which include the corresponding regulation of private actors and markets, also coincide with both project success and achievement of the relevant Millennium Development Goal No. 7.2009-02-28T11:41+00:00en2009Kharitahttp://pericentreprojects.org/8590969800:25:59.424Ogg Theora/Vorbis - 640x368/Mono
http://v2v.cc/v2v/show/RQST2CGADVON74KZ2ZJ7AHYTBRJO637M
ed2k://|file|Joseph Schechla-Housing Rights and the New Urbanism.ogv|85909698|45472a328f6b2bb1a54e1818b91d52fa|magnet:?dn=Joseph+Schechla-Housing+Rights+and+the+New+Urbanism.ogv&xt=urn%3Asha1%3ARQST2CGADVON74KZ2ZJ7AHYTBRJO637Mhttp://v2v.cc/sites/v2v.cc/files/torrents/Joseph Schechla-Housing Rights and the New Urbanism.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Marion von Osten: The Colonial Modern. Planning, Segregation and Urban ApartheidKharita 01: Symposium on Urban Trajectories in Cairo
Friday, January 16th, 2009
In the nineteenth century, French colonial city planning set up trade and industry ports all over the world. After the Second World War, this expansionist strategy drastically changed and, with liberation struggles against French colonial rule, it finally ended. Establishing a Fordist consumer society in the colonies and in Europe was a major goal of the colonial project, which, as Franz Fanon pointed out, had clear economic incentives. In the 1950s, the French urban planning office in Casablanca started to build scores of affordable housing estates for Moroccans in the frame of a large-scale extension plan for the city. The planning strategies varied from the re-ordering of slum settlements (restructuration), to temporary re-housing of the occupants (relogement), and finally to the creation of new housing estates (habitations à loyer moderé). The spatial organisation of the residential and urban planning projects was based on a standard hierarchical grid: the Moroccan population was divided into religious groups of Jews and Muslims, while the Europeans remained a universal category. The estates for the locals were built on the edge of the colonial European city in an empty intermediate area, known as the ‘Zone Sanitaire.’ This lecture focuses on the French urban planning office in Casablanca, while reflecting on contemporary urban developments at the peripheries of post-colonial Cairo.2009-02-28T11:36+00:00en2009Kharitahttp://pericentreprojects.org/20344966900:22:32.217Ogg Theora/Vorbis - 640x368/Mono
http://v2v.cc/v2v/show/3BPKD2G7ZF4F5XAEKEJLQXVS6ANUK5JS
ed2k://|file|Marion von Osten-The Colonial Modern.ogv|203449669|8f889d60a54489d973e4ec44922e78dd|magnet:?dn=Marion+von+Osten-The+Colonial+Modern.ogv&xt=urn%3Asha1%3A3BPKD2G7ZF4F5XAEKEJLQXVS6ANUK5JShttp://v2v.cc/sites/v2v.cc/files/torrents/Marion von Osten-The Colonial Modern.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Omar Nagati: Competing Urban Orders in Cairo: A Historical PerspectiveKharita 01: Symposium on Urban Trajectories in Cairo
Friday, January 16th, 2009
For the last three decades, Cairo has been a battleground for competing urban orders manifest in incoherent planning policies, and often conflicting practices in public space. This presentation offers a historical perspective to the city’s long urban struggle, situating contemporary conditions within recurrent spatial and discursive paradigms of conflict and reconciliation. Structured around critical junctures, where the sharp juxtapositions of competing urban orders are most apparent, the discussion refers to the palatial Fatimid city, the dual urbanism of the nineteenth century, and the secular modernism of the twentieth.2009-02-28T11:25+00:00en2009Kharitahttp://pericentreprojects.org/23214711200:29:32.070Ogg Theora/Vorbis - 640x368/Mono
http://v2v.cc/v2v/show/SZ4I6FUZW5QE6FAG3ROLSGOX65BR4H4B
ed2k://|file|Omar Nagati-Competing Urban Orders in Cairo.ogv|232147112|3dd4a3722eeee3186fdf41c45dd47be8|magnet:?dn=Omar+Nagati-Competing+Urban+Orders+in+Cairo.ogv&xt=urn%3Asha1%3ASZ4I6FUZW5QE6FAG3ROLSGOX65BR4H4Bhttp://v2v.cc/sites/v2v.cc/files/torrents/Omar Nagati-Competing Urban Orders in Cairo.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Eric Denis: Cairo Reversed, Values and SpacesKharita 01: Symposium on Urban Trajectories in Cairo
Friday, January 16th, 2009
The process of inhabiting the desert transgresses a fundamental interdiction of settlement. Market expansion and real estate construction has succeeded in invading a void, which had thus far resisted occupation. This achievement is a strong indication of the leverage of private development. Open to the world, the elite can afford to transcend their local boundaries and domesticate this hostile environment. But this privilege is not simply based on material and financial resources. It entails converting to a newer myth: the neoliberal dogma. Abandoning the social diversity of the city, the elite opt for a globalised milieu. The move to gated communities outside the city walls separates the elite from those who lack the means of such mobility. This presentation analyses the articulation between the emergence of new regulations, new narratives and the massive adhesion to the development of a new urban space.2009-02-28T11:16+00:00en2009Kharitahttp://pericentreprojects.org/16476683500:25:09.407Ogg Theora/Vorbis - 640x368/Stereo
http://v2v.cc/v2v/show/3NKNZOKMV7QPITJLI7DZXKIXR432KMRS
ed2k://|file|Eric Denis-Cairo Reversed, Values and Spaces.ogv|164766835|5993eb1d3ff0e54b782201e9751b1f03|magnet:?dn=Eric+Denis-Cairo+Reversed%2C+Values+and+Spaces.ogv&xt=urn%3Asha1%3A3NKNZOKMV7QPITJLI7DZXKIXR432KMRShttp://v2v.cc/sites/v2v.cc/files/torrents/Eric Denis-Cairo Reversed, Values and Spaces.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Wir sind keine SchöpferInterview with Jean-Marie Straub and Danièle Huillet by Rembert Hüser, Robert Bramkamp and Hubertus Müll, november 1988, Münster. The filmmakers talk about the making of "Der Tod des Empedokles", questions of different text editions, the search for film locations, orchestration, usage of language and working with strata and geologie. Production and broadcast: Einer Keiner Hundertausend, Nr. 1. Kulturmagazin der Filmerkstätten NRW / Kanal4.2009-01-19T12:11+00:00de1988Einer Keiner Hundertausendrobert@bramkamp.infohttp://straub-huillet.net3442302400:11:16.360Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/VPWWFD7D34XTIOZSOTNBZ3ZG3RVMIV6Q
ed2k://|file|interview_emp.ogg|34423024|0c342bab8713c6e6ade2d231023725c8|magnet:?dn=interview_emp.ogg&xt=urn%3Asha1%3AVPWWFD7D34XTIOZSOTNBZ3ZG3RVMIV6Qhttp://v2v.cc/sites/v2v.cc/files/torrents/interview_emp.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Simon Yuill LectureConference Verbindingen / Jonctions - 10
***
Artist and programmer based in Glasgow, Scotland. He is a developer in the spring_alpha and Social Versioning System (SVS) projects. He has helped setup and run a number of hacklab and free media labs in Scotland including the Chateau Institute of Technology (ChIT) and Electron Club, as well as the Glasgow branch of OpenLab. He has written on aspects of Free Software and cultural praxis and has contributed to publications such as Software Studies (MIT Press, 2008), the FLOSS Manuals and Digital Artists Handbook project (GOTO10 and Folly).Part 2 of 32008-11-19T15:03+00:00en2006constantinfo@constantvzw.comhttp://data.constantvzw.org/site/spip.php?rubrique4643065772UnknownOgg -
http://v2v.cc/v2v/show/7DTUJOM6NYRCRIOSALSJJH2QHTPIPP42
ed2k://|file|02-12-07-Yuill2.ogg|43065772|535b3c07c5758f511ff12a1fb0af3211|magnet:?dn=02-12-07-Yuill2.ogg&xt=urn%3Asha1%3A7DTUJOM6NYRCRIOSALSJJH2QHTPIPP42http://v2v.cc/sites/v2v.cc/files/torrents/02-12-07-Yuill2.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info
***
13:15 Die Tagung im Rückblick: Zusammenfassung und offene Diskussion13:15 Die Tagung im Rückblick2008-10-31T19:07+00:00de2008kein.tvhttp://irights.info45325911200:50:46.480Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/KOWMCOJYBGYLLSM7LLD42WWJVQ46TZZB
ed2k://|file|kau_so_1300_1300.ogv|453259112|2c77b44f2182cae4f9c21adea104c3e0|magnet:?dn=kau_so_1300_1300.ogv&xt=urn%3Asha1%3AKOWMCOJYBGYLLSM7LLD42WWJVQ46TZZBhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_so_1300_1300.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info ***
11:00 Organisation von Kreativarbeitern // Diskussion
Veronika Mirschel, Leiterin des ver.di-Referats Selbstständige, Berlin
Dr. Alexandra Manske, Institut für Gesellschaftswissenschaften und historisch-politische Bildung, Technische Universität Berlin
Manuela Zechner, Künstlerin, London
Marc Röbbecke, Heimatdesign, Dortmund
Moderation: Valie Djordjevic, iRights.info
***
Arbeitnehmer schließen sich traditionell zu Gewerkschaften zusammen, um gemeinsam ihre Interessen durchzusetzen. Viele Kreative jedoch reiben sich als Einzelkämpfer in Verhandlungen mit Verlagen, Galerien oder Plattenfirmen auf. Wer vertritt die Interessen der prekarisierten Kulturarbeiter im 21. Jahrhundert? Was bieten Gewerkschaften den kreativen Freiberuflern, können sie die Vielfalt der Beschäftigungsformen erfassen? Sind alternative Zusammenschlüsse außerhalb der institutionalisierten Künstler- und Autorenorganisationen eine Lösung? Oder gehört die Zukunft sozialen Netzwerken, die ihren Kampf für eine faire Bezahlung in Facebook organisieren?11:00 Uhr Organisation von Kreativarbeitern2008-10-31T14:53+00:00de2008kein.tvhttp://irights.info1155871879UnknownOgg -
http://v2v.cc/v2v/show/FA3WLMBGH26MV3MRXNRYK7MR3IJ3HYMZ
ed2k://|file|kau_so_1100.ogv|1155871879|b03107ddc816ceda54de361f2191e004|magnet:?dn=kau_so_1100.ogv&xt=urn%3Asha1%3AFA3WLMBGH26MV3MRXNRYK7MR3IJ3HYMZhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_so_1100.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht - 26.-28. September 2008 in der PHOENIX Halle Dortmund - Die Tagung ist eine Kooperation von HMKV und iRights.info ***
# 17:00 Remix Culture // Diskussion mit
# Dr. Felix Stalder, Dozent Theorie der Mediengesellschaft, Züricher Hochschule der Künste, Vertiefung Neue Medien
# Martin Conrads, freier Autor; Dozent am Institut für Transmediale Gestaltung, Universität der Künste Berlin
# Frank Dostal, Textdichter, Producer, stellvertretender Aufsichtsratsvorsitzender der GEMA, Hamburg
# Johannes Kreidler, Komponist und Musiktheoretiker, Hochschule für Musik und Theater Rostock, Hochschule für Musik Detmold, Berlin
# Thierry Chervel, Journalist, Mitbegründer des Online-Magazins Perlentaucher, Berlin
Moderation: Dr. Inke Arns, HMKV ***
Kultur war schon immer Bezugnahme auf und produktive Verarbeitung von vorhergehenden kulturellen Äußerungen. Neue Technologien machen heute diese Aneignungen leichter - und führen zu einer massenhaften Re-Kreativität („Sampling“). Das Panel beschäftigt sich mit zeitgenössischen aneignenden Kulturpraktiken, die sich in rechtlichen Grauzonen bewegen und fragt, inwiefern das derzeitige Urheberrecht Kultur effektiv be- oder sogar verhindert. Heute entscheidet sich, ob wir in Zukunft in einer „Remix Culture“ – also einer Gesellschaft, die die Entstehung abgeleiteter („derivativer“) Werke erlaubt bzw. explizit fördert – oder in einer „Permission Culture“ („Erlaubniskultur“) leben werden, in der jede aneignende Bezugnahme einer expliziten Erlaubnis des Rechteinhabers bedarf.17:00 Uhr Remix Culture2008-10-31T00:27+00:00de2008kein.tvhttp://irights.info103046498801:55:33.720Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/AASKAA4PYOJLIE3WPMG7ACQHGDDLY5RG
ed2k://|file|kau_sa_1700_1800.ogv|1030464988|7672ef5f439b3b103b1cdde0d6fea5fc|magnet:?dn=kau_sa_1700_1800.ogv&xt=urn%3Asha1%3AAASKAA4PYOJLIE3WPMG7ACQHGDDLY5RGhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_sa_1700_1800.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The InformalDictionay of War Taipei, October 25th 2008Manray Hsu2008-10-31T00:15+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org307266965UnknownOgg -
http://v2v.cc/v2v/show/KMC3SFAQD7TTPHYQ72N7H2SDIXVMI26C
ed2k://|file|the_informal.ogv|307266965|9f55768aeb41bfcf63a6ea5e2be27516|magnet:?dn=the_informal.ogv&xt=urn%3Asha1%3AKMC3SFAQD7TTPHYQ72N7H2SDIXVMI26Chttp://v2v.cc/sites/v2v.cc/files/torrents/the_informal.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info ***
13:30 Rekreativität und Urheberrecht // Vortrag von
Dr. Volker Kitz, LL.M. (New York University), Höcker Rechtsanwälte, Köln / Max-Planck-Institut für Geistiges Eigentum, München,
Moderation: Philipp Otto, iRights.info
***
Kreativität ist zu weiten Teilen immer auch Rekreativität: Sampling, Remixing, Appropriation, Cut-Ups und Mashups sind weit verbreitete Phänomene. Betroffen sind alle Bereiche kreativen Schaffens. Insbesondere der User Generated Content lebt von Rekreativität. Welche legalen Möglichkeiten für Rekreativität gibt es derzeit? Wie haben sich die rechtlichen Voraussetzungen für Zitat, Parodie und andere freie Benutzung im Lauf der Zeit verändert? Wie können neue Lizenzierungsmodelle die Rekreativität fördern? Welche rechtspolitischen Forderungen kann die kreative Klasse realistischerweise erheben?13:30 Uhr Rekreativität und Urheberrecht2008-10-30T23:40+00:00de2008kein.tvhttp://irights.info62387871401:16:13.760Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/MGFCD4CQRUREE2XLJSRFTKUNJBCGN73T
ed2k://|file|kau_sa_1330.ogv|623878714|85097cc59338426283d65d45adced9c4|magnet:?dn=kau_sa_1330.ogv&xt=urn%3Asha1%3AMGFCD4CQRUREE2XLJSRFTKUNJBCGN73Thttp://v2v.cc/sites/v2v.cc/files/torrents/kau_sa_1330.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info ***
11:00 Anticopyright in künstlerischen Subkulturen // Vortrag von
Dr. Florian Cramer, Course Director Media Design M. A. und Professorial Coordinator (Lector) des Forschungsprojektes „Communication in a Digital Age“, Piet Zwart Institute, Willem de Kooning Academy, Rotterdam University of Applied Sciences.
Moderation: Dr. Inke Arns, HMKV ***
Der Vortrag erzählt eine Kulturgeschichte von Anticopyright-Kunst und -Aktivismus vor allem des späten 20. Jahrhunderts. Inspiriert von Lautréamonts Lob des Plagiats und Marcel Mauss' Anthropologie von „Geschenkökonomien“ propagieren Situationisten, Neoisten, Festivals of Plagiarism, Plunderphonics und das Luther Blissett-Projekt eine Kultur ohne geistiges Eigentum. Im Internet schreibt sich ihr Diskurs fort und ist neue Allianzen mit GNU-Copyleft, Open Source und Filesharing-Aktivismus eingegangen. Doch bleibt in diesem Mainstream des Anti-Copyrights ästhetische Radikalität auf der Strecke?11:00 Uhr Anticopyright in künstlerischen Subkulturen2008-10-30T17:28+00:00de2008kein.tvhttp://irights.info52621099801:09:45.800Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/5A5SRITE2QP4JIHE7KUYANARU7GTJL2V
ed2k://|file|kau_sa_1100_1200.ogv|526210998|216f35fa69f7d5b12017d6e569a0e14d|magnet:?dn=kau_sa_1100_1200.ogv&xt=urn%3Asha1%3A5A5SRITE2QP4JIHE7KUYANARU7GTJL2Vhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_sa_1100_1200.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info***
# 20:30 Wir spielen, was wir wollen // Konzert
# Christian von Borries, Dirigent, Komponist und Produzent, Berlin mit Schülerinnen und Schülern der Musikschule Dortmund (Uraufführung)
***
Der Berliner Dirigent und Musiker Christian von Borries erarbeitet zusammen mit Dortmunder MusikschülerInnen eine neue Musik, die aus der Lieblingsmusik der TeilnehmerInnen besteht. Die Stücke verschiedenster Musikgenres, die in Form von Xerox Kopie, mp3, gepfiffener Melodie oder Erinnerung vorliegen, werden verschiedenen Kopier- und Scanvorgänge unterzogen. Dabei entstehen zwangsläufig Übersetzungsfehler und Unschärfen, die zu zentralen Elementen der neu entstehenden Komposition bzw. deren Notation werden. Handelt es sich bei den neuen, live gespielten Stücken um Medleys, Cover-Versionen, Adaptationen, Interpretationen oder gar eigenständige neue Kompositionen – oder gar nichts von alledem? Die Beantwortung dieser Frage wirkt sich unmittelbar auf die – möglicherweise unbezahlbaren – (Lizenz-)Gebühren aus. Dürfen wir wirklich spielen, was wir wollen?20:30 Uhr Wir spielen, was wir wollen2008-10-30T15:14+00:00de2008kein.tvhttp://irights.info23231897000:20:35.880Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/QYI2CZ67COMUK6NGWEUUOTGQC43OMKTH
ed2k://|file|kau_fr_2030.ogv|232318970|d9b69c1d75f20bf952254c87e9534f10|magnet:?dn=kau_fr_2030.ogv&xt=urn%3Asha1%3AQYI2CZ67COMUK6NGWEUUOTGQC43OMKTHhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_fr_2030.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info ***
17:45 Kunst und ihre technische Reproduktion // Diskussion mit
Cornelia Sollfrank, Netz- und Konzeptkünstlerin, Hamburg, derzeit Dundee, sowie
Prof. Dr. Gerhard Pfennig, Geschäftsführender Vorstand VG Bild-Kunst, Bonn und
Christoph Irrgang, freier Fotograf, Hamburg sowie
Hanns-Peter Frentz, Leiter Bildarchiv der Stiftung Preußischer Kulturbesitz.
Moderation durch Dr. Volker Grassmuck, iRights.info. ***
Die Künstlerin malt. Das Museum kauf an. Der Fotograf reproduziert. Die Agentur vermarktet. Die Verwertungsgesellschaft verwertet. So weit so einfach. Aber wie werden die Erlöse aufgeteilt und wie verändern sich die Verhältnisse durch die Digitalisierung der Medienwelt? Die Umsätze auf dem Kunstmarkt entwickeln sich positiv, wie die Enquete-Kommission Kultur des Deutschen Bundestages feststellte. „Doch nur wenige Künstlerinnen und Künstler haben daran auch teil.“ Sammeln, Bewahren, Forschen, Ausstellen im Dienste der Öffentlichkeit sind die Aufgaben des Museums. Heute kommt eine hinzu: Verwerten. Wird das Museum zum Anhang seines Shops oder erfüllt sich Benjamins Vorstellung von der Demokratisierung der Anteilnahme an Kunst durch ihre technische Reproduzierbarkeit?17:30 Uhr Kunst und ihre technische Reproduktion2008-10-30T12:24+00:00de2008kein.tvhttp://irights.info982641832UnknownOgg -
http://v2v.cc/v2v/show/LMUCOVFOBMHODWDR7BQOQEGYUUA6RGYW
ed2k://|file|kau_fr_1730_1930.ogv|982641832|a4a9063e8c5546623723005cfb98d32b|magnet:?dn=kau_fr_1730_1930.ogv&xt=urn%3Asha1%3ALMUCOVFOBMHODWDR7BQOQEGYUUA6RGYWhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_fr_1730_1930.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info ***
15:30 Wer bezahlt Kreativität? // Diskussion mit Paul Keller, Senior-Projektleiter Creative Commons Niederlande & Vorstandsmitglied iCommons, Amsterdam und Peter Grafe, Referatsleiter K16 Kulturwirtschaft im BKM (Der Beauftragte der Bundesregierung für Kultur und Medien), Bonn, sowie Meike Richter, Kulturwissenschaftlerin, Dozentin, Kuratorin und freie Journalistin überwiegend für den NDR, Hamburg und Martin Juhls, Musiker, Kulturmanagement, sternschaltung, Dortmund. Moderiert vion Matthias Spielkamp, iRights.info. ***
Kreative arbeiten in aller Regel freischaffend. Das Panel erkundet, wo sie Abnehmer und Förderer für ihre Werke finden. Wie sieht es tatsächlich aus in der Kultur- und Kreativwirtschaft, die von der Politik als Wachstumsmotor gesehen und besonders gefördert wird? Ist es möglich, Werke unter Creative Commons frei zu lizenzieren und dennoch Geld damit zu verdienen? Wo streckt sich Kulturschaffenden die öffentliche Hand entgegen: in Rundfunk und Theater, mit Wettbewerben und Residencies? Oder bleibt für die meisten Bohemiens doch nur der prekäre Mix aus Kneipenjob, Arbeitslosenhilfe und einem seltenen Taschengeld für die eigentliche kreative Arbeit?15.30 Uhr Wer bezahlt Kreativität?2008-10-29T16:19+00:00de2008kein.tvhttp://irights.info80387642901:46:08.000Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/LGQZXF7G44UZ33CHCGMAQA6XLG2RI2LV
ed2k://|file|kau_fr_1530.ogv|803876429|c0f09447a08f615baabbb89a7658cca5|magnet:?dn=kau_fr_1530.ogv&xt=urn%3Asha1%3ALGQZXF7G44UZ33CHCGMAQA6XLG2RI2LVhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_fr_1530.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info ***
13:45 Einkommensverhältnisse von Kreativen - Vortrag von Prof. Dr. Martin Kretschmer, Lehrstuhl für Informationsrecht & Direktor des Centre for Intellectual Property Policy & Management, Bournemouth University und Moderation von Dr. Volker Grassmuck, iRights.info ***
Martin Kretschmer und Philip Hardwick haben die erste umfassende empirische Studie zum Einkommen von Autoren aus Urheberrechten vorgelegt. Dazu haben sie 25.000 britische und deutsche Autoren befragt und Daten von Verwertungsgesellschaften, Künstlersozialkasse, Einkommenssteuer und Arbeitsämtern ausgewertet. Das Ergebnis: Die Einnahmen von Autoren liegen deutlich unter dem gemittelten nationalen Lohnniveau. Wenige Stars erzielen einen überproportionalen Anteil daraus. In Deutschland mit seiner stärkeren Regulierung von Urheberrechtsverträgen ist die Verteilung weniger stark verzerrt, aber die Einnahmen noch niedriger als in England. Autorinnen verdienen deutlich weniger als ihre männlichen Kollegen. Die zunehmende Verwertung im Internet hat sich nicht in zusätzliche Einnahmen übersetzt. Die typischen Autoreneinnahmen sind seit 2000 in beiden Ländern zurückgegangen.13:45 Uhr Einkommensverhältnisse von Kreativen2008-10-29T13:23+00:00de2008kein.tvhttp://irghts.info63268217901:19:10.120Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/IKDCQI5QLNQ5XHBFEQ6F23XAQJRSEOMS
ed2k://|file|kau_fr_1345_1500.ogv|632682179|c9bb9b89d5347e6806cdb32f47cb6b0c|magnet:?dn=kau_fr_1345_1500.ogv&xt=urn%3Asha1%3AIKDCQI5QLNQ5XHBFEQ6F23XAQJRSEOMShttp://v2v.cc/sites/v2v.cc/files/torrents/kau_fr_1345_1500.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.War and Multitude - Ali AkayDictionay of War Taipei, October 25th 2008
Leaving behind the 20th century, the 21st century has appeared with two directions. On the one hand, a hope for the world with more freedom after the fall of the Berlin Wall; on the other hand, the hegemony of capital which has been named ‘Empire’ is as the imperial system based on the military operations and the occupations over multitude. A reaction has been created by the opponents which are called and conceptualized as ‘Multitude’ in a sensibility which has occurred not only with the former leftist anarcho-gochist groups but also with an ecological market rethinks a multi-dynamics ecological world and unites with multitude. These multi-dynamics come out as the players of today’s dictionary of war. In this political situation, there is an international immigration practice emerging from the movements of labor and capital becomes too mobile, so that it makes the fact of hybridization composing with multiculturalism, post-colonial discourse and the “third space” possible. At this point, by turning to a conceptual approach, it is proper to look at the grammar of war in the dictionary of the thought of Tarde in the beginning of the 20th century.2008-10-29T12:21+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org26505468400:35:49.080Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/TB42M4TYKUZ4DIDNV3ULVC32VMAO5TDW
ed2k://|file|War_and_Multitude.ogv|265054684|9388aa558df04821d9a214ad3db8a201|magnet:?dn=War_and_Multitude.ogv&xt=urn%3Asha1%3ATB42M4TYKUZ4DIDNV3ULVC32VMAO5TDWhttp://v2v.cc/sites/v2v.cc/files/torrents/War_and_Multitude.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Waiting - Brett NeilsonDictionay of War Taipei, October 25th 2008
War is mostly about waiting. In strategy there is delay. In fear there is hesitation. In engagement there is exit. Languor, boredom, nullity: waiting around for orders, mobilization or attack. Capture and detention, setbacks and impediments, quagmires and fog: in all there is a tendency to confusion and deferral. Far from the politics of decision and the friend/enemy divide, waiting reminds us of all that is uncertain or undecidable in war. And if, by other means, war is politics, it signals the importance, perhaps the virtue, of patience in political life. Waiting, in other words, is a register of all that cannot be won or lost in war. Above all, it is a tonality of experience triggered by a sense of finitude, by the expectation that war will end. But what becomes of this expectation when war becomes permanent, perpetual or infinite? In a war without limits of time or place, what is the sense of waiting?2008-10-29T12:20+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org20512513400:24:58.196Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/LCPCCTIYLDLPKHJVAFH3M6UWH5II54TP
ed2k://|file|Waiting.ogv|205125134|cfc67f43510cff5e1a3047501b972c1f|magnet:?dn=Waiting.ogv&xt=urn%3Asha1%3ALCPCCTIYLDLPKHJVAFH3M6UWH5II54TPhttp://v2v.cc/sites/v2v.cc/files/torrents/Waiting.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Vacuity, topo, deception, detour, bunker - Ti-Nan ChiDictionay of War Taipei, October 25th 2008
Subtle! Subtle! It approaches the formless. ─ Sun Tze, Art of War, 500 BC
Micro-urbanism came out of a shifting paradigm of city and philosophy, which suggests there are internal realities to be investigated in order to describe how things interact and coordinate in the micro-scale realm, and which manifest the true spirit of a city and its people. Architects not only need to work within these inner systems but also to forge tactics in the micro-zones, in order to propel the self-healing potential that has been forgotten and dumped in the cultural politics of design.2008-10-29T12:19+00:00zh2008DICTIONARY OF WARhttp://dictionaryofwar.org34331423400:42:09.226Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/BG5LHC5GLBSOSZCZLPORCMZB5DV5CFZN
ed2k://|file|Vacuity,_topo,_deception,_detour,_bunker.ogv|343314234|fbb065cdf202d41a74b4ad8a26b583d6|magnet:?dn=Vacuity%2C_topo%2C_deception%2C_detour%2C_bunker.ogv&xt=urn%3Asha1%3ABG5LHC5GLBSOSZCZLPORCMZB5DV5CFZNhttp://v2v.cc/sites/v2v.cc/files/torrents/Vacuity,_topo,_deception,_detour,_bunker.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Piracy - Tilman BaumgärtelDictionay of War Taipei, October 25th 2008
This paper looks at the phenomenon of media piracy on the internet and in real space. As I live in the Philippines, I will focus on the piracy here, but my remarks will not be limited to the local situation. I will look at the phenomenon of piracy as such and try and outline some observations about how piracy works. First of all, I will look at piracy as a means of distributing films, and - drawing on interviews with some traders of pirated media material - on how the piracy market functions in the Philippines. I will also discuss the effect that the access to quality films has on the local film culture and media literacy in general and on the teaching of film in particular. Then I will discuss the unprecedented rise of media piracy in the last couple of years as one of the most prominent issues of the "digital millennium". The "Pirates of the New World Image Order" (Patricia R. Zimmermann) are not only piggy-backing on the new globalized economy that has arisen due to the world-wide deregulation and liberalization of markets in the 1980s and 1990s. They are also profiteers of a number of technological developments in the computer sciences such as the international expansion of the Internet, which has challenged traditional notions of copy right and intellectual property on a very fundamental level.2008-10-29T12:17+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org35881285400:36:56.881Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/KRUOGXJ6QQGJ2UUEVGSII73TJZBSEC3P
ed2k://|file|Piracy.ogv|358812854|47d2bf416eae00dbfca39d52b8e5d34a|magnet:?dn=Piracy.ogv&xt=urn%3Asha1%3AKRUOGXJ6QQGJ2UUEVGSII73TJZBSEC3Phttp://v2v.cc/sites/v2v.cc/files/torrents/Piracy.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Loyalty - Sam de SilvaDictionay of War Taipei, October 25th 2008
The tactic of killing in the name of loyalty places the non-fighter, the peacemaker - the journalist, the ordinary person - in to the war and the zone of fire. The Tamil Tigers, a militant group, branded terrorists by the US, Europe and Canada, has a track record of killing people from their own ethnicity, who challenge their strategy. Journalists who write critically against the Government or contribute to "demoralising" the army are attacked, disappeared and killed. The concept of "loyalty" will be explored through the Sri Lankan experience, a bloody war over land and power has been waging for over 25 years. Are you with us or against us2008-10-29T12:15+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org15503135300:18:11.290Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/NGYD7NF4YETUXR47XFOASRXAOABLUYZM
ed2k://|file|Loyalty.ogv|155031353|d6abff8f54230b2825c8fc65dda05ed6|magnet:?dn=Loyalty.ogv&xt=urn%3Asha1%3ANGYD7NF4YETUXR47XFOASRXAOABLUYZMhttp://v2v.cc/sites/v2v.cc/files/torrents/Loyalty.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Insulation - Ashok SukumaranDictionay of War Taipei, October 25th 2008
Insulation is the silent twin of "mediation".
It is the wrapper of refusal that surrounds and protects an act of transmission, of exchange, or of transport. It is then a systemic, "objective" part of the ways in which we distribute ideas, information, and materials.
When visible, insulation provides an image in outline, of the symbolic order: shapes that tell the story of distribution, mark the boundaries of commodities, their flows, and provide a surface for continuous conflict... a Wall across which to imagine and produce an outside, and an interior. But then, do not these very materials also produce the shelters, camouflages, isolations, prophylactics, inductions and touch-me-nots that mark the conceptual limits of an era of advancing "networks" ?
Could there be a political possibility here, a line of defence?
Lenin once made a proposal to melt down enough church bells to provide the copper conductors necessary to wire yet un-electrified Soviet villages. In a contemporary response, we should be melting down and reusing things with quite the opposite properties, offering a different articulation of what is urgent, and a different order of sacrifice.2008-10-29T12:11+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org25197671300:27:39.190Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/KV74ZJPWPIICOFLSDTBWFF44HY4LW22J
ed2k://|file|Insulation.ogv|251976713|14f922646173267c3d0249616b25343f|magnet:?dn=Insulation.ogv&xt=urn%3Asha1%3AKV74ZJPWPIICOFLSDTBWFF44HY4LW22Jhttp://v2v.cc/sites/v2v.cc/files/torrents/Insulation.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Four Notions on War - Wong Hoy CheongDictionay of War Taipei, October 25th 20082008-10-29T12:09+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org45767837300:47:15.365Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/GOH2WSU5MUQWKVA4ZVQ3V3CSACIZBUMH
ed2k://|file|Four_Notions_on_war.ogv|457678373|ef90805e4eec09c9c5144d4aabc8c929|magnet:?dn=Four_Notions_on_war.ogv&xt=urn%3Asha1%3AGOH2WSU5MUQWKVA4ZVQ3V3CSACIZBUMHhttp://v2v.cc/sites/v2v.cc/files/torrents/Four_Notions_on_war.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Dark Matter - Gregory SholetteDictionay of War Taipei, October 24th 2008
Sholette's research into politically-engaged artists' collectives raises the following proposition: cultural economies are secretly dependent upon a sphere of hidden social production involving cooperative networks, systems of gift exchange, unwaged labor, and collective forms of practice that act as a type of missing mass or dark matter, which the art world typically refuses to acknowledge. Thanks in large part to the spread of digital networks, however, this dark matter is getting brighter. By looking at more than 30 years of contemporary artists' collectives, Sholette's research attempts to map this materializing missing mass politically, as part of a broader history from below.2008-10-29T10:50+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org33190910800:36:29.887Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/QF4O7NDQ4YH422HUUDDTJ2ISICFAIFOR
ed2k://|file|Dark_Matter.ogv|331909108|3546da4245630b9fe47a02836f91598d|magnet:?dn=Dark_Matter.ogv&xt=urn%3Asha1%3AQF4O7NDQ4YH422HUUDDTJ2ISICFAIFORhttp://v2v.cc/sites/v2v.cc/files/torrents/Dark_Matter.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Conflict within Peace, Peace within Conflict - York W. ChenDictionay of War Taipei, October 24th 2008
In his lecture entitled Conflicts within Peace, Peace within Conflicts, Dr. Chen will discuss the unique situation of simultaneous war and peace that seems to exist across the Taiwan Strait. It goes without saying that the cross-strait political relationship is an extremely unusual case in international politics, and although most countries don't acknowledge Taiwan's nationhood and maintain it is a part of China, Taiwan is active on the international stage as a sovereign and independent national entity.2008-10-29T10:47+00:00zh2008DICTIONARY OF WARhttp://dictionaryofwar.org44025306000:32:36.287Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/EU3EV4A5ZGMFFLN6DM5DJDTFF5CR3NBV
ed2k://|file|Conflict_Within_Peace,_Peace_Within_Conflict.ogv|440253060|743d2e4e9bd9f3b0f83835603290e1c8|magnet:?dn=Conflict_Within_Peace%2C_Peace_Within_Conflict.ogv&xt=urn%3Asha1%3AEU3EV4A5ZGMFFLN6DM5DJDTFF5CR3NBVhttp://v2v.cc/sites/v2v.cc/files/torrents/Conflict_Within_Peace,_Peace_Within_Conflict.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Cold, Coldness, the War of Coldness - Shih-Chieh Ilya LiDictionay of War Taipei, October 24th 2008
As the Russian army invaded the Georgian territory, right in the same day China celebrating its "one world, one (Olympic) dream", mainstream media soon were flooded with the term "new cold war". Russia is back, and right now United States of America is facing its most serious, urgent, catastrófico economic Recession that is going to influence the world. For the western journalist, cold war was over decades ago, and the "new" is coming back to haunt the world with it's new axis, new friends, and new competition.
But there are certain places on the earth that still under the same old coldness. Just like the South Eastern Asian jungle where Japanese soldiers hided into and waited for long term resistance, people there just missed the institutional de-frozen message: the Emperor/tennō/Mikado's radio lecture announcing "unconditional surrender". Post-war period after World War II is called "Cold War", and when is the end of "Cold War"? Are we officially providing any equipment, or any institutionalized effort, to terminate the coldness?
In post WWII situation, Taiwan was deemed the important freedom fighting fortress on the Pacific Ocean. An un-sinkable aircraft carrier. A free China, China outside of China. A kind of democracy window to let people look into the iron curtained Chinese mankind. Taiwanese development was deemed strategically aligned with US's interests. Embracing the financial (mostly in the form of raw material, just like the extended market for USA national production) support and accompanied ideologies, we are connected with the center of the war. Show our loyalty, going nowhere but embracing the superpower, even the enlightenment is coming from most US then coming back to our own people.
Taiwan is not only a free China, better China, civilized China, but also an unsinkable refrigerator. Taiwan is a cold generating device. Taiwan is institutionalized into the generator of our own coldness, and help in sustaining other people's coldness. When our enlightened intellectuals coming back to Taiwan, they found Taiwanese people are so "cold", not responding to external International situations: don't go out to protest against the Viet Nam war, for example. How do we react to this situation? We don't even know who we are! The only thing we know is to produce things. We are hardworking people, and we are doing really good.
As no one is officially announcing "the cold war is over" (they don't announce it when it began neither!) , the coldness generating device, the unsinkable freedom carrier on the Pacific Ocean, is still hardworkingly outputting its coldness. No one yet to check the ruins so very few people know it's still working. Some politician knows the product these people produced, so smartly find a way to utilize these coldness-related products. At least to better their political lives.
I would like to propose a research/re-search into coldness, to uncover the cold war's technical sides: cold war's instrumentality, how did it terminated or even everlasting? What are the strategies and tactics of cold war initiator / collaborators? Do they know we are the children of coldness, and those are even extending to today?2008-10-29T10:42+00:00zh2008DICTIONARY OF WARhttp://dictionaryofwar.org20811915300:20:01.133Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/OHT4USUZKABQFK3BLRY6SDPNSSBO2F74
ed2k://|file|Cold,_Coldness,_the_War_of_Coldness.ogv|208119153|2d1f6828a723a1c034af9f2fcf6e506a|magnet:?dn=Cold%2C_Coldness%2C_the_War_of_Coldness.ogv&xt=urn%3Asha1%3AOHT4USUZKABQFK3BLRY6SDPNSSBO2F74http://v2v.cc/sites/v2v.cc/files/torrents/Cold,_Coldness,_the_War_of_Coldness.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info***
11:30 Was für ein Urheberrecht braucht kreative Arbeit? // Standpunkte mit
RA Wolfgang Schimmel, Sekretär im Fachbereich Medien, Kunst und Industrie, ver.di, Stuttgart und
Ilja Braun, freier Journalist, Köln sowie
Paul Keller, Senior-Projektleiter Creative Commons Niederlande & Vorstandsmitglied iCommons, Amsterdam und
Christian von Borries, Dirigent, Komponist und Produzent, Berlin
Moderation: Dr. Till Kreutzer, iRights.info ***
Das Urheberrecht schützt die ideellen und materiellen Interessen der Urheber – sagt jedenfalls das Urheberrecht. Aber tut es das wirklich? Und tut es das in seiner gegenwärtigen Form? Was für ein Urheberrecht brauchen denn die Kreativen, die „Arbeiter 2.0“? Diesen Fragen werden vier Referenten nachgehen, die von den Antworten unmittelbar betroffen sind. Die kurzen, zehnminütigen Statements bilden den Auftakt zur Konferenz. Sie werden ein breites Spektrum unterschiedlicher Meinungen von Personen aufzeigen, die eigentlich alle „auf der gleichen Seite“, auf der Seite der Urheber stehen, jedoch ganz unterschiedliche Positionen vertreten. Dies dient nicht nur der Einführung in die Thematik, sondern auch dazu, einen Eindruck davon zu vermitteln, wie kontrovers über die Ausgestaltung eines zeitgemäßen Urheberrechts diskutiert wird.11.30 Uhr: Was für ein Urheberrecht braucht kreative Arbeit?2008-10-29T10:37+00:00de2008kein.tvhttp://http;//irights.info560118832UnknownOgg -
http://v2v.cc/v2v/show/UM2A7RP55VLFSPOS3YCOQKWFBTE6FDNO
ed2k://|file|kau_fr_1130.ogv|560118832|22a17e521963ee36de1dd1cf040203e0|magnet:?dn=kau_fr_1130.ogv&xt=urn%3Asha1%3AUM2A7RP55VLFSPOS3YCOQKWFBTE6FDNOhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_fr_1130.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Blank Space - Annett Busch and Florian SchneiderDictionay of War Taipei, October 24th 2008
"To open to civilization the only part of our globe which it has not yet penetrated, to pierce the darkness which hangs over entire peoples..." With these words the "King of the Belgians", Leopold II. welcomed the participants of the "Geographical Conference" that took place in September 1876 at the Royal Palace in Brussels. Only nine years later nearly one million square miles in central Africa, an area that Joseph Conrad once called "the blankest of all blank spaces", has been named the "Congo Free State". For the next 23 years it was the private property of Leopold II. During that period at least 8 million people lost their lives under a regime of terror and exploitation.2008-10-29T10:36+00:00en200822109932200:25:15.514Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/G2P6TQS3DW4ACKPUA4HL6TVAVWXNTIJP
ed2k://|file|Blank_Space.ogv|221099322|f103b2bfae07a1df6828a1bccd38ac32|magnet:?dn=Blank_Space.ogv&xt=urn%3Asha1%3AG2P6TQS3DW4ACKPUA4HL6TVAVWXNTIJPhttp://v2v.cc/sites/v2v.cc/files/torrents/Blank_Space.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ambient Fears - Nikos PapastergiadisDictionay of War Taipei, October 24th 2008
Ever since September 11th not only has the perception of risk escalated but the meaning of fear has changed. At a personal level people have been speculating over their exposure to danger and institutions revising their security measures. Their capacity to cope with threats has been undermined by a loss of trust and morale. Fear has saturated every aspect of life. The American government has had to measure their ambition for global domination against the simmering prospects of revenge and sabotage occurring in their own locale. This level of anxiety is different to earlier forms of fear. It was easier to gain a sense of ironic distance from the earlier renditions of an invasion. Who can you trust? The enemy could be anyone or anywhere. The colonizer’s greatest fear is not the confrontation of the otherness in the enemy but the unexpected risks in intimacy. The intimate enemy can not only do greater harm than the visible foe but also sustain a state of perpetual anxiety that undermines any relief found in conquest. Ultimately, this state of being – when even silence is pregnant with danger, and where every stranger is also a potential enemy – is precisely the goal of the avenging colonized. Their aim is to disperse fear into the whole environment: to make anxiety ubiquitous and unlocatable. In this lecture I will examine a number of individual artistic and collective collaborative responses to the new politics of ambient fear.2008-10-29T10:34+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org38290987200:32:39.824Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/PCLRLJTAYODCUK67B37H5354CDWK4ZJS
ed2k://|file|Ambient_Fears.ogv|382909872|df37ca313cde775ac2fcfba26373ec08|magnet:?dn=Ambient_Fears.ogv&xt=urn%3Asha1%3APCLRLJTAYODCUK67B37H5354CDWK4ZJShttp://v2v.cc/sites/v2v.cc/files/torrents/Ambient_Fears.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Accident - Ravi SundaramDictionay of War Taipei, October 24th 2008
The accident has been seen as an origin myth for a new prosthetic enhancement to the body in its drive to war (Marinetti). Recently, Paul Virilio calls the accident the diagnostic of technology, its inherent drive to catastrophe. What about the accident as the image of everyday danger in a city? Not an outside, not an inside.2008-10-29T10:31+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org14591049700:16:50.142Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/P3OYBZJXAQH5WBVDYDP6CNFCER3IU5DY
ed2k://|file|Accident.ogv|145910497|13a4214352ca8514b8cc12eae6e679af|magnet:?dn=Accident.ogv&xt=urn%3Asha1%3AP3OYBZJXAQH5WBVDYDP6CNFCER3IU5DYhttp://v2v.cc/sites/v2v.cc/files/torrents/Accident.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kreative Arbeit und UrheberrechtDokumentation der Tagung: Kreative Arbeit und Urheberrecht
- 26.-28. September 2008 in der PHOENIX Halle Dortmund -
Die Tagung ist eine Kooperation von HMKV und iRights.info
11:00 Eröffnung:
Udo Mager, Geschäftsführer Wirtschaftsförderung Stadt Dortmund
Dr. Inke Arns, HMKV
Dr. Volker Grassmuck, iRights.info11 Uhr Eröffnung2008-10-28T20:40+00:00de2008kein.tvhttp://irights.info368876846UnknownOgg -
http://v2v.cc/v2v/show/JSAIILNMTGI65G2FIFLEVS42JIUV6I3V
ed2k://|file|kau_fr_1100.ogv|368876846|1ec3e22c5a5f5107d084ad028a68a9cc|magnet:?dn=kau_fr_1100.ogv&xt=urn%3Asha1%3AJSAIILNMTGI65G2FIFLEVS42JIUV6I3Vhttp://v2v.cc/sites/v2v.cc/files/torrents/kau_fr_1100.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Alphabetical OrderDictionary of War 7th Edition, Meta-edition, Bolzano September 20-21 2008Annett Busch2008-10-06T07:24+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org5488028200:06:24.680Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/HMUCVCNMVF3JKRARP6HUDTEDX6MQM4XY
ed2k://|file|v2v_wdk_Alphabetical_Order_take2.ogv|54880282|2605b464e75056bac5c594cee37f6269|magnet:?dn=v2v_wdk_Alphabetical_Order_take2.ogv&xt=urn%3Asha1%3AHMUCVCNMVF3JKRARP6HUDTEDX6MQM4XYhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Alphabetical_Order_take2.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.SetupDictionary of War 7th Edition, Meta-edition, Bolzano, September 20-21 2008Susanne Lang2008-10-06T07:21+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org3855229900:05:43.440Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/BVLEFDIVFZERJLGOHUQXANSCZORVRS5J
ed2k://|file|v2v_wdk_Setup.ogv|38552299|8e595d37f8c9620b01500581ab75c2a2|magnet:?dn=v2v_wdk_Setup.ogv&xt=urn%3Asha1%3ABVLEFDIVFZERJLGOHUQXANSCZORVRS5Jhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Setup.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.WarDictionary of War 7th Edition, Meta-edition, Bolzano, September 20-21 2008Sebastian Luetgert2008-10-06T07:21+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org3401597800:03:32.520Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/SH5TYXKV2JYUBB46AU6TYYY4KW32L35R
ed2k://|file|v2v_wdk_War.ogv|34015978|9d889d3646c8209a89d531fb05b18e49|magnet:?dn=v2v_wdk_War.ogv&xt=urn%3Asha1%3ASH5TYXKV2JYUBB46AU6TYYY4KW32L35Rhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_War.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Concept PersonDictionary of War 7th Edition, Meta-edition, Bolzano September 20-21 2008Florian Schneider2008-10-06T07:20+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org9862879600:10:45.120Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/HRIGRZCP65AQAGTGCDA5ANGWYOXD4FP4
http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Concept_Person.torrentmagnet:?dn=v2v_wdk_Concept_Person.ogv&xt=urn%3Asha1%3AHRIGRZCP65AQAGTGCDA5ANGWYOXD4FP4ed2k://|file|v2v_wdk_Concept_Person.ogv|98628796|14fc9d70cd460c4cc33ca4dbdc8b85e8|This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.prozess gegen antimilitaristen eroeffnetFlorian L., Axel H. und Oliver R. were arrested after they allegedly tried to set fire on military trucks, made by MAN-AG in Brandenburg/Havel. Today they had their first court-day...
<br />
read more: <a href="https://einstellung.so36.net/de/1111">href="https://einstellung.so36.net/de/1111</a>2008-10-03T17:31+00:00de2008erperene@so36.nethttp://einstellung.so36.net1111253600:07:18.600Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/NLUJWD236SDR7CDKMMNEMHDSBSU2PEOA
ed2k://|file|pt_01.ogv|11112536|705a3891f1189e78d672da7d997f4311|magnet:?dn=pt_01.ogv&xt=urn%3Asha1%3ANLUJWD236SDR7CDKMMNEMHDSBSU2PEOAhttp://v2v.cc/sites/v2v.cc/files/torrents/pt_01.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Bundeswehreinsatz in AfghanistanTruppen nach Afghanistan?
Ohne sich dabei die 'Radikale' Attitüde ans Revers zu heften wirkt die Antikriegs-Szene, anders als ihr nachgesagt wird, wenig Illusionsgeschwängert.2008-09-30T22:26+00:00de2008cut@kill-hup.decut@kill-hup.dehttp://einstellung.so36.net12563200200:03:34.820Ogg Theora/Vorbis - 720x576/Stereo
http://v2v.cc/v2v/show/MN6WJTU67SQFQGC7PGJR2LFM4S2XZ3UA
ed2k://|file|antikrieg.ogv|125632002|8251540c5f02d9707d8ca7462f2138fe|magnet:?dn=antikrieg.ogv&xt=urn%3Asha1%3AMN6WJTU67SQFQGC7PGJR2LFM4S2XZ3UAhttp://v2v.cc/sites/v2v.cc/files/torrents/antikrieg.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.PartisanInnen, Kärntner - Tina LeischSaturday, October 14, 20062008-09-21T11:05+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org4884125600:22:11Ogg Theora
http://v2v.cc/v2v/show/ZMDPXOI6AMJFSQY4AJI3N3MS3JJFDLGY
ed2k://|file|v2v_wdk_PartisanInnen,_Kaerntner_Tina_Leisch.ogg|48841256|9a33c96cbf13be48bc2f335deedd1b9b|magnet:?dn=v2v_wdk_PartisanInnen%2C_Kaerntner_Tina_Leisch.ogg&xt=urn%3Asha1%3AZMDPXOI6AMJFSQY4AJI3N3MS3JJFDLGYhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_PartisanInnen,_Kaerntner_Tina_Leisch.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Textbook - Hyunjin KimDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:43+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/14524977000:20:34.903Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/UECN6M5EEPGJPLGGRHPHUOCL4DZN3EAK
ed2k://|file|v2v_wdk_Textbook_Hyunjin_Kim.ogv|145249770|09375c63ac521215a97fa542ce3d220d|magnet:?dn=v2v_wdk_Textbook_Hyunjin_Kim.ogv&xt=urn%3Asha1%3AUECN6M5EEPGJPLGGRHPHUOCL4DZN3EAKhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Textbook_Hyunjin_Kim.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Statelessness - Ursula BiemannDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:42+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/20565718600:20:06.909Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/VQ6YTCFJCELEAB4UMH6MATO3UI67KUXM
ed2k://|file|v2v_wdk_Statelessness_Ursula_Biemann.ogv|205657186|f5d92b59ed42578394dbb825af962990|magnet:?dn=v2v_wdk_Statelessness_Ursula_Biemann.ogv&xt=urn%3Asha1%3AVQ6YTCFJCELEAB4UMH6MATO3UI67KUXMhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Statelessness_Ursula_Biemann.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.State of Emergency - Jo RactliffeDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:41+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/44286169700:40:42.146Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/IXQHP3E7MTUKY5KZQPE35BLXPEYEUAHA
ed2k://|file|v2v_wdk_State_of_Emergency_Jo_Ractliffe.ogv|442861697|f93078f306ce6d96f723056e2c825003|magnet:?dn=v2v_wdk_State_of_Emergency_Jo_Ractliffe.ogv&xt=urn%3Asha1%3AIXQHP3E7MTUKY5KZQPE35BLXPEYEUAHAhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_State_of_Emergency_Jo_Ractliffe.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Reconquest - Patrick D. FloresDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:39+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/4023278900:03:40.687Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/2GQBPXFIBXERAXW47CHN6MXI2Y7VDN7X
ed2k://|file|v2v_wdk_Reconquest_Patrick_D._Flores.ogv|40232789|c2587e91553ae27db78cddf069cc4da8|magnet:?dn=v2v_wdk_Reconquest_Patrick_D._Flores.ogv&xt=urn%3Asha1%3A2GQBPXFIBXERAXW47CHN6MXI2Y7VDN7Xhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Reconquest_Patrick_D._Flores.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pundit - James Merle ThomasDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:38+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/6988803700:06:42.403Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/5B7AACHSOBQIRFAMPD45GVLG3MHJUOLV
ed2k://|file|v2v_wdk_Pundit_James_Merle_Thomas.ogv|69888037|80fbd73240a4ce5d27bdd6e9d116f70d|magnet:?dn=v2v_wdk_Pundit_James_Merle_Thomas.ogv&xt=urn%3Asha1%3A5B7AACHSOBQIRFAMPD45GVLG3MHJUOLVhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pundit_James_Merle_Thomas.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pig - Jang Un KimDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:37+00:00ko2008DICTIONARY OF WARhttp://dictionaryofwar.org/7352988800:07:24.745Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/XGZ3NTWIK227KE3BYOSSBAJQP7CIEWKB
ed2k://|file|v2v_wdk_Pig_Jang_Un_Kim.ogv|73529888|37c0b1f65544f283de3b1d8b3af0f546|magnet:?dn=v2v_wdk_Pig_Jang_Un_Kim.ogv&xt=urn%3Asha1%3AXGZ3NTWIK227KE3BYOSSBAJQP7CIEWKBhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pig_Jang_Un_Kim.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Narrating a time of war - Praneet SoiDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:35+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/10634090300:11:49.911Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/E5YJ2NQBRTEOYIZF7IIMFSOPQIM74VBT
ed2k://|file|v2v_wdk_Narrating_a_time_of_war_Praneet_Soi.ogv|106340903|d70146e5616b1a88798f0f922508c721|magnet:?dn=v2v_wdk_Narrating_a_time_of_war_Praneet_Soi.ogv&xt=urn%3Asha1%3AE5YJ2NQBRTEOYIZF7IIMFSOPQIM74VBThttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Narrating_a_time_of_war_Praneet_Soi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jihad - Okwui EnwezorDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:34+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/53035362000:38:31.048Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/BYSYUZAQRCRGWBRANFIOZQHAWHZCSSNQ
ed2k://|file|v2v_wdk_Jihad_Okwui_Enwezor.ogv|530353620|82511560d41a257f50c81e853dc53f14|magnet:?dn=v2v_wdk_Jihad_Okwui_Enwezor.ogv&xt=urn%3Asha1%3ABYSYUZAQRCRGWBRANFIOZQHAWHZCSSNQhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Jihad_Okwui_Enwezor.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jeunesse fougue - Abdoulaye KonatéDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:32+00:00fr2008DICTIONARY OF WARhttp://dictionaryofwar.org/2685514900:02:14.501Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/HXBKSZZBRHPV332HJVZMCNC4DY525W3M
ed2k://|file|v2v_wdk_Jeunesse_fougue_Abdoulaye_Konate.ogv|26855149|75b4322b2a613858833c9d97d4a116bc|magnet:?dn=v2v_wdk_Jeunesse_fougue_Abdoulaye_Konate.ogv&xt=urn%3Asha1%3AHXBKSZZBRHPV332HJVZMCNC4DY525W3Mhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Jeunesse_fougue_Abdoulaye_Konate.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Hysteria - Hassan KhanAn associative and casual listening session to examples of shaabiyat tracks produced and distributed in Cairo over the past three years. Khan will discuss how the taboo becomes totem, the self hysterically claims a space, and aggression and paranoia become productive cultural operations, his evidence a collection of tracks that he finds to be the most interesting, surprising, and exciting cultural product to come out of his home town for a very long time.
Dictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:31+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/36179822400:29:04.881Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/74G2CQNJDVJPCPOLC67NDPGXQJVFZXVP
ed2k://|file|v2v_wdk_Hysteria_Hassan_Khan.ogv|361798224|0d584d464e48783c78ff61b3b85ab941|magnet:?dn=v2v_wdk_Hysteria_Hassan_Khan.ogv&xt=urn%3Asha1%3A74G2CQNJDVJPCPOLC67NDPGXQJVFZXVPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Hysteria_Hassan_Khan.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Hindutva and Islamism: Twins in Annihilation - Ranjit HoskoteHindutva and Islamism are both movements of revanchism and annihilatory impact, which claim to speak in the name of a pure religious tradition that has been tainted and threatened by alien influences. In a zone of cultural confluence such as South Asia, these global movements are at war with one another: to Hindutva, secular modernity as well as Islam and Islamism are the enemy; to Islamism, secular modernity as well as Hinduism and Hindutva are the enemy.
Dictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:29+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/42463140900:35:36.807Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/QURU43RK3IHE3JZZFHNEK3IRCYKKZBA2
ed2k://|file|v2v_wdk_Hindutva_and_Islamism_-_Twins_in_Annihilation_Ranjit_Hoskote.ogv|424631409|8a69507219f76006db9784d24e679729|magnet:?dn=v2v_wdk_Hindutva_and_Islamism_-_Twins_in_Annihilation_Ranjit_Hoskote.ogv&xt=urn%3Asha1%3AQURU43RK3IHE3JZZFHNEK3IRCYKKZBA2http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Hindutva_and_Islamism_-_Twins_in_Annihilation_Ranjit_Hoskote.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Full Spectrum Dominance - Kerry James MarshallDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:28+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org/32325673300:23:39.989Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/XCVD7AZEARFG6E2TH3IKXWSHTNVTLU5B
ed2k://|file|v2v_wdk_Full_Spectrum_Dominance_Kerry_James_Marshall.ogv|323256733|6fee36edbf8ad0a19c91b038d75f696c|magnet:?dn=v2v_wdk_Full_Spectrum_Dominance_Kerry_James_Marshall.ogv&xt=urn%3Asha1%3AXCVD7AZEARFG6E2TH3IKXWSHTNVTLU5Bhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Full_Spectrum_Dominance_Kerry_James_Marshall.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Continuity - Chung SeoyoungWe could find a definition for the word "continuity" as such: "A detailed script or scenario consulted to avoid discrepancies from shot to shot in a film, allowing the various scenes to be shot out of order." While all possible kinds of "wars" are going on in the world all "possible details" disappear. But details are the bridge towards what makes life more real and interesting. By disappearance of the detail, absurdity evolves in reality and the aspire to continuity is a strong contest around this absurdity.
Dictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:26+00:00ko2008DICTIONARY OF WARhttp://dictionaryofwar.org/2990040600:02:58.945Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/CTILE5EXOWNZME5OU5WTJBUVW4F2VGC4
ed2k://|file|v2v_wdk_Continuity_Chung_Seoyoung.ogv|29900406|39d59f4f033d20f098f79950395ebcc7|magnet:?dn=v2v_wdk_Continuity_Chung_Seoyoung.ogv&xt=urn%3Asha1%3ACTILE5EXOWNZME5OU5WTJBUVW4F2VGC4http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Continuity_Chung_Seoyoung.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Change of Game - Jarbas LopesDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:24+00:00pt2008DICTIONARY OF WARhttp://dictionaryofwar.org/34789894900:22:17.302Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/6ZXLFRRPY5OYGWB3DW3MXWLM5J7U6RZI
ed2k://|file|v2v_wdk_Change_of_Game_Jarbas_Lopes.ogv|347898949|29920dd521a9aa30d127ef1c45f14f35|magnet:?dn=v2v_wdk_Change_of_Game_Jarbas_Lopes.ogv&xt=urn%3Asha1%3A6ZXLFRRPY5OYGWB3DW3MXWLM5J7U6RZIhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Change_of_Game_Jarbas_Lopes.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Al Mukaddima: Le Bout du Monde/AnwalDictionary of War 6th Edition Gwangju September 4-6 20082008-09-07T04:20+00:00en2008DICTIONARY OF WAR28047367500:26:01.464Ogg Theora/Vorbis - 640x480/Stereo
http://v2v.cc/v2v/show/WT4I4WLGDDOXJWEFHFBHIEI6LUFR7XFW
http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Al_Mukaddima_-_Le_Bout_du_Monde_-Anwal_Abdellah_Karroum.torrentmagnet:?dn=v2v_wdk_Al_Mukaddima_-_Le_Bout_du_Monde_-Anwal_Abdellah_Karroum.ogv&xt=urn%3Asha1%3AWT4I4WLGDDOXJWEFHFBHIEI6LUFR7XFWed2k://|file|v2v_wdk_Al_Mukaddima_-_Le_Bout_du_Monde_-Anwal_Abdellah_Karroum.ogv|280473675|71296446a774f3360bcd4c86393d66f3|This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Youthorganizing Network InterviewsAnja, Tautvydas and Sören - participants of the Youth Organizing Institute 2008 in Kragujevac - talking about the situation in the countries they live in concerning similar and different kinds of discrimination in society.
Besides that they inform about their approaches to research on these topics and how they organize themselves in the struggle for another society.
http://www.youthorganizing.net
The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website.32008-08-23T13:58+00:00en2008Youthorganizing Netzoki@youthorganizing.nethttp://www.youthorganizing.net3208910300:08:30.400Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/3F4W5ZR42YH6YMVLN4HELTDQRBFQKQYE
http://v2v.cc/sites/v2v.cc/files/torrents/YOI2008_3.torrented2k://|file|YOI2008_3.ogg|32089103|43de2615396070f559828262a079f623|magnet:?dn=YOI2008_3.ogg&xt=urn%3Asha1%3A3F4W5ZR42YH6YMVLN4HELTDQRBFQKQYEThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Youthorganizing Network InterviewsPaula, Olga, Tamara and Vitalie have been participants of the Youth Organizing Institute 2008 in Kragujevac (Serbia).
In the following interviews they will talk about their experiences on types of discrimination such as racism and homophobia in their regions and what they are doing to reach a change of the situation there.
http://www.youthorganizing.net
The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website.22008-07-30T11:01+00:00en2008Youthorganizing Netzoki@youthorganizing.nethttp://www.youthorganizing.net2621760200:08:09.360Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/RMXEGLIBMQVA7M433FHWQPBQSXTZHOQ7
magnet:?dn=YOI2008_2.ogg&xt=urn%3Asha1%3ARMXEGLIBMQVA7M433FHWQPBQSXTZHOQ7http://v2v.cc/sites/v2v.cc/files/torrents/YOI2008_2.torrented2k://|file|YOI2008_2.ogg|26217602|930d8d8462938d9a7b5902621224d566|This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Youthorganizing Network InterviewsGiorgi, Sanja, Stevica and Tanja - participants of the Youth Organizing Institute 2008 in Kragujevac (Serbia) - talking about the youth/social centers they are
involved with and about their work there.
Furthermore they provide some information about forms of racism and exclusion in the regions where they live and how they use the social/youth centers to approach against it.
http://www.youthorganizing.net
The Youthorganizing Institute is a yearly meeting of young researchers and activists, theorists and artists from the wider south-eastern europa and beyond to discuss experiences and analysis of the participants, develop notions, ideas and concepts. After meeting in summer the development of common projects, the developing discussion and contacts will all be visible on the Youthorganizing website.12008-07-30T10:21+00:00en2008Youthorganizing Netzoki@youthorganizing.nethttp://www.youthorganizing.net6593747500:10:19.920Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/JY6K3Z5CTGZMP3S3CPWZRTRUAA2LNTWQ
http://v2v.cc/sites/v2v.cc/files/torrents/YOI2008_1.torrented2k://|file|YOI2008_1.ogg|65937475|02f72581a1e8420bd2c4fbea1f2dcc1f|magnet:?dn=YOI2008_1.ogg&xt=urn%3Asha1%3AJY6K3Z5CTGZMP3S3CPWZRTRUAA2LNTWQThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lebensverhältnisse von Flüchtlingen in Frankfurt(Oder)Interviews über die Lebensverhältnisse von Flüchtlingen in Frankfurt(Oder) und Eisenhüttenstadt (en/pl/fr/de - subtitle here: http://www.global-progress.org )
Benedikt und Rachel sind Flüchtlinge aus Frankfurt (Oder) und Eisenhüttenstadt, die in der Hoffnung auf ein besseres Leben in die BRD kamen. Beide mussten feststellen, was es heißen kann, hier ein Flüchtling zu sein. Sie berichten von ihren Erfahrungen mit den Behörden, von ihren Lebensbedingungen im Asylbewerberheim und von ihrem Alltag in den Städten. Im Film sprechen auch Frankfurter_innen über ihre Sichtweise auf die Situation von Flüchtlingen und berichten von einem Rassismus auf verschiedenen Ebenen. Außerdem kommt ein Anwalt zu Wort und klärt über die rechtlichen Grundlagen des Asylverfahrens auf.2008-07-01T13:41+00:00de2008Gruppe Progressprogress-ffo@web.dehttp://www.global-progress.org11096686500:33:37.924Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/JMWNPLKMWIHY43Q4USK2GQR5D6OMWP26
ed2k://|file|Progress.ogg|110966865|487de019a95be62817faaedc067b565a|magnet:?dn=Progress.ogg&xt=urn%3Asha1%3AJMWNPLKMWIHY43Q4USK2GQR5D6OMWP26http://v2v.cc/sites/v2v.cc/files/torrents/Progress.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Oil of the 21st Century - File-Sharing as Culture IndustryPeer-to-peer networks are here to stay. Often dismissed as a mere conspiracy of teenage consumers against the media industry, these networks have become one of the most powerful and resilient environments for the collaborative production and reproduction of cultural data. Thus it seems that the question of file-sharing is no longer just a matter of identifying and routing around its corporate adversaries. Instead, it is becoming a question of organization. One can already make out a multitude of new initiatives, groups, alliances, coalitions and business entities that are heavily - and not only ideologically - invested in the future of peer-to-peer protocols and infrastructure. The next Culture Industry may already be in the making.2008-06-23T23:58+00:00en2007The Oil of the 21st Centuryoil21@oil21.orghttp://oil21.org96993611101:45:56Ogg Theora
http://v2v.cc/v2v/show/RBY6YIJXVBWWUM2PQVS6XVTEBVBQBWMS
ed2k://|file|Oil21_File-Sharing_as_Culture_Industry.ogg|969936111|473b0c7b98a25269b35778adc44f623d|magnet:?dn=Oil21_File-Sharing_as_Culture_Industry.ogg&xt=urn%3Asha1%3ARBY6YIJXVBWWUM2PQVS6XVTEBVBQBWMShttp://v2v.cc/sites/v2v.cc/files/torrents/Oil21_File-Sharing_as_Culture_Industry.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Oil of the 21st Century - Keep Up Your Rights, Case by CaseCurrent debates about Intellectual Property are often focused on the level of national law - and the need for its international harmonization - and the sphere of universal rights, like freedom of speech or access to information and medicine. Still, neither the vision of globalized law nor the desire for universal human rights seem to do justice to the facts on the ground, to the specific nature of the contained and often local Intellectual Property conflicts in everyday life. These conflicts are, essentially, cases: not so much applications of universal principles or denials of abstract rights, but rather particular and often unique constellations of power. Strategies for interventions in the field of Intellectual Property may have to acknowledge that they can only operate case by case.2008-06-23T23:57+00:00en2007The Oil of the 21st Centuryoil21@oil21.orghttp://oil21.org86555909601:53:31Ogg Theora
http://v2v.cc/v2v/show/CXA25CBE5HUTHTMXQNB5QNBMMFNW6LI4
ed2k://|file|Oil21_Keep_Up_Your_Rights,_Case_by_Case.ogg|865559096|662930591bb830af63a066bfabfa5b1a|magnet:?dn=Oil21_Keep_Up_Your_Rights%2C_Case_by_Case.ogg&xt=urn%3Asha1%3ACXA25CBE5HUTHTMXQNB5QNBMMFNW6LI4http://v2v.cc/sites/v2v.cc/files/torrents/Oil21_Keep_Up_Your_Rights,_Case_by_Case.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Oil of the 21st Century - General Rights ManagementDigital Rights Management (DRM) not only a proposes a set of new technological measures against unauthorized copying. It also promotes, on a conceptual level, an idea of individual rights that are no longer declared or granted, but instead directly implemented as the functionality - or the defects - of technology. Rights Management in general appears to be one of the most far-reaching new paradigms of control. The field of rights that it promises to manage stretches far beyond the Intellectual Property of the entertainment industry. In its most general form, Digital Rights Management will lead to Political Rights Management: an entirely new framework for various forms of hidden access restrictions and censorship in an increasingly networked world.2008-06-23T23:57+00:00en2007The Oil of the 21st Centuryoil21@oil21.orghttp://oil21.org51823748501:02:04Ogg Theora
http://v2v.cc/v2v/show/5GGISIRNP5GEMCYYL3SGAIEXZJYS4BUW
http://v2v.cc/sites/v2v.cc/files/torrents/Oil21_General_Rights_Management.torrentmagnet:?dn=Oil21_General_Rights_Management.ogg&xt=urn%3Asha1%3A5GGISIRNP5GEMCYYL3SGAIEXZJYS4BUWed2k://|file|Oil21_General_Rights_Management.ogg|518237485|859c6c2cecde5aab22a19be57b4ec9a5|This work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Oil of the 21st Century - The Poverty of the Small AuthorIn the age of digital reproduction, the problem of the “small author” remains: as the problem of the Intellectual Proprietor and his or her material reproduction, but also, and more importantly, as a problem of a specific political mentality. Among the many possible modes of production and subjectivation, the figure of the “small author” - who is always already deprived from the fruits of his hard labor, either by “the industry” or by “the pirates” - may be the most unfortunate one. But for the masses who know that they will never be part of a thriving global middle class of Intellectual Proprietors, there are other options. Not to entrench themselves against technological progress, but to radically embrace it: to explore new forms of collaboration and production beyond traditional authorship, to employ the most advanced methods of digital reproduction, and to reaffirm the instability of property relations.2008-06-23T23:57+00:00en2007The Oil of the 21st Centuryoil21@oil21.orghttp://oil21.org85307724101:48:42Ogg Theora
http://v2v.cc/v2v/show/K2VCUPL6NRBXPH4TLKN4ODI5DJRWTQ4F
ed2k://|file|Oil21_The_Poverty_of_the_Small_Author.ogg|853077241|4c93e3dbbe81846206996ec3ea69d076|magnet:?dn=Oil21_The_Poverty_of_the_Small_Author.ogg&xt=urn%3Asha1%3AK2VCUPL6NRBXPH4TLKN4ODI5DJRWTQ4Fhttp://v2v.cc/sites/v2v.cc/files/torrents/Oil21_The_Poverty_of_the_Small_Author.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.digital handcraft"digital handcraft" is an educational film, a portrait of the process of computer hardware production. It displays the organisation of production in global value chains and investigates the conditions of life and labour for millions of migrant worker in China's factories, which manufacture the hardware for the immaterial production of the 21st century.
This film takes a look at the flipside of globalised computer production, which is incongruous with the "clean" image the industry usually displays. By interviewing both activists and workers, the film investigates the current situation as well as future possibilities for improving their situation. Furthermore, the film looks at issues surrounding the illegal shipping of computer scrap parts from Germany to developing countries.
http://www.pcglobal.orgChina's global factory for computers2008-06-19T19:02+00:00en2008by Alexandra Weltz, co-author Sarah Bormannhttp://www.parkafilm.cc11679230700:27:58.840Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/73KQGCVCFRTE2Q2GISOPX3WZKO224D7O
ed2k://|file|digital_handcraft.ogg|116792307|1d8e59bac3fb9d29f2e88d89856b3555|magnet:?dn=digital_handcraft.ogg&xt=urn%3Asha1%3A73KQGCVCFRTE2Q2GISOPX3WZKO224D7Ohttp://v2v.cc/sites/v2v.cc/files/torrents/digital_handcraft.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Streik bei Reichelt in Berlin - 3Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen.2008-06-07T14:42+00:00de2008Kein.TVinfo@dichtmachen.orghttp://www.dichtmachen.org1807364300:03:22.280Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/7WLOWHF5XZFB2BHCENTACZ7BQGFCNLCI
http://v2v.cc/sites/v2v.cc/files/torrents/Reichelt_Streik_06062008_0c.torrentmagnet:?dn=Reichelt_Streik_06062008_0c.ogg&xt=urn%3Asha1%3A7WLOWHF5XZFB2BHCENTACZ7BQGFCNLCIed2k://|file|Reichelt_Streik_06062008_0c.ogg|18073643|b3bab2d73759e9f921fb9cd9bd318ae0|This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Streik bei Reichelt in Berlin - 2Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen.2008-06-07T14:36+00:00de2008Kein.TVinfo@dichtmachen.orghttp://www.dichtmachen.org1323692000:03:12.000Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/FAJCD5G3W4SP4H27KFGA6JDTPBMIWXFS
http://v2v.cc/sites/v2v.cc/files/torrents/Reichelt_Streik_06062008_0b.torrented2k://|file|Reichelt_Streik_06062008_0b.ogg|13236920|6c7fd4cbdb0bce630dcf839f0207b9a3|magnet:?dn=Reichelt_Streik_06062008_0b.ogg&xt=urn%3Asha1%3AFAJCD5G3W4SP4H27KFGA6JDTPBMIWXFSThis work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Streik bei Reichelt in Berlin - 1Am 06. Juni 2008 wurde die Reichelt Filiale in der Berliner Straße 24 in Berlin-Wilmersdorf von einem Bündnis aus Beschäftigten im Einzelhandel, Ver.di und linken Aktivistinnen dichtgemacht. Von 6:00 bis 12:00 war der Laden von über 150 Menschen bestreikt und blockiert. Ein voller Erfolg für die Streikenden, die sich seit 17 Monaten im Arbeitskampf gegen die Streichung von Lohnzuschlägen bei Spät-, Nacht- und Wochenendarbeit und für Lohnerhöhungen jenseits des Inflationsausgleiches gegen den Arbeitgeberverband. Mit der positiven Erfahrung dieser neuen Aktionsform ist zu hoffen, dass der Streik an Stärke gewinnt und schafft die Einzelhandelskonzerne in die Knie zu zwingen.2008-06-06T19:02+00:00de2008Kein.TVinfo@dichtmachen.orghttp://www.dichtmachen.org1323692000:03:12.000Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/IKJDLFJIWIUPQYHOWYBBOMZM4MQESIKY
magnet:?dn=Reichelt_Streik_2.ogg&xt=urn%3Asha1%3AIKJDLFJIWIUPQYHOWYBBOMZM4MQESIKYhttp://v2v.cc/sites/v2v.cc/files/torrents/Reichelt_Streik_2.torrented2k://|file|Reichelt_Streik_06062008_0a.ogg|7639058|04e54f40e713325a2abc0756de35e20f|This work is licensed under the Creative Commons
Attribution-ShareAlike 3.0 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/3.0/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ein Jahr nach den Durchsuchungen am 9. Mai - Bilanz der Überwachung 5/5Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren.teil 52008-05-13T23:32+00:00de2008erperene@so36.nethttp://einstellung.so36.net1605086400:05:42.400Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/JCLFJ63JGDT37P2Q2F4ADIQGFTQLEHFH
http://v2v.cc/sites/v2v.cc/files/torrents/05-low.torrentmagnet:?dn=05-low.ogg&xt=urn%3Asha1%3AJCLFJ63JGDT37P2Q2F4ADIQGFTQLEHFHed2k://|file|05-low.ogg|16050864|2eaab3dcfd2190ce0e5e4b66c33bd3f2|This work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ein Jahr nach den Durchsuchungen am 9. Mai - Bilanz der Überwachung 4/5Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren.teil 42008-05-13T23:23+00:00de2008erperene@so36.nethttp://einstellung.so36.net1862579200:07:11.800Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/I35XTQMZUZBUA524MT64A6TV65CGKDLH
ed2k://|file|04-low.ogg|18625792|ab5c7688523030364770b9e2ec6f37f0|magnet:?dn=04-low.ogg&xt=urn%3Asha1%3AI35XTQMZUZBUA524MT64A6TV65CGKDLHhttp://v2v.cc/sites/v2v.cc/files/torrents/04-low.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Bilanz d. ÜberwachungAnläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren.teil 32008-05-13T23:17+00:00de2008erperene@so36.nethttp://einstellung.so36.net1876045400:08:39.560Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/CN673SOCEWZZJHLLVA2QTRZQD2TJQZWY
ed2k://|file|03-low.ogg|18760454|4e0e62f65cbb0ac8f583dff8fa750e9e|magnet:?dn=03-low.ogg&xt=urn%3Asha1%3ACN673SOCEWZZJHLLVA2QTRZQD2TJQZWYhttp://v2v.cc/sites/v2v.cc/files/torrents/03-low.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ein Jahr nach den Durchsuchungen am 9. Mai - Bilanz der Überwachung 2/5Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren.pk2008-05-13T23:08+00:00en2008erperene@so36.nethttp://einstellung.so36.net2109587900:09:47.120Ogg Theora/Vorbis - 384x288/Stereo
http://v2v.cc/v2v/show/AR3DVK2ZCIIRGZLNR3OBVLENWDYBYAVI
ed2k://|file|02-low.ogg|21095879|81ed0dd75dbbcc0b1b598dadd5d42ee0|magnet:?dn=02-low.ogg&xt=urn%3Asha1%3AAR3DVK2ZCIIRGZLNR3OBVLENWDYBYAVIhttp://v2v.cc/sites/v2v.cc/files/torrents/02-low.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ein Jahr nach den Durchsuchungen am 9. Mai - Bilanz der Überwachung"Anläßlich des Jahrestages der bundesweiten Hausdurchsuchungen im Vorfeld des G8-Gipfels am 9. Mai 2007 forderten Katja Kipping (MdB Die Linke), Pedram Shahyar (Mitglied des Attac-Koordinationskreises) und die beiden RechtsanwältInnen Christina Clemm (Berlin) und Alexander Hoffmann (Kiel) die Einstellung der §129a-Verfahren gegen 40 linke Aktivisten. Eingeladen hatten zu der Pressekonferenz in Berlin Beschuldigte aus vier §129(a)-Verfahren.pk2008-05-13T22:59+00:00en2008erperene@so36.nethttp://einstellung.so36.net6917838UnknownOgg -
http://v2v.cc/v2v/show/UY37T7HRHM6DF4QSSQ6ZEVFFUWXF63H4
ed2k://|file|01-low.ogg|6917838|731e94aed07805c79f11cc01776261aa|magnet:?dn=01-low.ogg&xt=urn%3Asha1%3AUY37T7HRHM6DF4QSSQ6ZEVFFUWXF63H4http://v2v.cc/sites/v2v.cc/files/torrents/01-low.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Bang! Bang! - Albert HetaKosovar Pavilion Venice Biennial 2005, did not confuse only those who cannot distinguish what is an Albanian and what is a Kosovar pavilion, artist or identity but seemingly also players of the great structure of the ancient contemporary art power elite that eventually accepted apologies by the used instrument of this work (e-flux) for challenging their Biennale with a tool of their own system and continued to live on in harmony as nothing had happened in the West (Sunday, color video, 3.01 min.). These works stand and mark a time and a context that is full of Bang! Bang! (Bang! Bang!, color video, 2.20 min.).2008-03-20T15:12+00:00en2008DICTIONARY OF WARinfo@kein.orghttp://dictionaryofwar.org/3267060400:16:03Ogg Theora
http://v2v.cc/v2v/show/7YSPTUYZIVM4TVJ4OFQGKZ4O6M4LLL36
ed2k://|file|Bang_Bang_-_Albert_Heta.ogg|32670604|e9f020a9808162a5748966979184372d|magnet:?dn=Bang_Bang_-_Albert_Heta.ogg&xt=urn%3Asha1%3A7YSPTUYZIVM4TVJ4OFQGKZ4O6M4LLL36http://v2v.cc/sites/v2v.cc/files/torrents/Bang_Bang_-_Albert_Heta.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Without Title - Muha BlackstazyFor more than 10 years, Muha writes lyrics that are very much connected with everyday life of the Roma community in Nivi Sad, and turns them into hip-hop songs. In 2007 he made his first professional studio recordings; the album “Crni smo mi” (“We are Black”) was released in July and promoted at the EXIT Festival (MTV Movement campaign).2008-01-31T11:56+00:00sr2008DICTIONARY OF WARhttp://dictionaryofwar.org5284860700:15:29Ogg Theora
http://v2v.cc/v2v/show/JNAPMYBDASOTQEXIXKPEGDP7SWMMNLQV
ed2k://|file|Without_Title_-_Muha_Blackstazy.ogg|52848607|75b60779905cef38e2a7ee323c69a268|magnet:?dn=Without_Title_-_Muha_Blackstazy.ogg&xt=urn%3Asha1%3AJNAPMYBDASOTQEXIXKPEGDP7SWMMNLQVhttp://v2v.cc/sites/v2v.cc/files/torrents/Without_Title_-_Muha_Blackstazy.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kljuc - Teofil PanticA novel... The last night I slept at home was the night of December 29th, 1991. After that night I have been going to bed and been waking up in many other places, of which at least one I could , with a lifelong engrafted caution, even call my home, but no, never again after that night have I slept at home, I was never at home at all, nor I will ever be at home again, even if I would go back to that place, the place where the home was. The place, actually, still exists: it was not blown up by a grenade, bomb, dinamite or any kind of explosives, God forbid, we are all civilized people, that house, building actually, still lastingly exists in the world, there it is exactly where it has always been, now on the non-existing address...2008-01-31T11:38+00:00sr2008DICTIONARY OF WARhttp://dictionaryofwar.org2118666700:14:10Ogg Theora
http://v2v.cc/v2v/show/MZ3CY5PBHQEVVDPM2UX4KKKOWGJBIY2K
ed2k://|file|Kljuc_-_Teofil_Pancic.ogg|21186667|ee66245734f7355bf51167cf48ede07a|magnet:?dn=Kljuc_-_Teofil_Pancic.ogg&xt=urn%3Asha1%3AMZ3CY5PBHQEVVDPM2UX4KKKOWGJBIY2Khttp://v2v.cc/sites/v2v.cc/files/torrents/Kljuc_-_Teofil_Pancic.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kosovo and Corruption - Verica BaracHow did these two subjects come together, when it was perfectly clear that we have learned this lesson seven years ago - egzistential problems of the citizens and their families cannot be resolved by resorting to nationalism? The fact that proves that we knew this back then are the citizens who voted for democratic options in 2000 and left nationalist parties without support. Advocating for democratic changes and democratic options secured these parties a 2/3 majority in the parliament - citizens made it possible for the government to start radical changes of the society, without a serious threat of the old regime, and above all to reject the old ways of governance. The government had to change in order to be able to change the others. It couldn't transfer to the others what it did not have in the beginning. Above all, goverment couldn't fight corruption if corruption was in the foundation of its governance, and because of that the most prominent slogans of that time were about the transparency of the government, i.e., the way of governance that allowed citizens to control and waive corruption. 2008-01-31T11:25+00:00sr2008DICTIONARY OF WARhttp://dictionaryofwar.org2130401200:14:00Ogg Theora
http://v2v.cc/v2v/show/YL6YNVFFSMQY2LBRYZVU7WOOZVDPCQLD
ed2k://|file|Kosovo_i_korupcija-_Verica_Barac.ogg|21304012|db91331e35b86f7e6e251f059151c2a7|magnet:?dn=Kosovo_i_korupcija-_Verica_Barac.ogg&xt=urn%3Asha1%3AYL6YNVFFSMQY2LBRYZVU7WOOZVDPCQLDhttp://v2v.cc/sites/v2v.cc/files/torrents/Kosovo_i_korupcija-_Verica_Barac.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Thorn - Bojan DjordjevInscenation of the novel by Ivana Sajko "Rio Bar", which is an intimate history of the war in Croatia narrated in eight monologs of a certain girl in a wedding dress. In this quoted excerpt, described metamorphosis into a "women-thorn" represents basis of the concept THORN – practical human nature.2008-01-31T11:06+00:00sh2008DICTIONARY OF WARhttp://dictionaryofwar.org3894386700:20:04Ogg Theora
http://v2v.cc/v2v/show/QNBLQ7ZO5D447WIN3XUAEH2L5IXZXLKT
ed2k://|file|Thorn_-_Bojan_Djordjev.ogg|38943867|0357c2447c58bdc208b36291850e659a|magnet:?dn=Thorn_-_Bojan_Djordjev.ogg&xt=urn%3Asha1%3AQNBLQ7ZO5D447WIN3XUAEH2L5IXZXLKThttp://v2v.cc/sites/v2v.cc/files/torrents/Thorn_-_Bojan_Djordjev.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Vae Victis - Slavko BogdanovicPrologue: you are in darkness of a public room in novi sad, serbia. it is the beginning of what is called new millennium. IMAGINE a time line emerging marking origin and development of the law concepts of war, determining destiny of individuals, nowadays we call them civilians. IMAGINE you are looking into the maelstrom of humanity & civilization, detected by a plummet hanged on your mental thread, rolling off down into the depth of times immemorial, two key words you are looking for in the past: war & civilians [12 letters only]. IMAGINE you are in rome It is the year 390 BC, the future eternal city is conquered by the gallic victor brennus romans must deliver gold as set in terms of peace arrangement, they complain that gauls use excessive weights in measuring gold, then brennus added his sword among weights, exclaiming: VAE VICTIS.2008-01-31T10:47+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org4163268500:21:09Ogg Theora
http://v2v.cc/v2v/show/3DJEIEEZ4RXBORVKJEMY6HYS5B4BGIPK
ed2k://|file|Vae_Victis_-_Slavko_Bogdanovic.ogg|41632685|75124e2f4d4efffaf5d4623886d24a5b|magnet:?dn=Vae_Victis_-_Slavko_Bogdanovic.ogg&xt=urn%3Asha1%3A3DJEIEEZ4RXBORVKJEMY6HYS5B4BGIPKhttp://v2v.cc/sites/v2v.cc/files/torrents/Vae_Victis_-_Slavko_Bogdanovic.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.NSK Garda - IrwinNSK Garda refers to the project in which the slovenian art group Irwin collaborates with various European armies. In these actions soldiers, with Malevich's cross on their sleeves, raise and guard the flag of the NSK State in Time. In that sense it is not really a performance but more some sort of tableau vivant of the real army wearing a Malevich cross. Art society and army society are social structures that are usually totally opposite to each other and very rarely mix. With this action Irwin is organizing this encounter. As an art state NSK is in fact in parasitic relation with other, normal states and in this project this is made visible. Dusan Mandic, member of IRWIN, intoduces the recent performance in Kosovo.2008-01-31T10:21+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org6098612200:25:07Ogg Theora
http://v2v.cc/v2v/show/VQCW5MGDWVLT53LDWK255OH5Z7DQUZM4
ed2k://|file|NSK_Garda_-_Irwin.ogg|60986122|9b9e3f6be1acdb64d1e9758eae732bb0|magnet:?dn=NSK_Garda_-_Irwin.ogg&xt=urn%3Asha1%3AVQCW5MGDWVLT53LDWK255OH5Z7DQUZM4http://v2v.cc/sites/v2v.cc/files/torrents/NSK_Garda_-_Irwin.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Wall - MetahavenThe wall that separates 'us' from 'them', friend from enemy, organizes the opposition of imaginations. A conflict (or war) of projections, virtual placeholders, where the enemy is designed as an image that will never actualize. But the consequences of the wall are real; information which would allow us to find out whether our outrageous ideas about others hold any truth, is being managed and reduced to the level of images in emerging ‘zero friction zones’; public space, in every aspect, is being reshaped under the imagined threat from the opposite side of the wall. This lecture will describe the wall as an imaginary piece of architecture and rhetorical device from which it is possible to observe conflicts carried out through images. Those conflicts include well-known rhetorical oppositions like Team B versus the 'Soviet threat', the Neocons versus the Axis of Evil, and European 'Leitkultur' versus radical Islam. This talk will address how many simultaneous oppositions are sustained by the wall and how ultimately the wall even separates 'us' from 'us'.2008-01-31T01:50+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org2912209600:17:02Ogg Theora
http://v2v.cc/v2v/show/QP73L32COOOP42VGHLLKIROWMS3HGDUA
ed2k://|file|Wall_-_Metahaven.ogg|29122096|dc4ec079639fdc39dbec35bc4cbd18ed|magnet:?dn=Wall_-_Metahaven.ogg&xt=urn%3Asha1%3AQP73L32COOOP42VGHLLKIROWMS3HGDUAhttp://v2v.cc/sites/v2v.cc/files/torrents/Wall_-_Metahaven.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Torture, terror, tranquility - Martha RoslerMartha Rosler reads from her essay accompanying the re-emergence unchanged of her 1983 videotape A Simple Case for Torture, or How to Sleep at Night, accompanied by a screen saver of images on her computer.2008-01-31T00:59+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org6363551700:28:22Ogg Theora
http://v2v.cc/v2v/show/EYUMXZC357XIPOO7YWSV4CLOYHQVI6SW
ed2k://|file|Torture_Terror_Tranquility_-_Martha_Rosler.ogg|63635517|1a8ef8f66fe27de07e4c6688a19a61a8|magnet:?dn=Torture_Terror_Tranquility_-_Martha_Rosler.ogg&xt=urn%3Asha1%3AEYUMXZC357XIPOO7YWSV4CLOYHQVI6SWhttp://v2v.cc/sites/v2v.cc/files/torrents/Torture_Terror_Tranquility_-_Martha_Rosler.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Thanksgiving - Vesna KesicIn early 1991, when Croatia received the first international recognitions of its statehood, the euphoria was enormous. Such were the paradoxes of the situation. While the third of the country was yet to feel the war casualties, the state television launched a trashy song "Danke Deutschland" as a mark of gratitude to the first state that gave the recognition. The author researches how the phrase Danke Deutschland changed its meaning through the time, what does it mean today in different sets of memory. The concept consists of a video clip and narration.2008-01-31T00:23+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org5707989000:31:55Ogg Theora
http://v2v.cc/v2v/show/ZWMDYUZSW4SL773S22PAQFTB4GTZIZLJ
ed2k://|file|Thanksgiving_-_Vesan_Kesic.ogg|57079890|f911454ba0b588fb0f001a624e1758ed|magnet:?dn=Thanksgiving_-_Vesan_Kesic.ogg&xt=urn%3Asha1%3AZWMDYUZSW4SL773S22PAQFTB4GTZIZLJhttp://v2v.cc/sites/v2v.cc/files/torrents/Thanksgiving_-_Vesan_Kesic.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Terrorism - Volker EickThe term ›terrorism‹ comes from the Latin word terrere, ›to frighten‹ via the French word terrorisme. The first use of the word ›terrorism‹ referred to state rule by terror. It was coined in the years after the French Revolution – the so-called Reign of Terror – and identified terror as an instrument of state power. Therefore, ›terrorism‹ became popular between 1793 and 1795 during the regime de la terreur. It was the French Revolution leader Robespierre who – just shortly before he himself was killed by his ›Madame Guillotine‹ – proclaimed in 1794: »Terror is nothing other than justice, prompt, severe, inflexible; it is therefore an emanation of virtue; it is not so much a special principle as it is a consequence of the general principle of democracy applied to our country's most urgent needs.«
›Terrorism‹ thus refers to state action. In the interim, with the generalization of the bourgeois national state since the eighteenth century, the power of states and of ruling class ideologies have successfully deflected and redefined terrorism as first and foremost an instrument of anti-state power.
Generally speaking, the term is meant to de-legitimize any kind of resistance. A 1988 study by the US Army found 109 definitions of ›terrorism‹ that covered a total of 22 different definitional elements. As the only general characteristic generally agreed upon is that ›terrorism‹ involves violence and the threat of violence, many scholars avoid using this term – except those who are interested in using it for political, ideological and economic reasons.
Among these more than hundred definitions, not all recognize the possibility of the legitimate use of violence by civilians against an invader in an occupied country or against ›their‹ government, and would thus label all resistance movements as ›terrorist‹ groups. Ultimately, the distinction is a political judgment. The paper will guide us through its controversial meanings.2008-01-31T00:03+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org4860094400:26:07Ogg Theora
http://v2v.cc/v2v/show/I2DXHJREN7ASAISSHLRFH5PUSUWW36LJ
ed2k://|file|Terrorism_-_Volker_Eick.ogg|48600944|bc63e620945c6b15b6eddcc80c4f0ec7|magnet:?dn=Terrorism_-_Volker_Eick.ogg&xt=urn%3Asha1%3AI2DXHJREN7ASAISSHLRFH5PUSUWW36LJhttp://v2v.cc/sites/v2v.cc/files/torrents/Terrorism_-_Volker_Eick.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Retro-Massmedia Shockwaves & Human Membranes - Hans BernhardEmbeded Journalism vs. Self-organized Multitude of Observation, Hans Bernhard (A/CH/USA)
The current conflict situation in Kenya reflects once again a critical point in our retro-mass media society. The information from inside the country is not valid, the information going to the "world" is twisted to perversion through embedded journalism, dubious sources and combustion point monitoring. The conflict existed before and will exist after the mass media storm, the bloodshet happens within very limited boundaries is mapped on top of the country as a whole - and then broadcast to the world under the assumption of mass media without information. This problem is contraindicated and reflected through the project SLUM-TV - a counter-headlining empowerment of cultural selforganization. SLUM-TV documents the lives of the people in Mathare (500.000 people slum in Nairobi) and reevaluates these lives and their surroundings through the eye of the camera. The local partners film and document their own existence and the social, political and military aspects of living inside such a melting pot. The small movies (newsreels) are put together and broadcast in public places exclusively inside Mathare, reaching the local audience through a variety of self-established cinemas (pirate cinemas reaching very large audiences). Published online, the newsreels plus written reports reach the global audience. The presentation will briefly introduce SLUM-TV and will document the current situation in Kenya (Mathare-Slum) via the performance of texts written and blogged by local SLUM-TV members.2008-01-30T23:42+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org3962268500:19:15Ogg Theora
http://v2v.cc/v2v/show/YGS3HM6EC446LJOBDHHFMQ3MDW3PWMNR
ed2k://|file|Retro-massmedia_shockwaves_-_Hans_Bernhard.ogg|39622685|2b2be107a7ca848509814f662f0faf73|magnet:?dn=Retro-massmedia_shockwaves_-_Hans_Bernhard.ogg&xt=urn%3Asha1%3AYGS3HM6EC446LJOBDHHFMQ3MDW3PWMNRhttp://v2v.cc/sites/v2v.cc/files/torrents/Retro-massmedia_shockwaves_-_Hans_Bernhard.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Renaming machine - Suzana MilevskaRenaming Machine is a war concept that could be interpreted as a subtle but powerful strategy for erasing ethnic, cultural or gender identity without using any aggression or causing any direct material damage. It functions as a conceptual weapon of destruction, as a kind of wage war or a contest between the old and new identity layer. However, renaming simultaneously adds and multiplies a new layer of identity each time it erases one, because the names could be neither stolen nor completely erased: the best example of accumulation by dispossession in David Harvey’s terms. Moreover, according to Jacques Derrida giving names is also an act of love. RM attempts to point to the arbitrariness and contingency of representation that accompany the use of names and to raise the discussion about the invisible ideological patterns of “desiring renaming machine” standing behind the power regimes of representation while dispossessing and giving names.
In my presentation I want to focus on the exploration of this clandestine ambivalence within the renaming as a juxtaposition of various identities. It is extremely important to reflect the complex entanglements of the political and cultural processes of renaming and the urgent need for questioning how these processes and patterns influenced the construction and destabilisation of national, cultural and personal identity during the last two decades within the Balkan region. I aim to encompass various art and cultural phenomena attached to renaming in order to explore the scale to which renaming affects visual culture and transgresses cultural identities and subjectivities in the Balkans.
Renaming Machine was specifically motivated by the unique and absurd outwitting between Greece and Macedonia about the right to use the name “Macedonia.” This conflict resulted with exhausting processes of negotiations that still trouble the stability of the region. Regardless all paradoxes this “war of names” became an international precedent and the best example that names are overrated as identity insignia and “omen.”2008-01-30T23:25+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org3325002000:18:02Ogg Theora
http://v2v.cc/v2v/show/4OODSTAANDN3PHFA7PYK64AR4CJYSQKT
ed2k://|file|Renaming_machine_-_Suzana_Milevska.ogg|33250020|e6087a1019f27c53b945eead9e32fc3b|magnet:?dn=Renaming_machine_-_Suzana_Milevska.ogg&xt=urn%3Asha1%3A4OODSTAANDN3PHFA7PYK64AR4CJYSQKThttp://v2v.cc/sites/v2v.cc/files/torrents/Renaming_machine_-_Suzana_Milevska.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Reconstruction - Andrea KuluncicReconstruction will consist of screening of two videos: “A Reconstruction of an Unimportant Day in Our History” and “A Reconstruction of an Important Day in Our History”, by the artist. First video shows a day in a life of Josip Broz Tito during his stay in country side, in the castle. Castle is also known under the name of „Tito's Castle“. Tito as passionate hunter, often stayed in the Castle hunting wild animals, alone, with his wife Jovanka (who was as well passionate hunter) or with eminent foreign statesmen. Second video reconstructs the meeting of the two presidents: Croatian, Franjo Tuđman and Serbian, Slobodan Milošević. The meeting was held on April 15th, 1991 in Tikveš Castle. First armed conflicts broke out in the region of Slavonia in the beginning of May, 15 to 20 days after that meeting. War reached Tikveš in the beginning of June. For a period of time Castle was used as a headquarters of Arkan's paramilitary group.2008-01-30T22:47+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org9725641800:30:09Ogg Theora
http://v2v.cc/v2v/show/N33FE25CZWVJLLJ7GXMP5BBAQWQ3G72A
ed2k://|file|Reconstruction_-_Andreja_Kuluncic.ogg|97256418|350f1165e7d409347f65542b76fb6fd3|magnet:?dn=Reconstruction_-_Andreja_Kuluncic.ogg&xt=urn%3Asha1%3AN33FE25CZWVJLLJ7GXMP5BBAQWQ3G72Ahttp://v2v.cc/sites/v2v.cc/files/torrents/Reconstruction_-_Andreja_Kuluncic.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Performing Posses - Gini MuellerPolitics, Activism and not at least performative potentials meet in the term “Posse“ as conflictive spaces of emancipatory wars against border- and bio-regimes. In their well known analyses of “Empire“ Antonio Negri and Michael Hardt describe “Posse“ from the latin term as a verb of power, an activity, which refers to the political power and subjectivity of the multitude: Posse is what a mind and a body can do. In a wider context the word also expresses in english the branding of a gang or clique, and in german it's also the theatre-term for a scetch or form of comedy. In the spectacular fields of staged WTO/WEF/G8 Summits, many protest forms of Activism develop techniques of resistance, using Media, Theatre, and Art-tools, and lots of performative and subversive “Posse-Actors“ can be found in the last years: like the Rebel Clown Army, PublixTheatreCaravan, Tutte Bianche, Pink Block, noborder-Activism etc. Their methods of acting provoced in special moments of summit-spectacles the governmental techniques of repressive (police-)representations. Performing Posses refer in this sense more to Slogans like „Another war is possible!“ (noborderlab2003). Their forms of „wargames“ link struggles of social movements with a post-Brechtian and “minor“-acting gestures together.2008-01-30T22:22+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org2728501700:12:46Ogg Theora
http://v2v.cc/v2v/show/3EAXW4DOXIWW45VERWJXG7HN3RY2CZ4D
ed2k://|file|Perfoming_posses_-_Gini_Mueller.ogg|27285017|41e854ba5b601116af6c1d636b84ffe0|magnet:?dn=Perfoming_posses_-_Gini_Mueller.ogg&xt=urn%3Asha1%3A3EAXW4DOXIWW45VERWJXG7HN3RY2CZ4Dhttp://v2v.cc/sites/v2v.cc/files/torrents/Perfoming_posses_-_Gini_Mueller.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Nacionalisticka mitomanija - Zelimir ZilnikScreening of the inserts from Žilnik's movies: OLD TIMER (1988), TITO'S SECOND TIME AMONG THE SERBS (1994), EUROPE NEXT DOOR (2005) and WILD CAPITALISM (2008).
Inserts are illustrating thesis how former Yugoslav political elite since the middle of the 1980s, after longterm conflict around Tito's inheritor and heritage, dismissed internationalism and self-management as axioms of the state's foundaments. Engineering of tribalizing of people was put in motion, together with ideology of nationalistic mythomanie and re-sentiments. In difference to the other former socialistic states, this enabled ten more years of plunder of the common goods, to the feudalized and comminuted governing elites of Yugoslavia. Newly produced class posses goods, but it ruined the state and economy, and the people are getting poor, unemployed, sick or leaving the country. New capitalists trends, especially through the example of Serbia, Macedonia, Bosnia and Montenegro, are bringing over again the spirit of fatalism to the Balkan, which reminds us to the last decades of reign of Ottoman Empire. Political and cultural discourse in Serbia is drowned in the Kosovo myth. It is substitution for both past and the future, including the real state. Does in 2008 political class teleports Serbia to year 1808?2008-01-30T21:32+00:00sr2008DICTIONARY OF WARhttp://dictionaryofwar.org9551226700:42:17Ogg Theora
http://v2v.cc/v2v/show/VXSXID7DGCICSKYFB6QIT272BESA7QZO
ed2k://|file|Nacionalisticka_mitomanija_-_Zelimir_Zilnik.ogg|95512267|99a4c244d261910c147b1f2cb5383c85|magnet:?dn=Nacionalisticka_mitomanija_-_Zelimir_Zilnik.ogg&xt=urn%3Asha1%3AVXSXID7DGCICSKYFB6QIT272BESA7QZOhttp://v2v.cc/sites/v2v.cc/files/torrents/Nacionalisticka_mitomanija_-_Zelimir_Zilnik.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Na tragu mitologije - Jovan DivjakRemotely contributed concept by Jovan Divjak, former general in the Bosnian army during the 1992-1995 Bosnian War. He was the highest ranking ethnic Serb in the army and one of its most educated and experienced officers. On April 8th, 1992, Divjak became Deputy Commander of BiH's Territorial Defense forces and a month later oversaw the defence of Sarajevo from a major JNA attack. In the video, he first explains that the reason why he can not be physically present at the DICTIONARY OF WAR is that government of Republika Srpska (Serbian territory in Bosnia) finds him, among ten other people, responsible for the events on May the 3rd 1992 in Sarajevo. He is found responsible by the government of Republika Srpska for deaths of the soldiers when the units of Territorial Defense of city of Sarajevo attacked one unit of JNA-Yugoslav army. Jovan Divjak talks about constant mythologization as a tool for hegemony of one nationality over the others, which according to him, could lead and led to a bloodshed. As Serb, he is strongly criticizing Serbian nationalism and hegemony in Bosnia, as well as Croatian and Bosnian attempts towardsmythologization.2008-01-30T21:04+00:00sr2008DICTIONARY OF WARhttp://dictionaryofwar.org3356769000:20:30Ogg Theora
http://v2v.cc/v2v/show/S4C6UQQBTOV7XTHRI7XSOTSKJMCZ2QBM
ed2k://|file|Na_tragu_mitologije_-_Jovan_Divjak.ogg|33567690|64dd70cd6d69012f02f3d9263b192d99|magnet:?dn=Na_tragu_mitologije_-_Jovan_Divjak.ogg&xt=urn%3Asha1%3AS4C6UQQBTOV7XTHRI7XSOTSKJMCZ2QBMhttp://v2v.cc/sites/v2v.cc/files/torrents/Na_tragu_mitologije_-_Jovan_Divjak.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ghetto Ambient - Sebastian MeissnerGhetto Ambient explores urban and rural environments frequently described as “non-places”. Expanding common definitions, which regards such places with limited presence of identity, social relations and history, this project is focusing on "places at the edge of the globalized world" (Spex), where silent and barely visible wars are fought: struggle for economical domination in the Barents (RUS/NO/FIN), new representations of (virtual) Jewishness in Crakovian district of Kazimierz (PL), housing struggle on the outskirts of Algiers (AL), abandoned agricultural and touristic resorts in the Judea desert (IL) and many other places. Meissner uses processed photographic material collected on various geographic locations dissecting it into fragments and re-arranging it to a highly dramatic fictional movie. Moving slowly from one geographic location to another, each sequence is build with “an acute sense of spatial composition and narrative structure which is drawing the listener into a captivating aural tale” (All Music).2008-01-30T20:18+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org4782968600:32:48Ogg Theora
http://v2v.cc/v2v/show/2WZVQPZVZ36NVOZTNWQPCT5B2NCS2HVE
ed2k://|file|Ghetto_Ambient_-_Sebastian_Meissner.ogg|47829686|f421557c90840c91b43e0e5bc29dbfcd|magnet:?dn=Ghetto_Ambient_-_Sebastian_Meissner.ogg&xt=urn%3Asha1%3A2WZVQPZVZ36NVOZTNWQPCT5B2NCS2HVEhttp://v2v.cc/sites/v2v.cc/files/torrents/Ghetto_Ambient_-_Sebastian_Meissner.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Eating Rawness - Jean Matthee“Man tries to satisfy his need for aggresion at the expense of his neighbour, to exploit his work without compensation, to use him sexually without his consent, to appropriate his goods, to humiliate him, to inflict suffering on him, to torture and kill him”. (Feud); To find the path of desire is to encounter on routethe bad character of the drives, settled at the heart of all subjects who have to recognise it. Who am I? “You are the waste that fails in the world through the devil's anus.” (Martin Luther); Radical forms of sublimation are attempts to confront and transform the bad character of the drives, salvation holds on by a thread.2008-01-30T19:10+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org2647793100:11:34Ogg Theora
http://v2v.cc/v2v/show/PYVVLALZHFN7C5P52Y7DLQCYF4NJMYTS
ed2k://|file|Eating_Rawness_-_Jean_Matthee.ogg|26477931|9b7c1a4af6891657ecad40e73fff678f|magnet:?dn=Eating_Rawness_-_Jean_Matthee.ogg&xt=urn%3Asha1%3APYVVLALZHFN7C5P52Y7DLQCYF4NJMYTShttp://v2v.cc/sites/v2v.cc/files/torrents/Eating_Rawness_-_Jean_Matthee.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Digital Despair Geert LovinkThe war in Iraq, from 2003 to the present, is the first war covered by bloggers. Salam Pax caused a stir by reporting online the last months of the Sadam Hussein regime and the US invasion. During the short summer of media freedom (2003-2004) Iraqi weblogs popped up in great numbers. Four years later we find ourselves in midst of a pool of 'digital despair'. Most bloggers have left the country and report from Damascus, Amman or London. Humor and irony have vanished. Some became news professionals, others turned silent. How are modern communication technologies such a blogs used to express emotions about the loss and exile? The tragic condition of the Iraqi blogosphere is used as a case study to investigate blogs as online diaries. Rather than promoting 'citizen journalism', I analyse blogs as 'technologies of the self' (Foucault).2008-01-30T18:40+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org7711662800:38:44Ogg Theora
http://v2v.cc/v2v/show/MHWTPBKWYH3PAVDEQM5TDLEF2XML3BTI
ed2k://|file|Digital_despair_-_Geert_Lovink.ogg|77116628|381774eeb3643b1fa69bbf6e3b821985|magnet:?dn=Digital_despair_-_Geert_Lovink.ogg&xt=urn%3Asha1%3AMHWTPBKWYH3PAVDEQM5TDLEF2XML3BTIhttp://v2v.cc/sites/v2v.cc/files/torrents/Digital_despair_-_Geert_Lovink.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Counter imaging - Erden KosovaAfter a period of relative normalisation, the politics within the Republic of Turkey has been drifted again into serious conflict. The rise of the governing party, which has its roots from the Islamic movement and which tries now to fuse cultural conservatism with rampant neo-liberalism, has disconcerted the established actors of the regime (army, bureaucracy and the urban bourgeoise) and the urban middle class in the West of the country which feels threatened by the heedless nouveau riche emerging from the conservative provinces. The looming threat of having another military coup was evaded by the landslide election victory of the governing party. The nationalist discourse recovered from the bitter defeat when the Kurdish separatist army decided to resume armed struggle and inflicted serious casualties to the Turkish army. Along the rise of the political tension, the contemporary art scene in Istanbul has experienced a considerable institutionalisation reinforced by the sudden interest of the most prominent bourgeois families and financial corporates into the field. The art practice which has defined itself trough anti-statist, anti-militarist and anti-nationalist stance encountered a bitter dilemma. A strand within these artists surrendered to the recuperative frameworks of the new institutions whereas another strand tried to radicalise it political edge, to the extent of deciding to switch occasionally into anonymous visual production.2008-01-30T18:17+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org5264710300:27:01Ogg Theora
http://v2v.cc/v2v/show/KZ7RR3NRSULU2APHL34QU5WAE6W2EJU4
ed2k://|file|Counter_imaging_-_Erden_Kosova.ogg|52647103|e24c0b21fbe4eb6f9f053aeb7b4bbc74|magnet:?dn=Counter_imaging_-_Erden_Kosova.ogg&xt=urn%3Asha1%3AKZ7RR3NRSULU2APHL34QU5WAE6W2EJU4http://v2v.cc/sites/v2v.cc/files/torrents/Counter_imaging_-_Erden_Kosova.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Collection - Nebojsa MilikicThe guided tour through an art-collection assembled in the period between 1986/7-1996/7, which is the period of the outset and ongoing of wars in Yugoslavia. How social and political agendas were absorbed or radiated through the process of selection - as seen in the content and concept of works. Which ideological and class positioning of the collectioner could generate motives, guide decisions or get blended into todays appearance of the collection.2008-01-30T17:54+00:002008DICTIONARY OF WARhttp://dictionaryofwar.org5462477100:22:05Ogg Theora
http://v2v.cc/v2v/show/FEAFCHO344OKZNBBW3QNRGNMQBEY6NY3
ed2k://|file|Collection_-_Nebojsa_Milikic.ogg|54624771|9e5bd551f6b7ba6bfaa530bfbaf5ad70|magnet:?dn=Collection_-_Nebojsa_Milikic.ogg&xt=urn%3Asha1%3AFEAFCHO344OKZNBBW3QNRGNMQBEY6NY3http://v2v.cc/sites/v2v.cc/files/torrents/Collection_-_Nebojsa_Milikic.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Collaboration - Galit Eilat"Collaboration" is a structure, where two or more people work together toward a shared aim―typically for an intellectual or cultural project that is creative in nature. Yet, "Collaboration" acquires a very negative meaning as referring to persons or a groups which help an occupier or enemy of their country. What are the benefits and dangers of cultural collaborative projects between Palestinians and Israelis when any kind of collaborative structure is acknowledged as collaboration with the enemy?2008-01-30T17:33+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org5207525400:28:33Ogg Theora
http://v2v.cc/v2v/show/VEWLJBV57KJ7ZJ654BVR6VLR6JRE5GIL
ed2k://|file|Collaboration_-_Galit_Eilat.ogg|52075254|99e369f1dedeb30b21b536c59c13d54c|magnet:?dn=Collaboration_-_Galit_Eilat.ogg&xt=urn%3Asha1%3AVEWLJBV57KJ7ZJ654BVR6VLR6JRE5GILhttp://v2v.cc/sites/v2v.cc/files/torrents/Collaboration_-_Galit_Eilat.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.(A quiet) Civil warOver the last fifteen years, many parts of the former Soviet Union have been devastated by civil war and other disruptive armed conflicts. Despite this glaring fact, it has often been stated that the break-up of the Soviet Union was a remarkably "bloodless" affair. In a major Russian city like Saint Petersburg, which has seemingly been far from the frontlines in any of these wars, the economic stagnation and chaotic political scene of the eighties and nineties have given way to what the city's current governor calls "aggressive development" and to an apparently well-fed political apathy amongst the previously engaged populace. Here, then, we see the exact opposite of anything resembling civil war -- a stable (albeit dull) civil peace. But what if this peace is, in fact, founded on a "quiet" civil war that has been going on for the past decade -- a war that in many ways has been just as devastating for the "losing" party as the hot civil wars fought in the former Soviet hinterlands? How can we delineate the frontline in this quiet civil war? How do we identify its victims? Its victors? How is it connected to the "real" wars in the former Soviet Union and former Yugoslavia? And what does it have to do with an American band called Beirut and an unhappy Russian girl named Masha?2008-01-30T17:16+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org3308961800:17:24Ogg Theora
http://v2v.cc/v2v/show/FT4VPDJSW3HSUBNMFSJLVZZJMRVXDN7S
ed2k://|file|Civil_war_-_Thomas_Campbell.ogg|33089618|76c239d3d61094f120b26cbba7f1f62c|magnet:?dn=Civil_war_-_Thomas_Campbell.ogg&xt=urn%3Asha1%3AFT4VPDJSW3HSUBNMFSJLVZZJMRVXDN7Shttp://v2v.cc/sites/v2v.cc/files/torrents/Civil_war_-_Thomas_Campbell.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Exergue: Novi Sad"The necessity of not having control over language, of being a foreigner in one's own tongue in order to draw speech to oneself and 'bring something incomprehensible into the world.'" I chose a quote of a quote as the exergue i would like to put in the beginning of the 5th edition of the "Dictionary of war". The exergue is taken from Deleuze and Guattari's "Mille Plateux" but itself it is quoting the german poet, dramatist and writer Heinrich von Kleist: It is a close reading of Kleists famous text "On the Gradual Formation of Ideas in Speech" ("Über die allmächliche Verfertigung der Gedanken beim Reden"), in which Kleist denounces the central interiority of the concept as a means of control--the control of speech, of language, but also of affects, circumstances and even chance.2008-01-30T16:51+00:00en2008DICTIONARY OF WARhttp://dictionaryofwar.org3786420500:16:47Ogg Theora
http://v2v.cc/v2v/show/OV2D6QG3YIOUFCNIP3LYUNEZATBQINRO
ed2k://|file|Exergue5_-_Florian_Schneider.ogg|37864205|84115020dce2ec7a1ee8125be328654b|magnet:?dn=Exergue5_-_Florian_Schneider.ogg&xt=urn%3Asha1%3AOV2D6QG3YIOUFCNIP3LYUNEZATBQINROhttp://v2v.cc/sites/v2v.cc/files/torrents/Exergue5_-_Florian_Schneider.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Block G8 Impressions from Börgerende-RethwishImpressions from the blockade against the G8 in Börgerende-Rethwisch that took place on June 6th 2007 near Rostock (Germany). In the video an activist explains the tactic and the course of action of the blockade (in german).2008-01-03T16:31+00:00de2007KEIN.TVmultitude@kein.orghttp://kein.tv6020908800:07:52Ogg Theora
http://v2v.cc/v2v/show/WAN5EMW2H4BBKBXO4APPKMMOIM3BZXOQ
ed2k://|file|blockg8_voice.ogg|60209088|8194f532e3539233cd0608bb2e94d7a8|magnet:?dn=blockg8_voice.ogg&xt=urn%3Asha1%3AWAN5EMW2H4BBKBXO4APPKMMOIM3BZXOQhttp://v2v.cc/sites/v2v.cc/files/torrents/blockg8_voice.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Narratives of NudityHow far can you go within a genre called Exploitation? Stephanie Rothman, known as the first women director in the Roger Corman Clan, talks about the thin lines between MPAA standards, exploitation standards of sex and nudity and her own political visions and aesthetical ambitions.2007-12-08T00:35+00:00en2007kein.tvinfo@missingimage.comhttp://missingimage.com4044335800:20:10Ogg Theora
http://v2v.cc/v2v/show/RSYEEHZ2YRIFBXQG5ZKX663IXFAMZXT3
ed2k://|file|stephanie_rothman.ogg|40443358|e68158836603f799f7233816cdb686ea|magnet:?dn=stephanie_rothman.ogg&xt=urn%3Asha1%3ARSYEEHZ2YRIFBXQG5ZKX663IXFAMZXT3http://v2v.cc/sites/v2v.cc/files/torrents/stephanie_rothman.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Exploitation vs AvantgardeTwo different approaches to film-making and -production: a retrospective view on Hollywood and its B-pictures and a current perspective on independent structures - a dialogue between Stephanie Rothman and Nina Menkes, invited by Viennale 07. But as different as the cinematographic structures, chosen by the directors, may be, there is some important mutual ground for Rothman and Menkes: the strive to communicate feminist ideas.2007-12-07T23:44+00:00en2007kein.tvinfo@missingimage.comhttp://www.missingimage.com9846199000:43:40Ogg Theora
http://v2v.cc/v2v/show/BTZBVXQQWFKMJ4IDNRGJUEZIIW2OIQY6
ed2k://|file|rothman_menkes.ogg|98461990|6812430abacd87f136c01127fcefd4aa|magnet:?dn=rothman_menkes.ogg&xt=urn%3Asha1%3ABTZBVXQQWFKMJ4IDNRGJUEZIIW2OIQY6http://v2v.cc/sites/v2v.cc/files/torrents/rothman_menkes.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Good Porn for Good Girls?What does it mean to work in the porn industry and what difference does it make if a women wrote the script and stands behind the camera? A panel discussion during the 2.Porn Filmfestival in Berlin with Erika Lust (Barcelona), Jennifer Lynn (Melbourne/Berlin), Julia Ostertag (Berlin), Ovidie (Paris), Petra Joy (Brighton) and Audacia Ray (New York).2007-12-07T22:07+00:00en2007kein.tvinfo@kein.tvhttp://kein.tv22796325501:09:03Ogg Theora
http://v2v.cc/v2v/show/T4SNKZPEES7INLWAFPD2LX37QDZO2YOB
ed2k://|file|berlin_porn.ogg|227963255|1a0af4fed3ecf854a6ff3e29c53c3e3a|magnet:?dn=berlin_porn.ogg&xt=urn%3Asha1%3AT4SNKZPEES7INLWAFPD2LX37QDZO2YOBhttp://v2v.cc/sites/v2v.cc/files/torrents/berlin_porn.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Alltag ÜberwachungOb durch neue Kameras oder dauerhafte Speicherung von Telefondaten, ob sichtbar oder im Verborgenen: Immer mehr Informationen über den Einzelnen werden gesammelt, gespeichert und verknüpft. Alles zur Sicherheit der Bürger und zum Vorteil der Konsumenten? Vollzieht sich ein Wandel im Umgang mit Informationen in der digitalen Welt oder ist es bereits der Weg in den Überwachungsstaat? Spurensuche in Deutschland - ein Video-Feature in vier Teilen.
Hunderttausende öffentliche und private Kameras sind in Deutschland installiert. Doch die Forderung nach mehr Videoüberwachung reißt nicht ab. Manche erhoffen sich davon mehr Sicherheit, andere warnen vor der Überwachung - zum Beispiel in Leipzig. Dort setzt die Polizei seit langem auf Kameras.
Wer mit wem telefoniert, wo sich Handy-Besitzer aufhalten, jeder Internet-Abruf: Künftig sollen in der EU Kommunikationsdaten in ungeheurem Ausmaß gespeichert werden, zum Schutz vor Terroristen. "Die Bevölkerung wird unter Generalverdacht gestellt", meinen Datenschützer. Peter Strehmel hat schon erfahren, wie sich das anfühlt.
Vom Supermarkt-Etikett über das WM-Ticket bis zum Reisepass: In immer mehr Gegenständen stecken winzige Funkchips. Die Industrie verspricht sich von der RFID-Technik billigere Logistik und ihren Kunden individuellere Dienstleistungen. Skeptiker reden dagegen von "Schnüffelchips?.
Ob durch Überwachungskameras an der Tankstelle, beim Surfen im Internet oder beim Bezahlen mit einer Treuekarte: Freiwillig oder unfreiwillig hinterlässt jeder Spuren.
44 min.2007-10-29T23:45+00:00de2007Fiete Stegers, Roman Mischelhttp://www.r73.net/34254537800:00:00Ogg Theora
http://v2v.cc/v2v/show/C35OYZPPGTGG4WNJBS44CAZVGCIBEPAI
ed2k://|file|alltag.ogg|342545378|405ae1bf414a19341c766226d2fd4cf1|magnet:?dn=alltag.ogg&xt=urn%3Asha1%3AC35OYZPPGTGG4WNJBS44CAZVGCIBEPAIhttp://v2v.cc/sites/v2v.cc/files/torrents/alltag.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Store Wars - Join the Organic RebellionLiebevolle Star Wars-Parodie zum Thema Bioernährung kontra Ernährung mit Lebensmitteln aus industrieller Massenproduktion. Von den MacherInnen von The Meatrix.2007-10-28T22:48+00:00en2005Louis Foxhttp://www.storewars.org1004203300:00:00Ogg Theora
http://v2v.cc/v2v/show/Q7XYFCTQMOT572GG2CTVLJ2WD45DCZ72
ed2k://|file|StoreWars_v2v.ogg|10042033|159e58265c9d663e3defe9fabfc8ee0c|magnet:?dn=StoreWars_v2v.ogg&xt=urn%3Asha1%3AQ7XYFCTQMOT572GG2CTVLJ2WD45DCZ72http://v2v.cc/sites/v2v.cc/files/torrents/StoreWars_v2v.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.GET CREATIVEGET CREATIVE, being the origin and adventures of the creative commons licensing project.2007-10-28T22:10+00:00en2005Creative Commons Campaignhttp://2063546800:00:00Ogg Theora
http://v2v.cc/v2v/show/RKK7QO5QZTEJCEYBJZFQA3RC6G3YPXJ3
ed2k://|file|GetCreative.ogg|20635468|68594022c4616e48eb3a1fd1ffbd15a1|magnet:?dn=GetCreative.ogg&xt=urn%3Asha1%3ARKK7QO5QZTEJCEYBJZFQA3RC6G3YPXJ3http://v2v.cc/sites/v2v.cc/files/torrents/GetCreative.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.chocolate city - we are here to stayEin Tag in New Orleans, ein Jahr nach Katrina. Ergreifende Bilder zeichnen die Folgen des Wirbelsturms nach. Zu Wort kommt die Arbeit der NGO „Common Grounds collective“, die sich gegen die Beschlagnahmung von Häusern in vorwiegend von Afro-AmerikanerInnen bewohnten Vierteln wendet.
www.droppingknowledge.org2007-10-28T21:50+00:00en2006Ralf Schmerberghttp://22085395800:00:00Ogg Theora
http://v2v.cc/v2v/show/VVIG6NWD27X2C74JQ37LESOIV25IQGVE
ed2k://|file|choclate.ogg|220853958|625efae5f1cfeb43ed4acf5975366d41|magnet:?dn=choclate.ogg&xt=urn%3Asha1%3AVVIG6NWD27X2C74JQ37LESOIV25IQGVEhttp://v2v.cc/sites/v2v.cc/files/torrents/choclate.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Reclaim PowerDie Dokumentation des Protest- und Workshopcamps in Sichtweite des größten Kohlekraftwerks „Drax“ in Großbritannien ist gespickt mit einprägsamen Bildern und erklärenden Interviews zum Klimawandel. Vor allem der CO2-Ausstoß der nördlichen Welt wird in seinen verheerenden sozialen und ökologischen Folgen durch AktivistInnen und ExpertInnen erläutert. Das 10-tägige Camp findet seinen Höhepunkt in der Stilllegung von Drax für einen Tag. Der Film will dazu anregen, in den nächsten Jahren in ganz Europa Klimacamps zu inszenieren: Globale Perspektive – Aufklärung – lokale Aktion.2007-10-27T22:49+00:00en2007cinerebeldehttp://48801285000:00:00Ogg Theora
http://v2v.cc/v2v/show/KSFKWEPPXTLWQR6AJH3AUC46GFMVASWL
ed2k://|file|reclaim.ogg|488012850|a5852a6146591fd21ca3f8f3d9a5bd48|magnet:?dn=reclaim.ogg&xt=urn%3Asha1%3AKSFKWEPPXTLWQR6AJH3AUC46GFMVASWLhttp://v2v.cc/sites/v2v.cc/files/torrents/reclaim.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Dow Houx1984: Durch einen Giftgasunfall in der Chemiefabrik von Union Carbide in Bhopal, Indien, starben unmittelbar 5000 Personen. Weitere 15.000 in den darauf folgenden zwei Jahrzehnten. Seitdem benötigen ca. 120.000 Bhopalis lebenslang medizinische Behandlung. Dow Chemical kaufte 2001 Union Carbide auf, zahlte jedem Opfer einmalig 500 US$ und meinte damit, seine Schuldigkeit getan zu haben. Zum 20. Jahrestag der Katastrophe kontaktierte ein BBC-Reporter den Konzern über DowEthics.com. Er ahnte nicht, dass die Website ein Fake der Yes Men war. So kam der angebliche Sprecher von Dow, Jude Finisterra („Ende der Welt“), auf BBC World TV zum Einsatz. Und endlich sagte jemand die Wahrheit...2007-10-23T22:09+00:00en2005Yes Menhttp://theyesmen.org/hijinks/dow/11127621100:00:00Ogg Theora
http://v2v.cc/v2v/show/N6LIEBEFBDIFRJ33XRPCCBGWK6GWBCQX
ed2k://|file|dowHoux.ogg|111276211|d856045dd0fc65704ac125641f5c60e7|magnet:?dn=dowHoux.ogg&xt=urn%3Asha1%3AN6LIEBEFBDIFRJ33XRPCCBGWK6GWBCQXhttp://v2v.cc/sites/v2v.cc/files/torrents/dowHoux.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Building On The PastJustin Cone created a short, succinct “commercial” that demonstrates what Creative Commons is, and how it works, in a slick package.2007-10-23T16:27+00:00en2003Justin Conehttp://1125483200:00:00Ogg Theora
http://v2v.cc/v2v/show/UBMVV7JPKIFZWUIZKBNUYUDHPAEELJUB
ed2k://|file|BuildingOnThePast.ogg|11254832|e0e3855adba2ae3fd16db1f7beab16f6|magnet:?dn=BuildingOnThePast.ogg&xt=urn%3Asha1%3AUBMVV7JPKIFZWUIZKBNUYUDHPAEELJUBhttp://v2v.cc/sites/v2v.cc/files/torrents/BuildingOnThePast.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Streikbesuche in HamburgAm Freitag, den 5.Oktober 2007 fuhren 100 Streikende aus Haldensleben nach Hamburg, um ihre dort streikenden KollegInnen zu besuchen und zu unterstützen. Dieser Besuch ist der erste dieser Art, eine andere Gelegenheit der Arbeiterinnen und Arbeiter der beiden Standorte sich kennenzulernen, gab es noch nicht. Die Stimmung ist euphorisch, nur geht weder Otto noch Hermes Warehousing Solutions bislang auf die Streikenden zu - der Kampf geht weiter.2007-10-09T11:48+00:00de2007kein.tvinfo@hws-im-streik.dehttp://hws-im-streik.de6099626600:08:49Ogg Theora
http://v2v.cc/v2v/show/KJUZG5LU7EIHH2I3JPQ5AIPQB6Y745V6
ed2k://|file|hws_streik_051007_hamburg.ogg|60996266|356a9f16d8920c8e86a2d0bbc09e2752|magnet:?dn=hws_streik_051007_hamburg.ogg&xt=urn%3Asha1%3AKJUZG5LU7EIHH2I3JPQ5AIPQB6Y745V6http://v2v.cc/sites/v2v.cc/files/torrents/hws_streik_051007_hamburg.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Streik-Aktionstag in MagdeburgAuch am Donnerstag, den 4. Oktober 2007 wird Hermes Warehousing Solutions, die ausgelagerte Otto Tochterfirma, von den Arbeiterinnen in Haldensleben und Hamburg bestreikt. Um ihrem Anliegen mehr Gehör zu verschaffen, fahren die Arbeiterinnen aus Haldensleben am Donnerstag zu einem Aktionstag nach Magdeburg, wo sie in Einkaufszentren und vor dem Arbeitgeberverband demonstrieren und Kundgebungen abhalten. Lautstark ziehen sie durch Magdeburg und fordern von Hermes und Otto an den Verhandlungstisch zu kommen. Mehr Informationen zu diesem Aktionstag unter http://hws-im-streik.de/node/502Hermes Warehousing Solutions (HWS) reagiert bislang nicht auf die Streikenden2007-10-07T18:18+00:00de2007kein.tvinfo@hws-im-streik.dehttp://hws-im-streik.de2307873600:05:31Ogg Theora
http://v2v.cc/v2v/show/53QFDKVDUUSNFD6NNKREEZIXRRLYTLZ6
ed2k://|file|v2v_oktober4_hws.ogg|23078736|3bfb347491b9c30b176949f40e74553c|magnet:?dn=v2v_oktober4_hws.ogg&xt=urn%3Asha1%3A53QFDKVDUUSNFD6NNKREEZIXRRLYTLZ6http://v2v.cc/sites/v2v.cc/files/torrents/v2v_oktober4_hws.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ver.di Bundeskongress-Delegierte in HaldenslebenIn den frühen Morgenstunden des 5.Oktober 2007 besuchten 150 Delegierte des in Leipzig stattfindenden Ver.di Bundeskongresses die Streikenden in Haldensleben, um sie zu unterstützen und ihre Solidarität auszudrücken. In Haldensleben (wie auch in Hamburg) wird seit 7 Tagen HWS - Hermes Warehousing Solutions, eine Tochter der Ottogroup, bestreikt. Bislang zeigt sich HWS unnachgiebig und will den Arbeiterinnen und Arbeitern von HWS eine Verschlechterung ihrer Arbeitsbedingungen zumuten, obwohl die Gewinne des Konzerns im letzten Jahr die höchsten seit Konzerngründung waren.2007-10-07T09:31+00:00de2007kein.tvinfo@hws-im-streik.dehttp://hws-im-streik.de2000404100:03:19Ogg Theora
http://v2v.cc/v2v/show/CNSXJCS4E6QO63E3GXEBKGSF7YJ7H4ZT
ed2k://|file|buko_verdi.ogg|20004041|95ac1f8a00142ab6000eda41d62fc232|magnet:?dn=buko_verdi.ogg&xt=urn%3Asha1%3ACNSXJCS4E6QO63E3GXEBKGSF7YJ7H4ZThttp://v2v.cc/sites/v2v.cc/files/torrents/buko_verdi.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA."Ist jetzt alles Terrorismus?" RA Christina Klemm zu den 129a - VerfahrenVolksbühne Berlin - 30.9.2007
Rechtsanwältin Christina Klemm vertritt anwaltschaftlich einen der Beschuldigten und nimmt hier zum Verfahren stellung.Die politische Dimension des §129a2007-10-04T22:23+00:00de2007erperene@so36.nethttp://einstellung.so36.net106623930UnknownOgg -
http://v2v.cc/v2v/show/Z447JK5YWUNQOZWOLL5UZX5555YTSH4X
ed2k://|file|beitrag_christina_klemm.ogg|106623930|2d1d9404825dc14b2f7d9a3a1ccecc3e|magnet:?dn=beitrag_christina_klemm.ogg&xt=urn%3Asha1%3AZ447JK5YWUNQOZWOLL5UZX5555YTSH4Xhttp://v2v.cc/sites/v2v.cc/files/torrents/beitrag_christina_klemm.ogg.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA."Ist jetzt alles Terrorismus?" - Willkommensworte der VolksbühneVolksbühne Berlin - 30.9.2007
Chefdramaturgin Gabriele Gysi spricht die willkommens-worteDie politische Dimension des §129a2007-10-04T22:13+00:00de2007erperene@so36.nethttp://einstellung.so36.net6414972UnknownOgg -
http://v2v.cc/v2v/show/K2IQEECVICFKE7R6I4L6C76JCAQNAIMO
ed2k://|file|intro_gabriele_gysi.ogg|6414972|64bacc3bd1f47316e53378d353cbbce5|magnet:?dn=intro_gabriele_gysi.ogg&xt=urn%3Asha1%3AK2IQEECVICFKE7R6I4L6C76JCAQNAIMOhttp://v2v.cc/sites/v2v.cc/files/torrents/intro_gabriele_gysi.ogg.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA."Ist jetzt alles Terrorismus?" SchlussrundeVolksbühne Berlin - 30.9.2007
AbschlußstatementsDie politische Dimension des §129a2007-10-04T21:50+00:00de2007erperene@so36.nethttp://einstellung.so36.net34563181UnknownOgg -
http://v2v.cc/v2v/show/I5UP5JRAVJFMDQQOTZR27PTAU3OJROW6
ed2k://|file|beitrag_schlusswort.ogg|34563181|5952e9a45d9d52d0103a619fb3aea11f|magnet:?dn=beitrag_schlusswort.ogg&xt=urn%3Asha1%3AI5UP5JRAVJFMDQQOTZR27PTAU3OJROW6http://v2v.cc/sites/v2v.cc/files/torrents/beitrag_schlusswort.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA."Ist jetzt alles Terrorismus?" - Einfühung in die VeranstaltungVolksbühne Berlin - 30.9.2007
Einführung von Dr. Britta GrellDie politische Dimension des §129a2007-10-04T21:36+00:00de2007erperene@so36.nethttp://einstellung.so36.net37059656UnknownOgg -
http://v2v.cc/v2v/show/27EOEGEQYI5RFOK7B2VCEKGQZSW5ALKB
ed2k://|file|intro_britta_grell.ogg|37059656|b69fa321d02c3584808d42ce50472b9d|magnet:?dn=intro_britta_grell.ogg&xt=urn%3Asha1%3A27EOEGEQYI5RFOK7B2VCEKGQZSW5ALKBhttp://v2v.cc/sites/v2v.cc/files/torrents/intro_britta_grell.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA."Ist jetzt alles Terrorismus?"Volksbühne Berlin - 30.9.2007
Beitrag von Dr. Rolf Gössner - Internationale Liga für MenschenrechteDie politische Dimension des §129a2007-10-04T20:32+00:00de2007erperene@so36.nethttp://einstellung.so36.net72958946UnknownOgg -
http://v2v.cc/v2v/show/KLPP42FZPY5YBKMQE3GAON7EXTG2FYK5
ed2k://|file|beitrag_rolf_goessner.ogg|72958946|993d9c580a0a02fc7dd584d07c894b94|magnet:?dn=beitrag_rolf_goessner.ogg&xt=urn%3Asha1%3AKLPP42FZPY5YBKMQE3GAON7EXTG2FYK5http://v2v.cc/sites/v2v.cc/files/torrents/beitrag_rolf_goessner.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA."Ist jetzt alles Terrorismus?" - Beitrag von Dr. Fritz StorimVeranstaltung in der Volksbühne Berlin -
Beitrag von Dr. Fritz Storimdie politische Dimension des §129a2007-10-04T19:18+00:00de2007erperene@so36.nethttp://einstellung.so36.net105553102UnknownOgg -
http://v2v.cc/v2v/show/MSHZRYLESMMXEXDSKOD76ZJAGAUHA4PR
ed2k://|file|beitrag_fritz_storim.ogg|105553102|884cae90c9da6b5c72f51ff80b3572b6|magnet:?dn=beitrag_fritz_storim.ogg&xt=urn%3Asha1%3AMSHZRYLESMMXEXDSKOD76ZJAGAUHA4PRhttp://v2v.cc/sites/v2v.cc/files/torrents/beitrag_fritz_storim.ogg.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ist jetzt alles Terrorismus - Beitrag von Prof. Dr. Roland Rothbeitrag von prof.dr. roland rothdie politische bedeutung des §129a2007-10-04T18:18+00:00en2007erperene@so36.nethttp://einstellung.so36.net85926316UnknownOgg -
http://v2v.cc/v2v/show/KZPG3BOISNFFLGXGYEN527LOGPQZZPXO
ed2k://|file|beitrag_roland_roth.ogg|85926316|0ecb6cb5004f16ef6df28bf06fe3934d|magnet:?dn=beitrag_roland_roth.ogg&xt=urn%3Asha1%3AKZPG3BOISNFFLGXGYEN527LOGPQZZPXOhttp://v2v.cc/sites/v2v.cc/files/torrents/beitrag_roland_roth.ogg.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Montag: Aktionstag!Auch am 2.10.2007 sind die Arbeiterinnen und Arbeiter von HWS Hermes Warehousing Solutions in Haldensleben und Hamburg im Streik. Anstelle der gewohnten Demonstrationen entschieden sich die Streikenden am Montag für vielfältige Aktionen in anderen Einzelhandelsfilialien: Kaufhof, Appel, Aldi und Lidl, um den dort Tätigen Mut zu machen und aber auch um auf ihren Streik aufmerksam zu machen. Ausführlicher nachzulesen unter: http://www.hws-im-streik.de/node/396HWS ist weiter im Streik2007-10-02T12:25+00:00de2007kein.tvaktion@hws-im-streik.dehttp://hws-im-streik.de3797712600:08:24Ogg Theora
http://v2v.cc/v2v/show/NJ7OLRF4A7JPZBOIARMKYOX37CHIEPMN
ed2k://|file|montag011007.ogg|37977126|ee4783177d2863612864945c72d0b3dd|magnet:?dn=montag011007.ogg&xt=urn%3Asha1%3ANJ7OLRF4A7JPZBOIARMKYOX37CHIEPMNhttp://v2v.cc/sites/v2v.cc/files/torrents/montag011007.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Streikansage aus HaldenslebenEine Streikende erklärt warum ab heute, dem 28.09.2007, die Arbeiterinnen bei Hermes Warehousing Solutions, Tochterfirma des Otto-Konzerns, im unbefristeten Streik sind, was ihre Forderungen und Perspektiven sind.2007-09-28T13:39+00:00de2007kein.tvinfo@hws-im-streik.dehttp://hws-im-streik.de495134000:01:33Ogg Theora
http://v2v.cc/v2v/show/I7HJAQ7PE7NVAVO6YLV5V27PPZ32JME3
ed2k://|file|v2v_hws.ogg|4951340|de281f92852eaa5305b6716699e1681a|magnet:?dn=v2v_hws.ogg&xt=urn%3Asha1%3AI7HJAQ7PE7NVAVO6YLV5V27PPZ32JME3http://v2v.cc/sites/v2v.cc/files/torrents/v2v_hws.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.StreikimpressionenAm 30./31. Juli 2007 hatten die Arbeiter_innen der Otto-Lagerwirtschaft Hermes Warehousing Solutions im Rahmen der Tarifauseinandersetzung im Einzelhandel gestreikt. Der kurze Zusammenschnitt von Videoaufnahmen, soll einen Eindruck vom Streik und den Aktionen geben, die darauf bezogen stattfanden.
Bei HWS (Hermes Warehousing Solutions) in Haldesleben befanden sich ca. 2/3 der insgesamt 1800 Arbeiter_innen im Streik. Paralell dazu wurde auch im Hamburger HWS-Werk gestreikt. Bisher gebärdet sich das Management jedoch unnachgiebig und lehnt Verhandlungen ab. Doch die Tarifauseinandersetzungen sind nicht beigelegt, der Kampf geht weiter.2007-09-25T16:17+00:00de2007kein.tvmultitude@kein.tvhttp://www.hws-im-streik.de3776976800:06:10Ogg Theora
http://v2v.cc/v2v/show/5MUSROF6P5Y72CL4V2XZ5KFEUTIVFWLD
ed2k://|file|hws_end2.ogg|37769768|dc283493a7ebe807f3963b9ca5101f79|magnet:?dn=hws_end2.ogg&xt=urn%3Asha1%3A5MUSROF6P5Y72CL4V2XZ5KFEUTIVFWLDhttp://v2v.cc/sites/v2v.cc/files/torrents/hws_end2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.One or two things we know about precarityHow can we learn to link and connect emerging struggles against precarization? What is the specific link between knowledge and organizing? How can organizing be implemented in Europe? A conversation between Stephen Lerner and Bondgenoten, moderated by Hae-Lin Choi.2007-09-07T21:48+00:00en2007kein.tvinfo@kein.tvhttp://summit.kein.org20930541801:29:25Ogg Theora
http://v2v.cc/v2v/show/CDQ2QX3ILK7JZJCHVD4ZKLGM4TG2ZDET
ed2k://|file|precarity2.ogg|209305418|caf74b0d93ad985e6bd95d5187e413d7|magnet:?dn=precarity2.ogg&xt=urn%3Asha1%3ACDQ2QX3ILK7JZJCHVD4ZKLGM4TG2ZDEThttp://v2v.cc/sites/v2v.cc/files/torrents/precarity2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Hosting the general intellect?Hosting the general intellect: Closing event of SUMMIT non-aligned initiaives in education culture. With contributions by Franco Bifo Berardi, Charles Esche, Lawrence Liang. Moderated by Irit Rogoff.2007-09-04T21:38+00:00en2007kein.tvinfo@kein.tvhttp://summit.kein.org47351655701:45:54Ogg Theora
http://v2v.cc/v2v/show/6477SEITQC7GU73NEB22LUZHSU2EUPOZ
ed2k://|file|hosting_the_general_intellect.ogg|473516557|c59174bbf1d7ff1e7ed9912d33d2be26|magnet:?dn=hosting_the_general_intellect.ogg&xt=urn%3Asha1%3A6477SEITQC7GU73NEB22LUZHSU2EUPOZhttp://v2v.cc/sites/v2v.cc/files/torrents/hosting_the_general_intellect.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.History Lesson: Short introduction into a true history of non-alignmentThe second History Lesson at SUMMIT non-aligned initiatives in education culture featured a conversation between yugoslavian filmmaker Zelimir Zilnik and Jeebesh Bagchi (Raqs media collective) from Delhi.2007-09-04T19:00+00:00en2007kein.tvinfo@kein.tvhttp://summit.kein.org33340699001:39:17Ogg Theora
http://v2v.cc/v2v/show/GUX2JBRWVK5WK2EKJFVWVTZB33DAOMQI
ed2k://|file|history_lesson2.ogg|333406990|d6f455672206b60ec801a166c4385e91|magnet:?dn=history_lesson2.ogg&xt=urn%3Asha1%3AGUX2JBRWVK5WK2EKJFVWVTZB33DAOMQIhttp://v2v.cc/sites/v2v.cc/files/torrents/history_lesson2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.caterpillar / rostockA 3-minutes clip covering parts of the actionday against war, militarism and torture during the g8-meeting in heiligendamm in june 2007what has heiligendamm got to do with palestine2007-08-17T18:36+00:00en2007erperene@so36.nethttp://12365594800:03:00Ogg Theora - 720x576
http://v2v.cc/v2v/show/O7MQKTUA2PR2ELJXOQ2X3PMRG5ZJ3WDS
ed2k://|file|cat_v2v.ogg|123655948|4ed70d77b7a1e6f4a17f3ce1e5e1825d|magnet:?dn=cat_v2v.ogg&xt=urn%3Asha1%3AO7MQKTUA2PR2ELJXOQ2X3PMRG5ZJ3WDShttp://v2v.cc/sites/v2v.cc/files/torrents/cat_v2v.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Learning from Architecture'Learning from Architecture" posits the assumption that rather than learning about architecture, it could be an methodology through which we could learn about that which lies beyond it. A debate featuring Nikolaus Hirsch, Eyal Weizman, John Palmesino, Aristide Antonas, Sandi Hilal, Alessandro Petti, Jesko Jezer and more...2007-07-20T16:55+00:00en2007kein.tvinfo@kein.orghttp://summit.kein.org38508508001:46:40Ogg Theora
http://v2v.cc/v2v/show/WSVH7ADTHUQHODEA7ZWL33L7ZVCTZKID
ed2k://|file|learning_from_architecture.ogg|385085080|91fc6c114ab53b1d3a880657b808a9d5|magnet:?dn=learning_from_architecture.ogg&xt=urn%3Asha1%3AWSVH7ADTHUQHODEA7ZWL33L7ZVCTZKIDhttp://v2v.cc/sites/v2v.cc/files/torrents/learning_from_architecture.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Urgent Thought: Hegemony, Exhaustion, BolognaFragments of a radical pedagogy: The third session of Urgent Thought features contributions by Oliver Marchart, Jan Verwoert and Dieter Lesage. It was recorded at the third day of SUMMIT non-aligned initiatives in education culture.2007-07-18T08:14+00:00en2007kein.tvinfo@kein.tvhttp://summit.kein.org18578830400:46:13Ogg Theora
http://v2v.cc/v2v/show/JHD6QVJHN3CBWPIH5DMZS5BSR4NL3J5Y
ed2k://|file|urgentthought3.ogg|185788304|60ed73c29e725c7284ddea0a2953c7c0|magnet:?dn=urgentthought3.ogg&xt=urn%3Asha1%3AJHD6QVJHN3CBWPIH5DMZS5BSR4NL3J5Yhttp://v2v.cc/sites/v2v.cc/files/torrents/urgentthought3.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Liam Gillick: Day 5Five Short Texts on the Possibility of Creating an Economy of Equivalence: Relations of equivalence - three potential endings. May 11th, 2007 unitednationsplaza, berlin2007-06-23T17:54+00:00en2007unitednationsplazahttp://10281986700:45:33Ogg Theora
http://v2v.cc/v2v/show/A7NYF2BDNBXEGFSA6UFDCGZIWNYVWA34
ed2k://|file|day5.ogg|102819867|1a6ae0c2c6b1b73fc682b861d1d53c56|magnet:?dn=day5.ogg&xt=urn%3Asha1%3AA7NYF2BDNBXEGFSA6UFDCGZIWNYVWA34http://v2v.cc/sites/v2v.cc/files/torrents/day5.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Liam Gillick: Day 4Five Short Texts on the Possibility of Creating an Economy of Equivalence: Reconfiguring the recent past. May 10th, 2007 unitednationsplaza, berlin2007-06-23T14:14+00:00en2007unitednationsplazahttp://10844293800:41:46Ogg Theora
http://v2v.cc/v2v/show/3PBCZCCBWYNPXDWXHJCFUKXPFBWAYRHM
ed2k://|file|day4.ogg|108442938|9a867480ef753028338c1ca0d80a5ce0|magnet:?dn=day4.ogg&xt=urn%3Asha1%3A3PBCZCCBWYNPXDWXHJCFUKXPFBWAYRHMhttp://v2v.cc/sites/v2v.cc/files/torrents/day4.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Liam Gillick: Day 3Five Short Texts on the Possibility of Creating an Economy of Equivalence: Reoccupation, recuperation and aimless renovation. May 9th, 2007 unitednationsplaza, berlin2007-06-23T02:15+00:00en2007unitednationsplazahttp://12112608300:47:25Ogg Theora
http://v2v.cc/v2v/show/TDRESFS7U7FIDRXWQW7DNOIVVIKQH4N3
ed2k://|file|day3.ogg|121126083|f04c899158144c1c4c3d3879e0a94ad5|magnet:?dn=day3.ogg&xt=urn%3Asha1%3ATDRESFS7U7FIDRXWQW7DNOIVVIKQH4N3http://v2v.cc/sites/v2v.cc/files/torrents/day3.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Liam Gillick: Day 2Five Short Texts on the Possibility of Creating an Economy of Equivalence: Redundancy following the lure of infinite flexibility. May 8th, 2007 unitednationsplaza, berlin2007-06-22T22:25+00:00en2007unitednationsplazahttp://11054181100:48:22Ogg Theora
http://v2v.cc/v2v/show/QREQF7DL55JO3FLSBXOOAKUIXMITZBSP
ed2k://|file|day2.ogg|110541811|20ba0f542d7005d2027b924ed99c0dc2|magnet:?dn=day2.ogg&xt=urn%3Asha1%3AQREQF7DL55JO3FLSBXOOAKUIXMITZBSPhttp://v2v.cc/sites/v2v.cc/files/torrents/day2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Liam Gillick: Day 1Five Short Texts on the Possibility of Creating an Economy of Equivalence:
The day before closure of an experimental factory.
May 7th, 2007
unitednationsplaza, berlin2007-06-22T20:24+00:00en2007unitednationsplazahttp://7160817200:41:09Ogg Theora
http://v2v.cc/v2v/show/SQ3F5QFFIWGJ6CWC6QQAX2VK4PKRGQJE
ed2k://|file|day1.ogg|71608172|abe7358a551a367a4f38f6e581c66048|magnet:?dn=day1.ogg&xt=urn%3Asha1%3ASQ3F5QFFIWGJ6CWC6QQAX2VK4PKRGQJEhttp://v2v.cc/sites/v2v.cc/files/torrents/day1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Urgent Thought: Suspension, Defeat, MigrationFragments of a radical pedagogy: The second session of Urgent Thought features contributions by Jeebesh Bagchi, Franco Berardi, Angela Melitopoulos. It was recorded at the second day of SUMMIT non-aligned initiatives in education culture.2007-06-20T23:39+00:00en2007KEIN.TVinfo@kein.tvhttp://summit.kein.org7227363800:24:50Ogg Theora
http://v2v.cc/v2v/show/CJDIYICPVNDJUPD5Y7ILF643WWT4P7ER
ed2k://|file|urgentthought2.ogg|72273638|3b6cb7ca86f1f9abffe8ed6888f4520f|magnet:?dn=urgentthought2.ogg&xt=urn%3Asha1%3ACJDIYICPVNDJUPD5Y7ILF643WWT4P7ERhttp://v2v.cc/sites/v2v.cc/files/torrents/urgentthought2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.If A Body Catch A Body Coming Through The RyeA look at allergies, yogurt, rye fields, water cannons, tear gas and blue blue sky.medicine and police violence at the G8 protests2007-06-09T13:59+00:00en2007steev hiseinfo@kein.tvhttp://detritus.net/steev2007567200:02:51Ogg Theora
http://v2v.cc/v2v/show/6XXHO46KXD47DBPQVH6LL66DUJHF6CXP
ed2k://|file|coming_through_the_rye.ogg|20075672|f9f527c2880fe461f94b9383b4b4706d|magnet:?dn=coming_through_the_rye.ogg&xt=urn%3Asha1%3A6XXHO46KXD47DBPQVH6LL66DUJHF6CXPhttp://v2v.cc/sites/v2v.cc/files/torrents/coming_through_the_rye.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Who is a companero? Part 2what, or who, is a companero? or a comrade, genosse? is a companero the same as a comrade? and who is not a comrade, genosse, companero? across different political languages – not only the tongues in which they're spoken, but the different forms of political life that they express and participate in –, the point of a single-question interview is precisely to help differences appear.2007-06-09T11:12+00:00en2007rgnunesinfo@kein.tvhttp://www.kein.tv12403664100:28:40Ogg Theora
http://v2v.cc/v2v/show/2WKQKDZJY5JMEVDZACLMJ622HK4POTSM
ed2k://|file|compa-2.ogg|124036641|7bfc82b4802d4c362ebf6867b59cd6a2|magnet:?dn=compa-2.ogg&xt=urn%3Asha1%3A2WKQKDZJY5JMEVDZACLMJ622HK4POTSMhttp://v2v.cc/sites/v2v.cc/files/torrents/compa-2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Das Lied Von Der Erdedas lied von der erde, ‘the sky remains blue forever/ and the earth will remain for long/ and
bloom again/ in spring./ but you, man,/ how long do you have to live?/ not hundred years do you have to enjoy/ all the transient pleasures/ of this earth.’ (music by gustav mahler, poem by li-tai-po, translated from the chinese by hans bethgen) images from the via campesina march in rostock on the 3rd of june.2007-06-08T19:09+00:00en2007rgnunesinfo@kein.tvhttp://www.kein.tv5161321000:06:11Ogg Theora
http://v2v.cc/v2v/show/SA345MXV7TOHHYQ2IOV3MN3KIDMRDYNV
ed2k://|file|das_lied_von.ogg|51613210|78ae5e2c5be4b1095fc128c05cfdeba4|magnet:?dn=das_lied_von.ogg&xt=urn%3Asha1%3ASA345MXV7TOHHYQ2IOV3MN3KIDMRDYNVhttp://v2v.cc/sites/v2v.cc/files/torrents/das_lied_von.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Enquanto Seu Lobo Nao Vem‘enquanto seu lobo nao vem’
while mr. wolf doesn’t come
‘let’s take a walk in the hidden forest, my love/ let’s take a walk in the
avenue/ let’s take a walk through the paths, the high roads, my love/
there’s a mountain range under the tarmac (…)
(the brass of the military band)/ under the bombs, the flags/ (the brass
of the military band)/ under the boots/ (the brass of the military band)/
under the roses, the gardens/ (the brass of the military band)/ under the
mud/ (the brass of the military band)/ under the bed…’
(caetano veloso)
images of the 2nd june demonstration before it arrived at the harbour and
police provocations began.2007-06-08T18:20+00:00en2007rgnunesinfo@kein.tvhttp://www.kein.tv2636448700:02:38Ogg Theora
http://v2v.cc/v2v/show/TWODQZTMPATENP6ZJ4XM3AV5VFQVC6DY
ed2k://|file|enquanto-lobo.ogg|26364487|88145a1f7bc4588ee8f7027e93b9263a|magnet:?dn=enquanto-lobo.ogg&xt=urn%3Asha1%3ATWODQZTMPATENP6ZJ4XM3AV5VFQVC6DYhttp://v2v.cc/sites/v2v.cc/files/torrents/enquanto-lobo.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Prisoners of LovePing Pong d'Amour beginnt mit einer Wohngemeinschaft, die zwischen der geschäftigen Fantasie 'junger Unternehmer' (Start-Up) und real-live Effekten der sog. Doku-Soaps hin und her pendelt. Den Bewohnern gelingt es einfach nicht, ihr Leben mit ihren Jobs in ein Gleichgewicht zu bringen.
Aber anders als bei anderen Doku-Soaps sind die Figuren nicht in ihrer propagierten Authentizität gefangen, sondern in eine ironische, intellektualisierte, schein-französische Welt verschoben. Erst darüber kommen die Macher/innen hinter den Figuren zum Vorschein, wird erahnbar, dass hier das 'TeamPing-Pong' eine raffinierte Form gefunden hat, über das eigene Leben zu spre-chen: die vielleicht einzig verbleibende Sprache des Dokumentarischen, nachdem die mediale Inszenierung von Echtheit zum Standard geworden ist.
Denn das Ping Pong- Produktionsteam ist identisch mit den Darsteller/innen und ist veranwortlich für die Konstruk-tion der Wirklichkeit, die sie selber ver-körpern. Im gleichen Maße wie Doku-Soaps seit 'Big Brother' letztendlich die beunruhigende Frage entpolitisiert: Was ist, wenn wir auch in unserem 'wirklichen Leben' immer und überall nur bestimmte Rollen spielen, wenn wir nicht sind, was wir sind, sondern uns selbst nur spielen?, entpolitisiert die Ideologie der new economy die Produktionsverhältnisse als reibungsloser Spaß. Dem setzt Le Ping Pong d'Amour die zwei Millimeter Abstand zwischen den Produzent/-innen und den Selbstdarstellungen entgegen, in denen ein anderes Leben potentiell auftauchen könnte -- und nicht wie in einer Soap üblich, die bestehenden Verhältnisse reproduziert.
Als könnten im Umweg über diese 'Soap Verité' einige Lektionen Jean-Luc Godards wiederauftauchen: Selber-Machen und sich dabei zeigen.3te Staffel von "Le Ping Pong d'Amour"2007-06-07T22:56+00:002007Nicolas Siepen, Claudia Basrawi, Alessio Bonaccorsinicomat@bbooks.dehttp://19205970900:32:58Ogg Theora
http://v2v.cc/v2v/show/FZRX5C673EI7W2DAK3PSGMLN4IXXC4GA
ed2k://|file|v2v_prisoners_of_love.ogg|192059709|43400e9fcfea6ebd7cc11dd75576848c|magnet:?dn=v2v_prisoners_of_love.ogg&xt=urn%3Asha1%3AFZRX5C673EI7W2DAK3PSGMLN4IXXC4GAhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_prisoners_of_love.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Who is a companero? part 1what, or who, is a companero? or a comrade, genosse? is a companero the same as a comrade? and who is not a comrade, genosse, companero?
across different political languages – not only the tongues in which they're spoken, but the different forms of political life that they express and participate in –, the point of a single-question interview is precisely to help differences appear.
whereas a general interview (‘tell me about your struggle, your position on the g8, on africa’ etc.) would tend to reduce those differences to common-places, or make them appear as predictable, traceable diffractions (‘the socialist’, ‘the anarchist’ etc.) a question that tries to probe into the unarticulated background of a political practice can perhaps say more about what it is that constitutes ‘a movement’.2007-06-07T21:17+00:00en2007Rodrigo Nunesinfo@kein.tvhttp://www.kein.tv5077552000:08:27Ogg Theora
http://v2v.cc/v2v/show/6GVCUFINEMPUY7KU2WBW5KYV637WOU37
ed2k://|file|Compa-1.ogg|50775520|5d851cedfd8f5a68de14a58718e70472|magnet:?dn=Compa-1.ogg&xt=urn%3Asha1%3A6GVCUFINEMPUY7KU2WBW5KYV637WOU37http://v2v.cc/sites/v2v.cc/files/torrents/Compa-1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kennedi goes back homeThis is a story of Yugoslavs who left the country in war and spent over ten years in Western Europe as refugees or in asylum. In the second half of the year 2002 European Union sent many of these people back to Serbia and Montenegro together with their families, believing that there were no more reasons for their stay. Procedures for their return were usually very strict. Families would be gathered during the night, transported to the airport and sent to Belgrade on the first flight. To make things more dramatic, the majority of children born in some of the Western European countries speak and write the other language better than the mother tongue. As they sold everything they owned when they were leaving the country, they are facing a situation where normal life is practically impossible.
The film is in serbian language, partly in german but english subtitled.2007-06-07T21:15+00:00sr2007Zelimir Zilnikinfo@kein.tvhttp://www.zelimirzilnik.com35531424801:14:36Ogg Theora
http://v2v.cc/v2v/show/KQDLTKMQ7SEF6N63G7NR2FJRFFNOOET7
ed2k://|file|v2v_kenedi.ogg|355314248|ce2f592168839932129f0ea7a4ad5a6e|magnet:?dn=v2v_kenedi.ogg&xt=urn%3Asha1%3AKQDLTKMQ7SEF6N63G7NR2FJRFFNOOET7http://v2v.cc/sites/v2v.cc/files/torrents/v2v_kenedi.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Underground LondonersBased on a year of ongoing conversations and interviews with migrant workers working as cleaners in the London Underground, this film is about their living and working conditions as as migrants with precarious status, as well as working under the Public Private Partnership of the London Underground.
Divided in three parts the film speaks first about the everyday living and working conditions in the Underground. The second part explains the Public Private Partnership under which the cleaning is privatized and outsourced through several layers of contractual relations with a complex web of global companies.
Finally the workers involved in the Justice for Cleaners campaign hosted by the Transport and General Workers union (UK) in partnership with the SEIU/ Justice for Janitors (US) outline some the victories as well as difficulties in organizing people with precarious status. We follow some of the actions and demonstrations against the global companies involved in the PPP, as well as the alliances made with social movements in the UK, and globally in the struggle for migrants rights.2007-06-07T18:46+00:00en2007artemisinfo@kein.tvhttp://kein.tv9446624400:29:01Ogg Theora
http://v2v.cc/v2v/show/QJ54X3RVSMIZ4UXBO6YISN4IMC7QTAF4
ed2k://|file|janitors.ogg|94466244|55b67da14c1d48dc8d676ef3772b93b7|magnet:?dn=janitors.ogg&xt=urn%3Asha1%3AQJ54X3RVSMIZ4UXBO6YISN4IMC7QTAF4http://v2v.cc/sites/v2v.cc/files/torrents/janitors.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.BudgeThis is a conversation that was held between Budge, Anja and Manuela on the occasion of the counter G8 rememberance summit in Heiligendamm 2077. Remembering migrancy and conditions for transnational movement, activism, hopes, desires and the general political climate at the beginning of the millenium.2007-06-07T16:07+00:00en2077future archivehttp://www.futurearchive.org5868677300:21:13Ogg Theora
http://v2v.cc/v2v/show/YOXZH2AQBLORQDRQZSOINEZUFXURWGZB
ed2k://|file|budge.ogg|58686773|7db53a139c1c7ac429a8c8f173e31908|magnet:?dn=budge.ogg&xt=urn%3Asha1%3AYOXZH2AQBLORQDRQZSOINEZUFXURWGZBhttp://v2v.cc/sites/v2v.cc/files/torrents/budge.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Live From Gate 3Celebrated TV pesonality Esteban Caliente, on contract to Kein.TV for the duration of the G8 summit, reports live from the blockade at "Gate 3," near Bogerende.Esteban Caliente in Northern Germany at the G82007-06-06T22:34+00:00en2007s. hiseinfo@kein.tvhttp://kein.tv664108400:00:54Ogg Theora
http://v2v.cc/v2v/show/CGP52ST6KQ3LFMDSTXT25XOLOG6YTGM2
ed2k://|file|esteban_caliente-live-from-gate3.ogg|6641084|24568a890913b7694be9c5031aef3e0f|magnet:?dn=esteban_caliente-live-from-gate3.ogg&xt=urn%3Asha1%3ACGP52ST6KQ3LFMDSTXT25XOLOG6YTGM2http://v2v.cc/sites/v2v.cc/files/torrents/esteban_caliente-live-from-gate3.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.elisabethThis is a conversation that was held between Elisabeth, Anja and Manuela on the occasion of the counter G8 rememberance summit in heiligendamm 2077. Remembering activism, the beginnings of the urban garden movement, womens work, hopes, desires and the general political climate at the beginning of the millenium.future archive2007-06-06T22:22+00:00en2007kein.tvinfo@kein.tvhttp://futurearchive.org3468870200:15:23Ogg Theora
http://v2v.cc/v2v/show/XGLGSONXA2K46TJFJVQ5SFAI5TOZPI3O
ed2k://|file|ElisabethMeier.ogg|34688702|1ff0717f5e0ee04f16145b412be2f83a|magnet:?dn=ElisabethMeier.ogg&xt=urn%3Asha1%3AXGLGSONXA2K46TJFJVQ5SFAI5TOZPI3Ohttp://v2v.cc/sites/v2v.cc/files/torrents/ElisabethMeier.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Block G8Impressions from the blockade against the G8 in Börgerende-Rethwisch that took place on June 6th 2007. The blockade was very successfull and used the so called 5-finger tactic.impressions from the blockades against the G8 on June 6 20072007-06-06T21:55+00:00de2007KEINmultitude@kein.orghttp://kein.tv4559588500:05:35Ogg Theora
http://v2v.cc/v2v/show/4CIFWEGDKQMYUNXO5W5P62762KO3NO4N
ed2k://|file|v2v_blockg8.ogg|45595885|eefec658283e3156d9cbb98d9f4dd24c|magnet:?dn=v2v_blockg8.ogg&xt=urn%3Asha1%3A4CIFWEGDKQMYUNXO5W5P62762KO3NO4Nhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_blockg8.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Marching Martians"Marching martians" documents Monday's demonstration for global freedom of movement in Rostock. Impressions of the demo contains interviews with martians, parody news updates and ads, and brief music sequences.2007-06-06T16:01+00:00en2007rodrigo nunesinfo@kein.orghttp://kein.tv17521278500:23:26Ogg Theora
http://v2v.cc/v2v/show/PDK4MEPNZAZCE5WTGO6V5TEJKHYIHHSN
ed2k://|file|martians.ogg|175212785|df779633a2db5f91035f4c0a1ccbeb0e|magnet:?dn=martians.ogg&xt=urn%3Asha1%3APDK4MEPNZAZCE5WTGO6V5TEJKHYIHHSNhttp://v2v.cc/sites/v2v.cc/files/torrents/martians.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.KEIN talk: piracy"Freedom of movement vs. global apartheid": A roundtable talk from the anti-G8 action day on migration featuring Solange Kon, CADTM (Alliance against indebtedness), Ivory Coast; Maksym Butkevich, Noborder Kiev, Ukraine; Valery Alzaga, global SEIU (Services trade union), USA/Mexico; Lawrence Liang, Alternative Law Forum, Bagalore, India; Sunny Omwenyeke, The Voice Africa Forum, Nigeria/Germany. The debate took place in english language with a consecutive translation to german (or vice versa).2007-06-06T14:05+00:00en2007KEIN TVinfo@kein.tvhttp://kein.tv27217729901:39:05Ogg Theora
http://v2v.cc/v2v/show/DW3JQK34QZZXCWXOU4G7TZLA3SD5PIJJ
ed2k://|file|migration.ogg|272177299|131ea4f1097e67b4e8512eec75785475|magnet:?dn=migration.ogg&xt=urn%3Asha1%3ADW3JQK34QZZXCWXOU4G7TZLA3SD5PIJJhttp://v2v.cc/sites/v2v.cc/files/torrents/migration.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Day of migration actionCoverage of three migration related actions in Rosotck on June 4th, 2007.2007-06-05T23:47+00:00en2007steev hiseinfo@kein.tvhttp://detritus.net/steev6107280600:07:50Ogg Theora
http://v2v.cc/v2v/show/UYM7TALMUXSX2F4Z5GHHUOZQBQFSJP7M
ed2k://|file|monday-migration.ogg|61072806|eb937a9d80cc308d98364de7ab69653c|magnet:?dn=monday-migration.ogg&xt=urn%3Asha1%3AUYM7TALMUXSX2F4Z5GHHUOZQBQFSJP7Mhttp://v2v.cc/sites/v2v.cc/files/torrents/monday-migration.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.simoneThe future archive is a project that issues a series of responses to the problem of how to perform futures. It engages interview- conversations that are set in possible times and spaces to come, which two or more people performatively inhabit as proposed versions of futurity. From there, contemporary society is remembered. Upon every conversation, a different future is at stake.2007-06-05T19:31+00:00en2007kein.tvinfo@kein.tvhttp://futurearchive.org6852543000:18:13Ogg Theora
http://v2v.cc/v2v/show/YBF3LYTCIC4WWS2RFCDXOXJS6YAFYRC7
ed2k://|file|futurearchive1.ogg|68525430|60e43d00b3411e18b9c83c9111a432e9|magnet:?dn=futurearchive1.ogg&xt=urn%3Asha1%3AYBF3LYTCIC4WWS2RFCDXOXJS6YAFYRC7http://v2v.cc/sites/v2v.cc/files/torrents/futurearchive1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.History Lesson: Black Audio Film CollectiveThe first History Lesson at SUMMIT non-aligned initiatives in education culture featured a conversation between John Akomfrah and Kodwo Eshun. Black Audio Film Collective was founded at Portsmouth Polytechnic in 1982 by sociology, fine art and psychology students John Akomfrah, Reece Auguiste, Edward George, Lina Gopaul, Avril Johnson, Claire Joseph and Trevor Mathison. The group who later relocated to London produced some of the most influential films and videos of recent times before formerly dissolving in 1988. Despite its currency the group's work owes little to the present; it is singular, it inhabits a dimension of timely untimeliness.2007-06-05T17:01+00:00en2007kein.tvinfo@kein.orghttp://summit.kein.org26075662601:36:04Ogg Theora
http://v2v.cc/v2v/show/HNJZNJJGGE5EH2PQGAWR6XHLK3APF26B
ed2k://|file|blackaudio.ogg|260756626|9e736d3e66525c446b5799785c1ff250|magnet:?dn=blackaudio.ogg&xt=urn%3Asha1%3AHNJZNJJGGE5EH2PQGAWR6XHLK3APF26Bhttp://v2v.cc/sites/v2v.cc/files/torrents/blackaudio.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.SUMMIT opening ceremonySUMMIT non-aligned initiatives in education culture starts an opening ceremony in Hebbeltheater Berlin. Kodwo Eshun, Susanne Lang, Irit Rogoff, Florian Schneider, Nicolas Siepen, Nora Sternfeld present the SUMMIT project and its background. The opening session will also introduce into the program and the goals of SUMMIT.2007-06-04T21:24+00:00en2007kein tvinfo@kein.orghttp://summit.kein.org23369973901:15:52Ogg Theora
http://v2v.cc/v2v/show/4TIJLUX6W4PRQTSBD7DKMTMALUXT2MW4
ed2k://|file|summit_opening.ogg|233699739|dc1aeb36f91320159dd51389c9c1b557|magnet:?dn=summit_opening.ogg&xt=urn%3Asha1%3A4TIJLUX6W4PRQTSBD7DKMTMALUXT2MW4http://v2v.cc/sites/v2v.cc/files/torrents/summit_opening.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.KEIN Talkshow: PiracyLawrence Liang, Sebastian Luetgert, Shaina Anand and Ashok Sukumaran in conversation about pirate cinemas, distributed archives, peer-to-peer film studies and the post-copyright futures of cinema.2007-06-04T10:16+00:00en2007KEIN TVinfo@kein.orghttp://kein.tv9796060500:35:56Ogg Theora
http://v2v.cc/v2v/show/HXIFXECHRIHUVAOFXYJ2DBDONHCU7BXX
ed2k://|file|piracy_talk.ogg|97960605|a021cc79e17dcb5e1beb3a64c387aa28|magnet:?dn=piracy_talk.ogg&xt=urn%3Asha1%3AHXIFXECHRIHUVAOFXYJ2DBDONHCU7BXXhttp://v2v.cc/sites/v2v.cc/files/torrents/piracy_talk.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Copyright this!One week prior to the World Information conference and exhibition in Bangalore, a group of students, filmmakers, media jammers and DV rookies occupied the terrace room of Lawyers Collective in Tasker Town, Shivaji Nagar. Here, WI City TV 's open studio was set up, with the support and cooperation of fellow artists and organizers. With 3 editing computers, and a mixed bag of cameras; the studio worked around the clock and produced a range of content for WI city TV -that served over 3000 homes in Shivaji Nagar via their 'informal' cable channel parallel to and independent of the conference.
Sanjay Bhangar and Sravanthi K spent a few days in Shivaji Nagar and at National Market looking at the 'digital moment' and what it has meant for local economy and world information. They ended up with a footage source, comprising shots of cyber cafés and shop fronts offering dtp, call center coaching, and language translation facilities, computer classes, dvd's and vcd's. Interviews with vendors and users and with Shivaji Nagar local and renegade IP law-breaker Lawrence Liang in Hindi, shot with a rather 'odd' frame formed the backbone of the film. Footage of the World Info poster campaign, the IT corridor, Forum Mall, image searches, movie clips and a gleaning of Alternative Law Forums's CD compilations on IPR, censorship and cinema, combined with visuals from the footage bank and manic editing by Sooraj Ravindran resulted in COPYRIGHT THIS. The film is subtitled in english.2007-06-04T10:06+00:00hi2007Sanjay Bhangar and Sravanthi Kinfo@kein.orghttp://chitrakarkhana.net/copyrightthis.htm12740984600:00:00Ogg Theora
http://v2v.cc/v2v/show/GU6YZWR32ADET3XDEPQNBE3OMST7HEHL
ed2k://|file|copyrightthis.ogg|127409846|89c5a217e892620d0e100b2adf2d5eb7|magnet:?dn=copyrightthis.ogg&xt=urn%3Asha1%3AGU6YZWR32ADET3XDEPQNBE3OMST7HEHLhttp://v2v.cc/sites/v2v.cc/files/torrents/copyrightthis.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Urgent Thought: Urgency, Pluralism, Self-OrganizationFragments of a radical pedagogy: The first session of Urgent Thought features contributions by Avery Gordon, Munir Fasheh, Ana Vujanovic. It was recorded at the first day of SUMMIT non-aligned initiatives in education culture.2007-06-03T23:27+00:00en2007KEIN TVinfo@kein.orghttp://summit.kein.org20289243701:04:35Ogg Theora
http://v2v.cc/v2v/show/KYXWH3G7X7MPXTIJ2MFT2GYBSX6JOXEF
ed2k://|file|urgentthought1.ogg|202892437|31976edfbd764cd938428a5710af18e8|magnet:?dn=urgentthought1.ogg&xt=urn%3Asha1%3AKYXWH3G7X7MPXTIJ2MFT2GYBSX6JOXEFhttp://v2v.cc/sites/v2v.cc/files/torrents/urgentthought1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Move against G8Vom 06. – 08. Juni 2007, wird in Deutschland das Treffen der so genannten Gruppe der Acht, kurz G8, stattfinden. Hierzu werden die Regierungschefs der sieben führenden Industrienationen und Russlands in den Badeort Heiligendamm an der Ostseeküste, nahe Rostock kommen.
Doch gegen diesen G8-Gipfel als Symbol der herrschenden Weltordnung regt sich Widerstand. Zig tausende DemonstrantInnen werden Anfang Juni ebenfalls vor Ort sein, um den Gipfel zu blockieren, zu stören oder einfach nur laut "Ya basta" - "Es reicht" - zu schreien. Nein zu Kapitalismus, Rassismus, Antisemitismus, Sexismus und Krieg - für ein besseres Leben für alle, und für eine Welt ohne Grenzen und Nationen.
"Move Against G8", ein Zusammenschluss linker KulturaktivistInnen, ist Teil der bundesweiten Mobilisierung zu den Protesten gegen das Gipfeltreffen. Ziel der auf der 2. Rostocker Aktionskonferenz initiierten Kampagne ist die kulturelle Unterstützung der Aktivitäten gegen den Gipfel. "Move Against G8" organisiert das Kulturprogramm als integralen Bestandteil der Mobilisierung nach und Ausdrucksform während der Gipfelproteste.
Auch im Vorfeld soll "Move Against G8" dazu beitragen, den Widerstand gegen das G8-Treffen sichtbar zu machen. So wird es in vielen Städten Soli-Konzerte zur Finanzierung des Kulturprogramms in oder um Heiligendamm geben.
Die Kampagne ist aber auch aufs Mitmachen angelegt: JedeR kann sich einreihen, sei es durch Soli-Konzerte, Parties, Lesungen,...der Fantasie sind keine Grenzen gesetzt. Setzt das "Move Against G8"-Logo auf eure Flyer und Poster, verteilt Flyer oder Zeitschriften auf Konzerten oder überredet eure Lieblingsband, auf ihrer Tour ein Banner auf die Bühne zu hängen oder eine Ansage zum G8 zu machen. Bringt euch ein! Nur so kann aus dem Move Against G8 auch ein Movement Against G8 entstehen!2007-05-08T22:09+00:00de2007verena vargas, www.exilfilm.netexilfilm@gmail.comhttp://www.move-against-g8.de/mobilisierungsclip36113489000:15:58Ogg Theora
http://v2v.cc/v2v/show/35HWXAHHVJA45Y3C7R34J2UPDG2R7DAF
ed2k://|file|VTS_01_1.ogg|361134890|ec1d452ccf8346c6ec73b7431cb45063|magnet:?dn=VTS_01_1.ogg&xt=urn%3Asha1%3A35HWXAHHVJA45Y3C7R34J2UPDG2R7DAFhttp://v2v.cc/sites/v2v.cc/files/torrents/VTS_01_1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Seminar4 - day 8 Tirdard ZolghadrSeminar4 - day 8 Tirdard Zolghadr
That’s Why You Always Find me in the Kitchen at Parties
YouTube Oratorship with Hito Steyerl
March 21th, 2007 unitednationsplaza, Berlin2007-04-23T18:56+00:00en2007unitednationsplazahttp://10687363000:52:59Ogg Theora
http://v2v.cc/v2v/show/AXXSILBBCGGSYGCJRKUQ3OGO7M57TUCN
ed2k://|file|-day8.ogg|106873630|f3fa5feddbfdd8c123db284070079721|magnet:?dn=-day8.ogg&xt=urn%3Asha1%3AAXXSILBBCGGSYGCJRKUQ3OGO7M57TUCNhttp://v2v.cc/sites/v2v.cc/files/torrents/-day8.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Seminar 4 - Day 1 Tirdad ZolghadrSeminar 4 - Day 1 Tirdad Zolghadr:
That’s Why You Always Find me in the Kitchen at Partie - introduction
March 12th, 2007 unitednationsplaza, Berlin2007-04-23T12:37+00:00en2007unitednationsplazahttp://15451445001:22:12Ogg Theora
http://v2v.cc/v2v/show/WNYVPDTEQ2TGDNOYL2MEV5NCZ6WH56LO
ed2k://|file|-day1n.ogg|154514450|b5dd38794590b3c09fa71329797f5e98|magnet:?dn=-day1n.ogg&xt=urn%3Asha1%3AWNYVPDTEQ2TGDNOYL2MEV5NCZ6WH56LOhttp://v2v.cc/sites/v2v.cc/files/torrents/-day1n.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Seminar 4 - Day 6 Tirdad Zolghadr: That’s Why You Always Find me in the Kitchen at Parties Operative Authority and The Art of Rhetoric. With Bibiana Beglau and Jan Verwoert March 19th, 2007 unitednationsplaza, Berlin -Seminar 4 - Day 6 Tirdad Zolghadr:
That’s Why You Always Find me in the Kitchen at Parties
Operative Authority and The Art of Rhetoric. With Bibiana Beglau and Jan Verwoert
March 19th, 2007 unitednationsplaza, Berlin -2007-04-06T21:01+00:00en2007unitednationsplazahttp://29246242102:26:42Ogg Theora
http://v2v.cc/v2v/show/S45IFUBEI7BHV42D3K42SFXQAGCDL6IW
ed2k://|file|-day6.ogg|292462421|a2856e426de3006441ff540fccf55f4a|magnet:?dn=-day6.ogg&xt=urn%3Asha1%3AS45IFUBEI7BHV42D3K42SFXQAGCDL6IWhttp://v2v.cc/sites/v2v.cc/files/torrents/-day6.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Seminar 4 - Day 4 Tirdad Zolghadr: That’s Why You Always Find me in the Kitchen at Parties Institutional Critique as Institution. March 15th, 2007 unitednationsplaza, BerlinSeminar 4 - Day 4 Tirdad Zolghadr:
That’s Why You Always Find me in the Kitchen at Parties
Institutional Critique as Institution. "Theses On Feuerbach" a Jackson Pollock Bar theory installation based on a script by Art & Language.
Actors: Martin Horn, Peter Cieslinski, and others. Director: Christian Matthiessen.
March 15th, 2007 unitednationsplaza, Berlin"Theses On Feuerbach" a Jackson Pollock Bar theory installation based on a script by Art & Language. Actors: Martin Horn, Peter Cieslinski, and others. Director: Christian Matthiessen.2007-04-04T16:52+00:00en2007unitednationsplazahttp://13334774200:58:18Ogg Theora
http://v2v.cc/v2v/show/DQ6K2C47GX63KKOC3GN7AW2NAE5PKGFW
ed2k://|file|-day4.ogg|133347742|9966f1c657e7c6e39044e2e7408dcd2a|magnet:?dn=-day4.ogg&xt=urn%3Asha1%3ADQ6K2C47GX63KKOC3GN7AW2NAE5PKGFWhttp://v2v.cc/sites/v2v.cc/files/torrents/-day4.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Seminar 4 - Day 1 Tirdad Zolghadr: That’s Why You Always Find me in the Kitchen at Parties Introduction March 12th, 2007 unitednationsplaza, BerlinSeminar 4 - Day 1
Tirdad Zolghadr:
That’s Why You Always Find me
in the Kitchen at Parties
Introduction
March 12th, 2007
unitednationsplaza, Berlin2007-04-04T12:40+00:00en2007unitednationsplazahttp://15821090301:19:12Ogg Theora
http://v2v.cc/v2v/show/HK7UUUQ3ODSJVL5CDSROON56NBATBOUR
ed2k://|file|-day1.ogg|158210903|6056a8bce7f82f7f95cc9bc3829ce053|magnet:?dn=-day1.ogg&xt=urn%3Asha1%3AHK7UUUQ3ODSJVL5CDSROON56NBATBOURhttp://v2v.cc/sites/v2v.cc/files/torrents/-day1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Himalayan MonogatariA documentary on the physical and human landscape between the valleys of Kashmir and Ladakh. Encounter gods and demons, mystic mountains and lakes, contemporary fact and fiction in this journey through the Himalayas- accompanied by a genteel Japanese voice-of-godess.
Structured as a televised 'serial' the film welcomes you back to another episode of Himalayan Tales, recapping the previous episode. What follows are a series of short vignettes recounting tales, places and legends. This simple structure and the use of Voice-of-God narration, with its naive and truncated sweeps across complex histories and civilisations, its calm and soothing belief in myth and beauty, its reading as fact, all coupled with the slight and deliberate shifts in 'gaze' underlying the films progression allow for a meditative and transparent examinaton of the nature of documentary.Himalayan Tales2007-03-18T10:13+00:002005shaina anandkalakamra@gmail.comhttp://www.chitrakarkhana.net20801929400:00:00Ogg Theora
http://v2v.cc/v2v/show/LQN4BIT7IWB3LKI3LWRXBTE6FR7S77XD
ed2k://|file|HimalayanMonogatari.ogg|208019294|064cfd5f99bc90c4f54f5eeeadc7e421|magnet:?dn=HimalayanMonogatari.ogg&xt=urn%3Asha1%3ALQN4BIT7IWB3LKI3LWRXBTE6FR7S77XDhttp://v2v.cc/sites/v2v.cc/files/torrents/HimalayanMonogatari.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kutlug Ataman in Conversation with Galit EilatGalit Eilat, director of Digital ArtLab, the Israeli Center for Digital Art, interviews Kutlug Ataman at the occasion of the opening of “De-Regulation" in Herzliya, Museum of Contemporary Art. “De-Regulation with the work of Kutlug Ataman” is an ongoing exhibition project that brings the work of Turkish filmmaker and video artist Kutlug Ataman together with a visual essay by Stefan Roemer and several archives of documentary materials from Istanbul. The show is curated by Irit Rogoff.2007-03-08T23:43+00:00en2007studio 2benhagari@sarig1.co.ilhttp://de-regulation.org7150796800:57:24Ogg Theora
http://v2v.cc/v2v/show/YTTQT4S4ECJKXB5CYZHURSNLSPZQP6G5
ed2k://|file|k12.ogg|71507968|249c97a8f15dc383aed3bb33044b20e8|magnet:?dn=k12.ogg&xt=urn%3Asha1%3AYTTQT4S4ECJKXB5CYZHURSNLSPZQP6G5http://v2v.cc/sites/v2v.cc/files/torrents/k12.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Walid Raad & Jalal Troufic: The Withdrawal of Tradition Past a Surpassing Disaster. day 9 (02.08.07)Seminar 3 - day 9
Walid Raad & Jalal Troufic:
the withdrawal of Tradition Past a Surpassing Disaster
february 8th, 2007
unitednationsplaza, berlin2007-03-07T16:09+00:00en2007unitednationsplazamagdalena@unitednationsplaza.orghttp://12260310701:15:37Ogg Theora
http://v2v.cc/v2v/show/O6DWY5LP5QM34BMULAYIWFG7IEH25IKT
ed2k://|file|walid-day9.ogg|122603107|5a1d8280cb78d67c14152cfbd9684907|magnet:?dn=walid-day9.ogg&xt=urn%3Asha1%3AO6DWY5LP5QM34BMULAYIWFG7IEH25IKThttp://v2v.cc/sites/v2v.cc/files/torrents/walid-day9.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster. day 6 (02.05.07)Seminar 3 - Day 6 Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster February 5th, 2007 unitednationsplaza, berlin2007-03-06T21:05+00:00en2007unitednationsplazamagdalena@unitednationsplaza.orghttp://23404431701:55:02Ogg Theora
http://v2v.cc/v2v/show/355QRJNYNXT3F3EAQSKT7UZ5PI5QHRJX
ed2k://|file|walid-day6.ogg|234044317|16d0f6ac1367e17adf4d9b0786a5b07d|magnet:?dn=walid-day6.ogg&xt=urn%3Asha1%3A355QRJNYNXT3F3EAQSKT7UZ5PI5QHRJXhttp://v2v.cc/sites/v2v.cc/files/torrents/walid-day6.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster. day 5 (02.04.07)Seminar 3 - Day 5 Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster
February 4th, 2007 unitednationsplaza, berlin2007-03-06T16:21+00:00en2007unitednationsplazamagdalena@unitednationsplaza.orghttp://22190470901:57:49Ogg Theora
http://v2v.cc/v2v/show/NQY4UTLH5MDKTY4523XT53XIBAQX4C55
ed2k://|file|walid-day5.ogg|221904709|8fc2b00daed220a3075b52994f737d2c|magnet:?dn=walid-day5.ogg&xt=urn%3Asha1%3ANQY4UTLH5MDKTY4523XT53XIBAQX4C55http://v2v.cc/sites/v2v.cc/files/torrents/walid-day5.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Walid Raad & Jalal Toufic: The Withdrawal of Tradition Past a Surpassing Disaster (02.01.07)Seminar 3 - Day 2
Walid Raad & Jalal Toufic:
The Withdrawal of Tradition
Past a Surpassing Disaster
February 1st, 2007
unitednationsplaza, berlin2007-03-06T01:55+00:00en2007unitednationsplazamagdalena@unitednationsplaza.orghttp://26087260602:14:47Ogg Theora
http://v2v.cc/v2v/show/WEJGUQPRZVFC44KF74VQJ4BRQQPA4MS3
ed2k://|file|walid-day2.ogg|260872606|d3f6b7367ad25b01a60ddb65907cbefb|magnet:?dn=walid-day2.ogg&xt=urn%3Asha1%3AWEJGUQPRZVFC44KF74VQJ4BRQQPA4MS3http://v2v.cc/sites/v2v.cc/files/torrents/walid-day2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Martha Rosler: Art & Social Life, the case of Video Art, opening lecture (12.10.06)Seminar 2
Martha Rosler:
Art & Social Life;
the case of Video Art
opening lecture,
december 10th, 2007
unitednationsplaza, berlin2007-03-05T20:20+00:00en2007unitednationsplazamagdalena@unitednationsplaza.orghttp://29702874402:38:02Ogg Theora
http://v2v.cc/v2v/show/T6BHUA2EIU23AWIMNBN2CYESAFR6L2AD
ed2k://|file|martha-day1.ogg|297028744|53aaf8cdeac27e27f6d5a51942ffbaa3|magnet:?dn=martha-day1.ogg&xt=urn%3Asha1%3AT6BHUA2EIU23AWIMNBN2CYESAFR6L2ADhttp://v2v.cc/sites/v2v.cc/files/torrents/martha-day1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Walid Raad and Jalal Toufic : The withdrawal of tradition past a surpassing disaster. Opening Lecture (31.01.2007)Seminar 3 - Day 1
Walid Raad & Jalal Toufic:
The Withdrawal of Tradition
Past a Surpassing Disaster
Opening lecture
January 31th, 2007
unitednationsplaza, berlin2007-03-05T18:33+00:00en2007unitednationsplazamagdalena@unitednationsplaza.orghttp://7180723400:54:03Ogg Theora
http://v2v.cc/v2v/show/4KMBSWMJDN6VUUZK5A2VQCVUPIZ2FKIQ
ed2k://|file|walid-day1.ogg|71807234|3dd6dcf33cb10314325c215179424a17|magnet:?dn=walid-day1.ogg&xt=urn%3Asha1%3A4KMBSWMJDN6VUUZK5A2VQCVUPIZ2FKIQhttp://v2v.cc/sites/v2v.cc/files/torrents/walid-day1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Boris Groys: After the Red Square, opening lecture (10.30.06)After The Red Square
a seminar with Boris Groys
opening lecture,
october 30th 2006
unitednationsplaza, berlinboris-day12007-03-05T13:41+00:00en2007unitednationsplazaperiferic@gmx.dehttp://21247762701:58:15Ogg Theora
http://v2v.cc/v2v/show/F6IGVKUU2MWHFQMA4DRSI24CE3IAOB6N
ed2k://|file|boris-day1.ogg|212477627|fca1ababd63cbfcb591fdd9a60bd0a78|magnet:?dn=boris-day1.ogg&xt=urn%3Asha1%3AF6IGVKUU2MWHFQMA4DRSI24CE3IAOB6Nhttp://v2v.cc/sites/v2v.cc/files/torrents/boris-day1.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jérôme Bel: The Last Performance (A Lecture)Lecture by Jérôme Bel, Oct. 2nd, 2005. Part of the ongoing program "Performing Lectures" by Unfriendly Takeover.2007-03-04T18:47+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de16463146301:30:07Ogg Theora
http://v2v.cc/v2v/show/GSMXMXYU62MARWNS336GAEESYRR5BHL7
ed2k://|file|v2v_ut_bel.ogg|164631463|a3a907d2778fda67fed0983c867a26e3|magnet:?dn=v2v_ut_bel.ogg&xt=urn%3Asha1%3AGSMXMXYU62MARWNS336GAEESYRR5BHL7http://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_bel.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Home front - Michalis PichlerGod Bless
America
EXTRA CHEESE
SAUSAGE
MUSHROOM
PEPPERONI
CB/HAM
BLACK OLIVES
BEEF
ONIONS
SPECIAL
CUSTOMER2007-02-28T11:59+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org7261388800:21:11Ogg Theora
http://v2v.cc/v2v/show/T2YRAFP36DSHYMOKGKHLJPXWJXEK3VMK
ed2k://|file|v2v_wdk_Homefront_Michalis_Pichler.ogg|72613888|0261785fe5b527cea1a94afeefebf7ef|magnet:?dn=v2v_wdk_Homefront_Michalis_Pichler.ogg&xt=urn%3Asha1%3AT2YRAFP36DSHYMOKGKHLJPXWJXEK3VMKhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Homefront_Michalis_Pichler.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.War, Nuclear - Darius James & QuioSaturday, February 24th, 20072007-02-28T08:21+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org7342913800:21:33Ogg Theora
http://v2v.cc/v2v/show/TRK73WIGTQKQNHZSP56LOSXGYSPSVJ6R
ed2k://|file|v2v_wdk_War,_Nuclear_Darius_James_Quio_Yo_Mama_s_Mayhem.ogg|73429138|766299cce846d795c472c010e650f590|magnet:?dn=v2v_wdk_War%2C_Nuclear_Darius_James_Quio_Yo_Mama_s_Mayhem.ogg&xt=urn%3Asha1%3ATRK73WIGTQKQNHZSP56LOSXGYSPSVJ6Rhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_War,_Nuclear_Darius_James_Quio_Yo_Mama_s_Mayhem.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Untermensch im Osten - Peter JahnDer Krieg im Osten 1941-1945, der mehr als 30 Millionen Menschen das Leben kostete, sprengte alle Grenzen zwischen „erlaubtem“ Töten feindlicher Soldaten im Kampf und dem Mord an Gefangenen und Zivilisten. „Zig Millionen“ zivile Opfer sah schon die deutsche Planung vor, die folgende Kriegsrealität war der Planung adäquat. Unter den Faktoren, die einen derart enthemmten Krieg möglich machten, wird hier das deutsche Feindbild des slawischen Untermenschen thematisiert: Inhalt, Kontext, Funktion, Tradition.2007-02-28T08:20+00:00de2007DICTIONARY OF WARhttp://dictionaryofwar.org3484888800:16:25Ogg Theora
http://v2v.cc/v2v/show/SKARFJWW7LKJQDLYNX7EZAT7ODIJZMDE
ed2k://|file|v2v_wdk_Untermensch_im_Osten_Peter_Jahn.ogg|34848888|0b78e4314fabafb07132c2d9652aaed6|magnet:?dn=v2v_wdk_Untermensch_im_Osten_Peter_Jahn.ogg&xt=urn%3Asha1%3ASKARFJWW7LKJQDLYNX7EZAT7ODIJZMDEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Untermensch_im_Osten_Peter_Jahn.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Stance - Khalo MatabaneSaturday, February 24th, 20072007-02-28T08:19+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org5193977800:22:55Ogg Theora
http://v2v.cc/v2v/show/L2SQX73UY6MCISTEVSDECEVFCFQ5FXOK
ed2k://|file|v2v_wdk_Stance_Khalo_Matabane.ogg|51939778|a21522dd4cb0418369348252cb8d9d0a|magnet:?dn=v2v_wdk_Stance_Khalo_Matabane.ogg&xt=urn%3Asha1%3AL2SQX73UY6MCISTEVSDECEVFCFQ5FXOKhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Stance_Khalo_Matabane.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Safe Distance - kuda.orgSafe Distance is video that was recorded during NATO air strikes against FR Yugoslavia. Videotape shows electronic cockpit of the US Air Force plane. There were 4 airplanes flying from NATO-base from Italy to destination in Yugoslavia. Mission objective was to bomb several targets in the area around city of Novi Sad. On the way back, after mission was completed, plane was shot. Tape (Sony Video 8) was found near crashed plane in Fruska Gora mountain in Srem region. It shows electronic cockpit with basic graphical interface and voice communication between pilots. Videotape is a regular document of flight used by command structures to analyze its efficiency and success after very mission. Tape presents these last moments before plain was crashed.2007-02-28T08:18+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org6385771600:32:03Ogg Theora
http://v2v.cc/v2v/show/K5NZB5UGHGMPNDPJO7LBGJUUCNUAULAO
ed2k://|file|v2v_wdk_Safe_Distance_kuda.org.ogg|63857716|df43fb5e0cd7f57c943da8b039a3bb51|magnet:?dn=v2v_wdk_Safe_Distance_kuda.org.ogg&xt=urn%3Asha1%3AK5NZB5UGHGMPNDPJO7LBGJUUCNUAULAOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Safe_Distance_kuda.org.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Resist, Refuse, Rebel - Rimini ProtokollThe two Vietnam Veterans and Anti-War activists Darnell Stephen Summers and Dave Blalock with their definition of Resist...Refuse...Rebell
Darnell »Stephen« Summers was born on July 9, 1947 in Detroit Michigan, USA. He volunteered for the US Army and served from 1966 to 1970. While home on leave before going to Vietnam in 1968 he became involved in the struggle to found the »Malcolm X Cultural Center« (MXCC) in Inkster Michigan, a suburb of Detroit and was one of the spokespersons for the »MXCC«. His political affiliations included membership in the Black Workers Congress, Viet Nam Veterans Against The War / Viet Nam Veterans Against The War (Anti-Imperialist), chartermember of the Malcolm X Cultural Center(Inkster Michigan). As a Black man inside the Army he was confronted by not only by racism but also the fact that he was in a military organization that was murdering people across the globe. Since then Summers has been active in the struggles against racism and U.S. instigated aggression. He was instrumental in organizing the STOP THE WAR BRIGADE in Germany during the Gulf war to build support for anti-war GIs. Darnell has professional experience as a Musician, Film Director, Actor, Media Editor, Composer, Cameraman, Producer and Sound Technician. He presently lives in Germany and has 4 children.
Dave Blalock (born 1950 in Johnstown, Pennsylvania) volunteered for the US Army and served from 1968 to 1971. After being AWOL for nine days in basic training he was court-martialed and spent one month out of a possible six-month prison term doing »Hard Labor« time in the Fort Jackson stockade. He then spent one year in Vietnam (1969-1970) where he became politicized by his experiences there. After returning, he spent his last 15 months in the army by joining the large anti war movement that had existed within the US military and actively worked inside one of the many underground GI organizations. In 1989 Blalock, along with three other people burned American flags on the steps of the US Capital building in protest against the new Flag Protection Act of 1989. They were arrested for this and their case ended up in the Supreme Court, which ruled the law un-constitutional. From Vietnam, to the 1980’s counter-insurgency wars in Central America, to the ‘91 Gulf War, to the ’99 Kosovar war, to 2001 bombing of Afghanistan, to the present war on Iraq he has been active in the fight to expose and oppose all US war moves around the world. He puts special emphasis on building support for the GI anti war resisters inside the armed forces.
Blalock and Summers are also playing themselves in the Rimini-Protokoll theatrical production of Schiller’s »Wallenstein« where they among a cast of ten people out of real life take this opportunity to tell their story in the midst of Intrigue, War & Death2007-02-28T08:15+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org5955803000:24:33Ogg Theora
http://v2v.cc/v2v/show/LSUVZE3N3IIWQEMH3D6HVU7TSXQAWNZG
ed2k://|file|v2v_wdk_Resist,_Refuse,_Rebel_Rimini_Protokoll.ogg|59558030|d67970a1007262533dd4d04a22cd3332|magnet:?dn=v2v_wdk_Resist%2C_Refuse%2C_Rebel_Rimini_Protokoll.ogg&xt=urn%3Asha1%3ALSUVZE3N3IIWQEMH3D6HVU7TSXQAWNZGhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Resist,_Refuse,_Rebel_Rimini_Protokoll.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Raw - Arianna BoveSaturday, February 24th, 20072007-02-28T08:14+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org3333450300:17:39Ogg Theora
http://v2v.cc/v2v/show/5PKX4PHVI5UOTEX3QEFFGZEA64K2452O
ed2k://|file|v2v_wdk_Raw_Arianna_Bove.ogg|33334503|a79f3086275c22abcdc62893218e8f9a|magnet:?dn=v2v_wdk_Raw_Arianna_Bove.ogg&xt=urn%3Asha1%3A5PKX4PHVI5UOTEX3QEFFGZEA64K2452Ohttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Raw_Arianna_Bove.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Profit - Stefan HeidenreichEine kurze Ökonomie des Kriegs als Dienstleistung: Was wird beim Krieg verdient. Wer bietet den Service an. Zu welchem Preis. Wer kauft. Wer zahlt. Wie sieht der Markt aus.2007-02-28T08:12+00:00de2007DICTIONARY OF WARhttp://dictionaryofwar.org6300150300:24:55Ogg Theora
http://v2v.cc/v2v/show/JDFRX7SA3EIGCACPUHRCI7TP45Q65Z6A
ed2k://|file|v2v_wdk_Profit_Stefan_Heidenreich.ogg|63001503|3082ff206bf3b5439cfc3f32f60539ca|magnet:?dn=v2v_wdk_Profit_Stefan_Heidenreich.ogg&xt=urn%3Asha1%3AJDFRX7SA3EIGCACPUHRCI7TP45Q65Z6Ahttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Profit_Stefan_Heidenreich.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Portrait/Mugshot - Armin SmailovicDuring my military time in former yugoslavia i had to photograph more than 4500 soldiers for their military IDs. This happened 3 years before the war, which started 91.
In the age of 19 and not enough politically grown to realize what i ve got in my hands, the negatives were just trash for me, after i printed 4 copies for each soldier. So all together something like 18000 prints in B/W.
Then in 91 i went to the croatian war as a war photographer.
During and especially after the war i had to think about all this young boys, i was taken a photographs of. What happend to them?
Are they killed? Tortured? Or became killing machines?
I cant tell...i only know that these images with the green shirt, fresh cut hair and a scary expression in their face are in my mind until today.
These mug shots were my biggest project concerning war i have ever done.
Now with the DOW i start from the beginning. Collecting the first 100 faces of an anti-military collaboration. I changed green into white. The colour for mourning and peace in the same moment.
There are hundreds of war images by photographers like James Nachtwey, Franklin Stuart, Robert Capa and many others who create images of war
and gave it a „face“.
I couldn't and cant use those images of thousands of „faces“ of the soldiers to do something with it.
So i started from the beginning.
And i have to say that...
“At least, when we create images, we are doing something.”2007-02-28T08:10+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org1493717700:07:56Ogg Theora
http://v2v.cc/v2v/show/HY33FZEB263YMBISGDWTW3ZP7F2B66I3
ed2k://|file|v2v_wdk_Portrait_Mugshot_Armin_Smailovic.ogg|14937177|9e69c29b0f2f680fc619e9724cccd6bf|magnet:?dn=v2v_wdk_Portrait_Mugshot_Armin_Smailovic.ogg&xt=urn%3Asha1%3AHY33FZEB263YMBISGDWTW3ZP7F2B66I3http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Portrait_Mugshot_Armin_Smailovic.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Plündern - Vanessa Joan Müller„Shoplifters of the world, unite and take over“, sangen die Smiths 1986. Das destabilisierende Potenzial des kollektiven Ladendiebstahls scheint ungleich geringer gegenüber dem des Plünderns, und doch setzten bereits die Smiths auf das Aushebeln jener Tauschgesetzmäßigkeit „Geld gegen Ware“, auf denen der ökonomische Imperativ des Systems Kapitalismus nun einmal basiert. Die romantische Vorstellung des kollektiven Ladendiebstahls funktioniert jedoch nur in Friedenszeiten. Im Krieg wird geplündert, und das heißt die willkürlich Aneignung von Besitz, die der Logik des entfesselten Haben-Wollens folgt.2007-02-28T08:09+00:00de2007DICTIONARY OF WARhttp://dictionaryofwar.org2381730800:13:12Ogg Theora
http://v2v.cc/v2v/show/IK2DHALUSVWYIFMWUABMWM27IJMG4VMS
ed2k://|file|v2v_wdk_Pluendern_Vanessa_Joan_Mueller.ogg|23817308|b22b1b4f007c726577fe0f9c9d31d4c6|magnet:?dn=v2v_wdk_Pluendern_Vanessa_Joan_Mueller.ogg&xt=urn%3Asha1%3AIK2DHALUSVWYIFMWUABMWM27IJMG4VMShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pluendern_Vanessa_Joan_Mueller.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pleasure - Avi MograbiMy concept consists of 2 videotaped testimonies of ex-soldiers concerning their service experiences. The first one is a short testimony about the pleasure of controlling other people with the tips of you fingers. 3 minutes. The second testimony concerns the pleasure of doing what you are trained to do and how killing can be fun.2007-02-28T08:09+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org3827376900:19:04Ogg Theora
http://v2v.cc/v2v/show/BBFVBBYYGQV753GJ6BGWZGJIAX2BHUH4
ed2k://|file|v2v_wdk_Pleasure_Avi_Mograbi.ogg|38273769|7a142c0b984ffe57f1af15373595d39e|magnet:?dn=v2v_wdk_Pleasure_Avi_Mograbi.ogg&xt=urn%3Asha1%3ABBFVBBYYGQV753GJ6BGWZGJIAX2BHUH4http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pleasure_Avi_Mograbi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Perception Attack - Brian MassumiSaturday, February 24th, 20072007-02-28T08:08+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org4129486800:34:26Ogg Theora
http://v2v.cc/v2v/show/2B3PFSGCNSJXDVXM5YE5IRPQPGMLGJPB
ed2k://|file|v2v_wdk_Perception_Attack_Brian_Massumi.ogg|41294868|1195de79d387df193a9f1d152ac37107|magnet:?dn=v2v_wdk_Perception_Attack_Brian_Massumi.ogg&xt=urn%3Asha1%3A2B3PFSGCNSJXDVXM5YE5IRPQPGMLGJPBhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Perception_Attack_Brian_Massumi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Magician - Jonathan Allen»Once we fully recognise secular magic's role as a cultural agent, our sensitivity to the play of puzzlement, fictiveness, and contingency in modernity will be heightened.« Simon During, Modern Enchantments (Harvard 2002)
»The purpose of this paper is to instruct the reader so he may learn to perform a variety of acts secretly and undetectably. In short, here are instructions for deception.« Some Operational Uses for the Art of Deception, Commissioned for MKULTRA (CIA) from magician John Mulholland in 1954.2007-02-28T08:07+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org4657434400:27:53Ogg Theora
http://v2v.cc/v2v/show/KAWHW6QVGGZG3YMZAESYT6F7TJUS7CZZ
ed2k://|file|v2v_wdk_Magician_Jonathan_Allen.ogg|46574344|2b0cd784eaa8fe7ce48cd79185830c84|magnet:?dn=v2v_wdk_Magician_Jonathan_Allen.ogg&xt=urn%3Asha1%3AKAWHW6QVGGZG3YMZAESYT6F7TJUS7CZZhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Magician_Jonathan_Allen.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Homeland Security Advisory System - Stephan TrübySince 2002, a blueprint for escape route coding has been in place in the United States: the colour-coded terror alert levels set by the US Department of Homeland Security (DHS), called “5 Codes”. Even though the colour sequence does not correspond with the rising wavelength of the colours in the spectrum (blue comes before green), the US government was still clever to choose the rainbow motif, as the “Rainbow Warrior” Isaac Newton with his prismatic analysis of “white divine light” made a major contribution to the dawn of the age of risk . The 5 Codes are exit and relaxation codifications in the age of an outside inside the law. Woven into them is a subtext of readiness, flight and evacuation measures. Sometimes they keep a population on their toes, sometimes not, they slow the tempo down and speed it up as well. They are invisible distribution corridors with regulators for the flow of movement, rudimentary notations of a state choreography for a country that is escaping.2007-02-28T08:06+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org3411855200:17:54Ogg Theora
http://v2v.cc/v2v/show/YBDOFZVDXI52V56UUSPB2LWD4ZTFQB2V
ed2k://|file|v2v_wdk_Homeland_Security_Advisory_System_Stephan_Trueby.ogg|34118552|eb82a5d729b94da9a9f7692aa61ebaed|magnet:?dn=v2v_wdk_Homeland_Security_Advisory_System_Stephan_Trueby.ogg&xt=urn%3Asha1%3AYBDOFZVDXI52V56UUSPB2LWD4ZTFQB2Vhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Homeland_Security_Advisory_System_Stephan_Trueby.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Heraklit - Marcus SteinwegHeraklit ist der Philosoph, der die Welt, d.h. die Seinstotalität, als KRIEG gedacht hat, als POLEMOS, WIDERSTREIT (eris), AUSEINANDERSETZUNG, ZWIETRACHT, WERDEN. Mit Heraklit ist der KRIEG zu einer ONTOLOGISCHEN GRÖSSE erhoben. Seitdem gibt es ONTOLOGIE nur als ONTOLOGIE DES KRIEGES und als KRIEGERISCHE ONTOLOGIE. Vielleicht ist Heraklit der PHILOSOPH, von dem sich die ABENDLÄNDISCHE PHILOSOPHIE (d.h. Die PHILOSOPHIE ÜBERHAUPT) nicht erholen kann und nie wird erholen können. Vielleicht liegt hier das ERBE der HERAKLITISCHEN KRIEGSKUNST: das DENKEN, die PHILOSOPHIE, jenseits der PAZIFIERUNG zu situieren.2007-02-28T08:05+00:00de2007DICTIONARY OF WARhttp://dictionaryofwar.org2461674600:12:56Ogg Theora
http://v2v.cc/v2v/show/5AAOSCO7SOBS35E5O3GW5SAP2ZPH65YR
ed2k://|file|v2v_wdk_Heraklit_Marcus_Steinweg.ogg|24616746|a40d6c0152b6d600f6b6a213115822b2|magnet:?dn=v2v_wdk_Heraklit_Marcus_Steinweg.ogg&xt=urn%3Asha1%3A5AAOSCO7SOBS35E5O3GW5SAP2ZPH65YRhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Heraklit_Marcus_Steinweg.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Helikopter - Heinrich DubelThe essence or the hidden identity of the helicopter appear as a dichotomy; on the one hand a total threat coming from above, something you cannot possibly escape from, the all-seeing flying eye in the sky, the omnidirectional warmachine; and at the same time, its opposite: a rescuer coming from the air, from heaven above, as an angel. One aspect of this idea is of release (or freedom): Release from threat and fear but also freedom that can be attained if you grow above and beyond yourself. This cipher of evil and illumination is united in the image of the dragon, the snake of fire or the plumed snake. Such basic figures emerge from an meta-individual archetypal reservoir of images of the human psyche traversing the mythologies of many different peoples.2007-02-28T08:04+00:00de2007DICTIONARY OF WARhttp://dictionaryofwar.org8326481400:40:10Ogg Theora
http://v2v.cc/v2v/show/LHFHKVX4J5HFNWOO4RCTI3R3EKKDFY6Y
ed2k://|file|v2v_wdk_Helikopter_Heinrich_Dubel.ogg|83264814|cf3570437bd7361fdec7a7ef1d986548|magnet:?dn=v2v_wdk_Helikopter_Heinrich_Dubel.ogg&xt=urn%3Asha1%3ALHFHKVX4J5HFNWOO4RCTI3R3EKKDFY6Yhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Helikopter_Heinrich_Dubel.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Flintenweib - Andrea Moll»Flintenweib« ist eine auf deutscher Seite gebräuchliche feindliche Bezeichnung für die sowjetische Soldatin im Zweiten Weltkrieg, sie wurde in Propaganda und Befehlsgebung der Wehrmacht angewandt – mit mörderischer Konsequenz. Der Begriff „Flintenweib“ äußert auch eine soziale Konstruktion des Weiblichen und Männlichen im Krieg.2007-02-26T18:59+00:00de2007DICTIONARY OF WARhttp://dictionaryofwar.org3848236000:16:10Ogg Theora
http://v2v.cc/v2v/show/O3WSNAKTHDBJC3VDP26QVCQTITIEV7FP
ed2k://|file|v2v_wdk_Flintenweib_Andrea_Moll.ogg|38482360|c600fe4290fbafff30851b21f121887b|magnet:?dn=v2v_wdk_Flintenweib_Andrea_Moll.ogg&xt=urn%3Asha1%3AO3WSNAKTHDBJC3VDP26QVCQTITIEV7FPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Flintenweib_Andrea_Moll.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Entertainment - Emil Hrvatinand to present various approaches to entertainment in different armies today as well as to question why don't we have entertainment for peacekeeping soldiers on international level. Lecture will consist on presenting documents as well as a part of documentary about American Military Theatre festival I am busy with.2007-02-26T18:58+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org7259300600:25:46Ogg Theora
http://v2v.cc/v2v/show/YUXYRKCCHMEORNZF4XGDFFBQ3CXNTJ66
ed2k://|file|v2v_wdk_Entertainment_Emil_Hrvatin.ogg|72593006|6838182926a031b37e940e478c42b102|magnet:?dn=v2v_wdk_Entertainment_Emil_Hrvatin.ogg&xt=urn%3Asha1%3AYUXYRKCCHMEORNZF4XGDFFBQ3CXNTJ66http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Entertainment_Emil_Hrvatin.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Disappeared - Sylvère LotringerFriday, February 23th, 20072007-02-26T18:57+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org5952816900:22:40Ogg Theora
http://v2v.cc/v2v/show/JMGTJPYCCANKF4X5ZDG2AXRBDPK2QE4L
ed2k://|file|v2v_wdk_Disappeared_Sylvere_Lotringer.ogg|59528169|32b8bea4693bd41a69c8608fb0aad37f|magnet:?dn=v2v_wdk_Disappeared_Sylvere_Lotringer.ogg&xt=urn%3Asha1%3AJMGTJPYCCANKF4X5ZDG2AXRBDPK2QE4Lhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Disappeared_Sylvere_Lotringer.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.DAVOS/DUBAI - Christian von Borriesexploitation
imagineered urbanism
islamic banking
laundered dollars
permanent exception
slavery in the 21st century
The World Economic Forum Davos
"The world" island resort, Dubai2007-02-26T18:54+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org9883323400:23:18Ogg Theora
http://v2v.cc/v2v/show/Z2WECHHH2ZNKGVT462QVYN6VKR363Y4I
ed2k://|file|v2v_wdk_Davos_Dubai_Christian_von_Borries.ogg|98833234|a6b565b519b221f904ccb6ec7f97f5fd|magnet:?dn=v2v_wdk_Davos_Dubai_Christian_von_Borries.ogg&xt=urn%3Asha1%3AZ2WECHHH2ZNKGVT462QVYN6VKR363Y4Ihttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Davos_Dubai_Christian_von_Borries.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Coloniality - Soenke ZehleColoniality, no longer an awkward major paradigm but an agile minor concept, enters the mise en scène of William Kentridge's »black box« (Germany/South Africa 2005) and its reenactment of Germany's most recent Historikerstreit to report on various passions for the real.2007-02-26T18:53+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org1701778000:08:00Ogg Theora
http://v2v.cc/v2v/show/7NFYKLEOBXDFQKXED4W362IWWRMBSN7W
ed2k://|file|v2v_wdk_Coloniality_Soenke_Zehle.ogg|17017780|f472811cc9dcd7c0b51c25c3ec602708|magnet:?dn=v2v_wdk_Coloniality_Soenke_Zehle.ogg&xt=urn%3Asha1%3A7NFYKLEOBXDFQKXED4W362IWWRMBSN7Whttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Coloniality_Soenke_Zehle.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Autoxylopyrocycloboros - Simon StarlingAutoxylopyrocycloboros (2006) took the form of self-defeating journey in a small wooden steam boat. The voyage, made on the waters of Loch Long, Scotland, home to the Trident submarine base and neighbouring peace camp, was fuelled with wood from the boat itself, as plank by plank, piece by piece, it was feed to its own boiler, until inevitably disappearing into the submarine infested depths of the Loch.2007-02-26T18:52+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org2064084400:11:44Ogg Theora
http://v2v.cc/v2v/show/WY4SIHIFFMS25RPNBLRDFZSQT5PXMHZE
ed2k://|file|v2v_wdk_Autoxylopyrocycloboros_Simon_Starling.ogg|20640844|f2effb8ebed6e70775e3586599549d7e|magnet:?dn=v2v_wdk_Autoxylopyrocycloboros_Simon_Starling.ogg&xt=urn%3Asha1%3AWY4SIHIFFMS25RPNBLRDFZSQT5PXMHZEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Autoxylopyrocycloboros_Simon_Starling.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Anxiety - Felix EnsslinFriday, February 23th, 20072007-02-26T18:50+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org6164747200:25:30Ogg Theora
http://v2v.cc/v2v/show/DBOSQ5HMEF4JHN53NZWLNTDDESCUZJSO
ed2k://|file|v2v_wdk_Anxiety_Felix_Ensslin.ogg|61647472|e0c4b96ad3ccd97bc41c6b67c44150b0|magnet:?dn=v2v_wdk_Anxiety_Felix_Ensslin.ogg&xt=urn%3Asha1%3ADBOSQ5HMEF4JHN53NZWLNTDDESCUZJSOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Anxiety_Felix_Ensslin.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Anti-War - Saskia SassenFriday, February 23th, 20072007-02-26T18:47+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org6124000500:24:32Ogg Theora
http://v2v.cc/v2v/show/VBWGZ3I4FLGXHIGSA5XWFUL2ZENUCA7F
ed2k://|file|v2v_wdk_Anti-War_Saskia_Sassen.ogg|61240005|7da419b244a388d27a5c7464b13975c8|magnet:?dn=v2v_wdk_Anti-War_Saskia_Sassen.ogg&xt=urn%3Asha1%3AVBWGZ3I4FLGXHIGSA5XWFUL2ZENUCA7Fhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Anti-War_Saskia_Sassen.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Alert - Irit Rogoff & Meir WigoderAn occupation, military or civilian, is lived out at many different levels, modalities and distances. The suffering that is visited upon those whose freedoms are curtailed, whose movement is blocked and whose lives are threatened is rarely matched by the misgivings of those implicated in inflicting the occupation, or those associated with it through citizenship or other modes of inscription. Our concern here is with the question of how the occupiers might vigilantly live out an occupation beyond the simple rhetorics of resistance. There are many levels to such a living – out ; the need to be alert and vigilant in seeing what is actually going on, the need to document it, the need to find ways of incorporating what one sees into one’s work – often in oblique and indirect modes. At times one is close to the action taking place, close enough to have each and every detail register on one’s consciousness and at times one is distant , distant enough to observe the larger framework of what all this is leading to. To understand how an occupation not just restricts those occupied, but how it corrupts and erodes those who are occupying. The supposed boundaries between occupier and occupied are far more porous, far more eroded than one would tend to think and vigilance serves the purpose of keeping them so.2007-02-26T18:17+00:00en2007DICTIONARY OF WARhttp://dictionaryofwar.org7560696900:29:20Ogg Theora
http://v2v.cc/v2v/show/IWJHOT5WSN6HHL7RCMEOEGDMXN4HBMXR
ed2k://|file|v2v_wdk_Alert_Irit_Rogoff_Meir_Wigoder.ogg|75606969|2589cd05013344ab7066a21903c32b2b|magnet:?dn=v2v_wdk_Alert_Irit_Rogoff_Meir_Wigoder.ogg&xt=urn%3Asha1%3AIWJHOT5WSN6HHL7RCMEOEGDMXN4HBMXRhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Alert_Irit_Rogoff_Meir_Wigoder.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The Power and the GloryGiorgio Agamben, renowned philosopher, engages in particular with
language and social conflicts, teaches at the Universit‡ IUAV di
Venezia, CollËge International de Philosophie, Paris. Among his books
are: Homo Sacer: Sovereign Power and Bare Life, Remnants of
Auschwitz: The Witness and the Archive and The Open: Man and Animal.
His most recent works are: State of Exception, and The Time that
Remains: A Commentary on the Letter to the Romans.Talk by Giorgio Agamben2007-02-14T09:36+00:00en2007iram@sarai.nethttp://10549425900:53:56Ogg Theora
http://v2v.cc/v2v/show/MU37NGYDV4DNGBESGGHOETU2NPMZP56W
ed2k://|file|Giorgio_Agamben.ogg|105494259|4669199c3d3e01e820d2bda5d62235e8|magnet:?dn=Giorgio_Agamben.ogg&xt=urn%3Asha1%3AMU37NGYDV4DNGBESGGHOETU2NPMZP56Whttp://v2v.cc/sites/v2v.cc/files/torrents/Giorgio_Agamben.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Wagner-Feigl-Forschung: Die Enzyklopädie der PerformancekunstLecture Performance by Ottmar Wagner und Florian Feigl, September 14th, 2006, in at Atelierfrankfurt in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2007-02-11T14:45+00:00de2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de13398817801:05:24Ogg Theora
http://v2v.cc/v2v/show/YIX6XDU5KZMT6BFZWPQ6SGR3A7FZKUEB
ed2k://|file|v2v_ut_wagnerfeigl.ogg|133988178|12b482606f015e3227d4f4768d302c0f|magnet:?dn=v2v_ut_wagnerfeigl.ogg&xt=urn%3Asha1%3AYIX6XDU5KZMT6BFZWPQ6SGR3A7FZKUEBhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_wagnerfeigl.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Paul Granjon: "Reflections and Constructions of a Button PusherLecture Performance by Paul Granjon, October 26th, 2006, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2007-02-09T20:29+00:00en2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de11917271700:39:46Ogg Theora
http://v2v.cc/v2v/show/PBTSHYOCE6HSPYKZUS3W25MZV3BVT3QM
ed2k://|file|Granjon.ogg|119172717|d77db975bb9cd70d9da43766400d2efb|magnet:?dn=Granjon.ogg&xt=urn%3Asha1%3APBTSHYOCE6HSPYKZUS3W25MZV3BVT3QMhttp://v2v.cc/sites/v2v.cc/files/torrents/Granjon.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Mission: Art CenterMission: Art Center is documenting the ways, the municipality is using in its absurd war against cultural, artistic and developmental center – Art center in Goričko. In this video you can hear absurd claims, such as, that the program of Art center would be suitable for big metropolis such as Berlin, but not in the rural areas.
Background story: in Goričko, the most de-privileged part of Slovenia, a group of enthusiasts established Art center, the first residential artistic center in Slovenia. Financed mostly from EU funds and based exclusively on voluntary work. Art center is combining international artistic residences with local developmental projects and informal education. However, the mayor of Moravske Toplice, which is itself a co-founder of Art center, decided, that he doesn't want art, culture and development in his municipality and started a war against the group of artists. Through illegally elected active manager Petra Pika Pevec, he managed to block the account, cut the phone and internet and destroy the contracts with the EU and even evict the working team.2007-01-02T03:21+00:00en2006Art centerhttp://www.artcenter-slovenia.org/3420368600:16:54Ogg Theora
http://v2v.cc/v2v/show/KRETACID3S3PKCUPXE53SMLMQTVBVA2C
ed2k://|file|Mission_Art_Center.ogg|34203686|f77fbc14dbdf43c0c34322a45c8ee6e6|magnet:?dn=Mission_Art_Center.ogg&xt=urn%3Asha1%3AKRETACID3S3PKCUPXE53SMLMQTVBVA2Chttp://v2v.cc/sites/v2v.cc/files/torrents/Mission_Art_Center.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ljubezen do umetnosti - ali imajo oblastniki radi denar?This documentary video is based on contradictory public statements of the mayor of Moravske Toplice and Pika Petra Pevec – the illegally installed active manager of Art center in Goričko.
Background story: in Goričko, the most de-privileged part of Slovenia, a group of enthusiasts established Art center, the first residential artistic center in Slovenia. Financed mostly from EU funds and based exclusively on voluntary work. Art center is combining international artistic residences with local developmental projects and informal education. However, the mayor of Moravske Toplice, which is itself a co-founder of Art center, decided, that he doesn't want art, culture and development in his municipality and started a war against the group of artists. Through illegally elected active manager Petra Pika Pevec, he managed to block the account, cut the phone and internet and destroy the contracts with the EU and even evict the working team.2007-01-02T03:08+00:00sl2006Art centerhttp://www.artcenter-slovenia.org/3588050700:10:54Ogg Theora
http://v2v.cc/v2v/show/RGVGE3ALUOTGVCIBFKPVLNM3NW5XPX5P
ed2k://|file|Ljubezen_do_umetnosti.ogg|35880507|112af7540b70c14992b739f49554428f|magnet:?dn=Ljubezen_do_umetnosti.ogg&xt=urn%3Asha1%3ARGVGE3ALUOTGVCIBFKPVLNM3NW5XPX5Phttp://v2v.cc/sites/v2v.cc/files/torrents/Ljubezen_do_umetnosti.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kako v.d. direktorja Art centra Petra Pika Pevec skrbi za Art center?This is a four minute documented conversation between the working team of Art center in Goričko and Art center's illegally imposed active manager Petra Pika Pevec, who in more than 9 months, though being payed, didn't manage to come to Art center, but did manage to block the account, destroy several project financed by EU and national founds, cut the phone and internet and evict the working team.
Background story: in Goričko, the most de-privileged part of Slovenia, a group of enthusiasts established Art center, the first residential artistic center in Slovenia. Financed mostly from EU funds and based exclusively on voluntary work. Art center is combining international artistic residences with local developmental projects and informal education. However, the mayor of Moravske Toplice, which is itself a co-founder of Art center, decided, that he doesn't want art, culture and development in his municipality and started a war against the group of artists. The illegally elected active manager Petra Pika Pevec is doing the dirty work.2007-01-02T02:37+00:00sl2006Art centerhttp://www.artcenter-slovenia.org/684181700:05:09Ogg Theora
http://v2v.cc/v2v/show/KEWN6O442P5RNPHZ5RWJYNYSN44RFLOU
ed2k://|file|Skrb_Petre_Pike_Pevec_za_Art_center.ogg|6841817|2e2a9ecc6cde4ea0a47f12b516bcfc8d|magnet:?dn=Skrb_Petre_Pike_Pevec_za_Art_center.ogg&xt=urn%3Asha1%3AKEWN6O442P5RNPHZ5RWJYNYSN44RFLOUhttp://v2v.cc/sites/v2v.cc/files/torrents/Skrb_Petre_Pike_Pevec_za_Art_center.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.War on the Poor - UltraredWhat does the war on the poor sound like?2006-10-18T12:18+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org8741131100:35:42Ogg Theora
http://v2v.cc/v2v/show/JLP24W5LQG34BQ3IKKVI4LA2RN5ALXHJ
ed2k://|file|v2v_wdk_War_on_the_Poor_Ultrared.ogg|87411311|5e1ff24f3911927448f35be290eab921|magnet:?dn=v2v_wdk_War_on_the_Poor_Ultrared.ogg&xt=urn%3Asha1%3AJLP24W5LQG34BQ3IKKVI4LA2RN5ALXHJhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_War_on_the_Poor_Ultrared.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Verfassungskriege - Peter WeibelSaturday, October 14, 20062006-10-18T12:16+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org7248267600:30:20Ogg Theora
http://v2v.cc/v2v/show/BLPCNZYHAVTXZAOPUC6U3HRH2DABOCJ5
ed2k://|file|v2v_wdk_Verfassungskriege_Peter_Weibel.ogg|72482676|7a05538d576cecf03c32b24468255669|magnet:?dn=v2v_wdk_Verfassungskriege_Peter_Weibel.ogg&xt=urn%3Asha1%3ABLPCNZYHAVTXZAOPUC6U3HRH2DABOCJ5http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Verfassungskriege_Peter_Weibel.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Tracking - Jordan CrandallSaturday, October 14, 20062006-10-18T12:15+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org7112156400:34:34Ogg Theora
http://v2v.cc/v2v/show/VJ3FZX7ZSV65SPDWR6GAPOJWYUT4I4ZY
ed2k://|file|v2v_wdk_Tracking_Jordan_Crandall.ogg|71121564|2ba1c40d0e34005a4efdfcf1ab7862db|magnet:?dn=v2v_wdk_Tracking_Jordan_Crandall.ogg&xt=urn%3Asha1%3AVJ3FZX7ZSV65SPDWR6GAPOJWYUT4I4ZYhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Tracking_Jordan_Crandall.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Territory - Peter Fend1. patterns of location in past wars / 2. threat to territory as rationale for war / 3. outer space as the upcoming field of war2006-10-18T12:14+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5287861100:18:47Ogg Theora
http://v2v.cc/v2v/show/CAJGAKKT3WWKSONK3WZGOXNATHIZU2R6
ed2k://|file|v2v_wdk_Territory_Peter_Fend.ogg|52878611|3aa5e3dbf2db4d1037f58009023592cc|magnet:?dn=v2v_wdk_Territory_Peter_Fend.ogg&xt=urn%3Asha1%3ACAJGAKKT3WWKSONK3WZGOXNATHIZU2R6http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Territory_Peter_Fend.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Surface - Tris Vonna-MichellSaturday, October 14, 20062006-10-18T12:13+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org1638624000:12:54Ogg Theora
http://v2v.cc/v2v/show/2KDG4Q6OTTAPERK7KAYKV5CIFXT2V6JE
ed2k://|file|v2v_wdk_Surface_Tris_Vonna-Michell.ogg|16386240|edd2b79f094309db037c14420ce17041|magnet:?dn=v2v_wdk_Surface_Tris_Vonna-Michell.ogg&xt=urn%3Asha1%3A2KDG4Q6OTTAPERK7KAYKV5CIFXT2V6JEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Surface_Tris_Vonna-Michell.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Staged Revolution - Oleg KireevSaturday, October 14, 20062006-10-18T12:11+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4233376000:17:30Ogg Theora
http://v2v.cc/v2v/show/OS4SUXT356EPDUB4TIW3S3R7PRZEH2I4
ed2k://|file|v2v_wdk_Staged_Revolution_Oleg_Kireev.ogg|42333760|5f39dd3c8c59bc2af04aaa7f5fbfd656|magnet:?dn=v2v_wdk_Staged_Revolution_Oleg_Kireev.ogg&xt=urn%3Asha1%3AOS4SUXT356EPDUB4TIW3S3R7PRZEH2I4http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Staged_Revolution_Oleg_Kireev.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Sensibilità - Franco BerardiSaturday, October 14, 20062006-10-18T12:09+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5918803500:22:13Ogg Theora
http://v2v.cc/v2v/show/67IKHSDJWLKKCWFHHSGFM6SM7UA5UQ7D
ed2k://|file|v2v_wdk_Sensibilita_Franco_Berardi.ogg|59188035|91fe21881100c7712571e0abbb9e46b0|magnet:?dn=v2v_wdk_Sensibilita_Franco_Berardi.ogg&xt=urn%3Asha1%3A67IKHSDJWLKKCWFHHSGFM6SM7UA5UQ7Dhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Sensibilita_Franco_Berardi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Revenge - Warren Neidich"An eye for an eye makes the whole world blind." - Mahatma Gandhi2006-10-18T12:08+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org7212642300:29:03Ogg Theora
http://v2v.cc/v2v/show/GEAMP2A2ML5I3AR2WLHOFTHBQM7FHCEZ
ed2k://|file|v2v_wdk_Revenge_Warren_Neidich.ogg|72126423|953c2318fd1ac18ba8fca14c11e9acd5|magnet:?dn=v2v_wdk_Revenge_Warren_Neidich.ogg&xt=urn%3Asha1%3AGEAMP2A2ML5I3AR2WLHOFTHBQM7FHCEZhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Revenge_Warren_Neidich.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pro-vocation - Azra AksamijaProvocation is a means of visualizing a religious identity in a secular context. As a hybrid of the notions of vocation, "a divine call to God’s service," and provocation, "a means of arousing or stirring to action", provocation can be understood a means of asserting a believer's democratic rights to practice his or her religion fearlessly.2006-10-18T12:07+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5366293200:27:03Ogg Theora
http://v2v.cc/v2v/show/ADHNR7N4IHQPQKOPPUXTH6IPFRJMTSH7
ed2k://|file|v2v_wdk_Pro-vocation_Azra_Aksamija.ogg|53662932|47bb37ccab726a0db0ec5716c9466411|magnet:?dn=v2v_wdk_Pro-vocation_Azra_Aksamija.ogg&xt=urn%3Asha1%3AADHNR7N4IHQPQKOPPUXTH6IPFRJMTSH7http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pro-vocation_Azra_Aksamija.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Power Points - DeeDee HalleckSaturday, October 14, 20062006-10-18T12:06+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5809075300:25:29Ogg Theora
http://v2v.cc/v2v/show/DSYJZZQAAG6N3MOE47GT465B3ZPUCHP2
ed2k://|file|v2v_wdk_Power_Points_DeeDee_Halleck.ogg|58090753|cdab7db8f651fceb526326f03fd13871|magnet:?dn=v2v_wdk_Power_Points_DeeDee_Halleck.ogg&xt=urn%3Asha1%3ADSYJZZQAAG6N3MOE47GT465B3ZPUCHP2http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Power_Points_DeeDee_Halleck.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Negotiation - Sergej Goran Pristas & Ivana IvkovicSaturday, October 14, 20062006-10-18T11:54+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3103369200:13:53Ogg Theora
http://v2v.cc/v2v/show/YKQWAHCS5Y5QYDEVIPTIA6K3TIBH5VXM
ed2k://|file|v2v_wdk_Negotiation_Sergej_Goran_Pristas_Ivana_Ivkovic.ogg|31033692|0ba2ab9faeaedb104520bf2ae8da15c4|magnet:?dn=v2v_wdk_Negotiation_Sergej_Goran_Pristas_Ivana_Ivkovic.ogg&xt=urn%3Asha1%3AYKQWAHCS5Y5QYDEVIPTIA6K3TIBH5VXMhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Negotiation_Sergej_Goran_Pristas_Ivana_Ivkovic.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kriegsgefangenenlager - Andreas HiepkoSaturday, October 14, 20062006-10-18T11:53+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org5645747600:22:24Ogg Theora
http://v2v.cc/v2v/show/XS3TMMSH2BBIYERRY24N4EMIHJ4CBTCI
ed2k://|file|v2v_wdk_Kriegsgefangenenlager_Andreas_Hiepko.ogg|56457476|150405936501650cc5362ea427c4b5ec|magnet:?dn=v2v_wdk_Kriegsgefangenenlager_Andreas_Hiepko.ogg&xt=urn%3Asha1%3AXS3TMMSH2BBIYERRY24N4EMIHJ4CBTCIhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Kriegsgefangenenlager_Andreas_Hiepko.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Komplizenschaft - Gesa ZiemerSaturday, October 14, 20062006-10-18T11:51+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org7518622200:22:40Ogg Theora
http://v2v.cc/v2v/show/3TOFC6JMFNPAUKPTGXMO5PEPNSNNQMLV
ed2k://|file|v2v_wdk_Komplizenschaft_Gesa_Ziemer.ogg|75186222|215b7a11ea1f4f4c4825797cbded91ff|magnet:?dn=v2v_wdk_Komplizenschaft_Gesa_Ziemer.ogg&xt=urn%3Asha1%3A3TOFC6JMFNPAUKPTGXMO5PEPNSNNQMLVhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Komplizenschaft_Gesa_Ziemer.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Hostis Humani Generis - Lawrence LiangAbstract wars demand abstract enemies, and the Hostis Humani Generis (or the enemy against all mankind) is a title that has been bestowed on a host of figures; starting with the pirate and now the terrorist, I seek to understand the links between property, piracy and terrorism and propose that the concept of Hostis Humani Generis helps us understand the idea of war as a continuation of property by other means.2006-10-18T11:50+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org8993024100:32:10Ogg Theora
http://v2v.cc/v2v/show/7PLMYYINRCEHFPTJLYSY44RBUANBQAFP
ed2k://|file|v2v_wdk_Hostis_Humani_Generis_Lawrence_Liang.ogg|89930241|96b86fa221986f03344cbf57e1914efa|magnet:?dn=v2v_wdk_Hostis_Humani_Generis_Lawrence_Liang.ogg&xt=urn%3Asha1%3A7PLMYYINRCEHFPTJLYSY44RBUANBQAFPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Hostis_Humani_Generis_Lawrence_Liang.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Heroes - Thomas DraschanFriday, October 13, 20062006-10-14T21:48+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3273465200:09:45Ogg Theora
http://v2v.cc/v2v/show/PH64LEVCTX3AU6NZ5NWWQFQAAYYWXQT6
ed2k://|file|v2v_wdk_Heroes_Thomas_Draschan.ogg|32734652|cba51a1386e9048db06cc391b662f184|magnet:?dn=v2v_wdk_Heroes_Thomas_Draschan.ogg&xt=urn%3Asha1%3APH64LEVCTX3AU6NZ5NWWQFQAAYYWXQT6http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Heroes_Thomas_Draschan.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Electronic Soldier - Stefan KaufmannFriday, October 13, 20062006-10-14T21:42+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org5103933100:24:59Ogg Theora
http://v2v.cc/v2v/show/PL5O5YBNM2FAZIKGJKM73MIM67IKY24N
ed2k://|file|v2v_wdk_Electronic_Soldier_Stefan_Kaufmann.ogg|51039331|c5d231085b473b8052da41afcad5c2fa|magnet:?dn=v2v_wdk_Electronic_Soldier_Stefan_Kaufmann.ogg&xt=urn%3Asha1%3APL5O5YBNM2FAZIKGJKM73MIM67IKY24Nhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Electronic_Soldier_Stefan_Kaufmann.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Déracinement - Christine FrisinghelliFriday, October 13, 2006
Der Begriff der "Entwurzelung" orientiert sich an dem von Pierre Bourdieu gewählten Begriff "Déracinement / Uprooting", der gleichzeitig den Titel eines von ihm in Zusammenarbeit mit Abdelmalek Sayad 1964 veröffentlichten Buches bildet. Gegenstand dieser Studie sind die tiefgreifenden gesellschaftlichen Auswirkungen der französischen Kolonialpolitik (seit 1830) und des Unabhängigkeitskrieges (1954-1962) auf die algerische Bevölkerung. Vor allem die Umsiedlung großer Bevölkerungsgruppen insbesondere im ländlichen Raum in die Centres de regroupement, von der über 2 Millionen Algerier (ein Viertel der Gesamtbevölkerung) betroffen waren, ist eine der brutalsten Vorgänge dieser Art der Geschichte und wurde von Bourdieu/Sayad in ihrer Studie exemplarisch analysiert2006-10-14T21:39+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4295970900:23:00Ogg Theora
http://v2v.cc/v2v/show/7F5INWDETP4I4AVOJMLK5X73FRWMMW3H
ed2k://|file|v2v_wdk_Deracinement_Christine_Frisinghelli.ogg|42959709|d6081f8b4fce4540a6ab594b95f1ca6b|magnet:?dn=v2v_wdk_Deracinement_Christine_Frisinghelli.ogg&xt=urn%3Asha1%3A7F5INWDETP4I4AVOJMLK5X73FRWMMW3Hhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Deracinement_Christine_Frisinghelli.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Conditional Surrender to the City of Gardens - The ErroristsFriday, October 13, 20062006-10-14T21:35+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org8903669600:32:16Ogg Theora
http://v2v.cc/v2v/show/4RFL44K2JTEHFR37TSQZ4GPIMIKDNEYZ
ed2k://|file|v2v_wdk_Conditional_Surrender_to_the_City_of_Gardens_The_Errorists.ogg|89036696|35f255f41ce4f00508d31439091a8981|magnet:?dn=v2v_wdk_Conditional_Surrender_to_the_City_of_Gardens_The_Errorists.ogg&xt=urn%3Asha1%3A4RFL44K2JTEHFR37TSQZ4GPIMIKDNEYZhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Conditional_Surrender_to_the_City_of_Gardens_The_Errorists.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ausnahme - Michael HirschFriday, October 13, 20062006-10-14T21:27+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4385094500:19:23Ogg Theora
http://v2v.cc/v2v/show/EQPGAYMXEMQOGOBBMWJYLCUE4ZDELTTC
ed2k://|file|v2v_wdk_Ausnahme_Michael_Hirsch.ogg|43850945|499591fda6ae0274aab53116771d4003|magnet:?dn=v2v_wdk_Ausnahme_Michael_Hirsch.ogg&xt=urn%3Asha1%3AEQPGAYMXEMQOGOBBMWJYLCUE4ZDELTTChttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Ausnahme_Michael_Hirsch.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Aufräumen - Diedrich Diederichsen(1) the image of people cleaning up their houses and streets, and what's left of it after they been attacked, bombed etc. (2) the myth of Trümmerfrauen cleaning up the rubble in post-war Germany, when, at the same time, the trope auf cleaning up was strong as a right wing trope of law and order, and even war (3) the antagonism of negentropic cleaning up and entropic war2006-10-14T21:24+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org9159087900:29:35Ogg Theora
http://v2v.cc/v2v/show/HSH4K5M22GGGDUE7FSI3PZNMOTJC4DFF
ed2k://|file|v2v_wdk_Aufrauumen_Diedrich_Diederichsen.ogg|91590879|443360b08c1d420be2770b9d8909ac52|magnet:?dn=v2v_wdk_Aufrauumen_Diedrich_Diederichsen.ogg&xt=urn%3Asha1%3AHSH4K5M22GGGDUE7FSI3PZNMOTJC4DFFhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Aufrauumen_Diedrich_Diederichsen.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Attitudes - Edgar SchmitzFriday, October 13, 20062006-10-14T21:16+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org4492069000:19:25Ogg Theora
http://v2v.cc/v2v/show/ZBOEZSPG2FIQPYIZ4GCANLAZ43AC2CMX
ed2k://|file|v2v_wdk_Attitudes_Edgar_Schmitz.ogg|44920690|6c3242bac3123b4a263eeffbdd3b3189|magnet:?dn=v2v_wdk_Attitudes_Edgar_Schmitz.ogg&xt=urn%3Asha1%3AZBOEZSPG2FIQPYIZ4GCANLAZ43AC2CMXhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Attitudes_Edgar_Schmitz.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Asymmetric Warfare - Raul ZelikFriday, October 13, 20062006-10-14T21:11+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org8265808700:31:30Ogg Theora
http://v2v.cc/v2v/show/6HAZEBRJ7V4AHKIAJPRYC6Z3PQ7E3ZFU
ed2k://|file|v2v_wdk_Asymmetric_Warfare_Raul_Zelik.ogg|82658087|ced40525af0f7d02066ac9a36b13a269|magnet:?dn=v2v_wdk_Asymmetric_Warfare_Raul_Zelik.ogg&xt=urn%3Asha1%3A6HAZEBRJ7V4AHKIAJPRYC6Z3PQ7E3ZFUhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Asymmetric_Warfare_Raul_Zelik.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ashwatthama - Raqs Media CollectiveAshwatthama is a character in the Mahabharata, cursed to live forever, as a kind of wandering warrior.2006-10-14T20:41+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3498561600:15:48Ogg Theora
http://v2v.cc/v2v/show/YBQKBBSRW7XOJ7EVBX3UF32CPA76L3A6
ed2k://|file|v2v_wdk_Ashwatthama_Raqs_Media_Collective.ogg|34985616|f0bbea357a189f1482a52592bb187ad0|magnet:?dn=v2v_wdk_Ashwatthama_Raqs_Media_Collective.ogg&xt=urn%3Asha1%3AYBQKBBSRW7XOJ7EVBX3UF32CPA76L3A6http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Ashwatthama_Raqs_Media_Collective.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Exergue - Meansur Jacoubi654.9652006-10-14T20:26+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4503748500:20:42Ogg Theora
http://v2v.cc/v2v/show/R3GTG4UWFI2B5NFM3W7R345CH32CPODG
ed2k://|file|v2v_wdk_Exergue_Mansur_Jacoubi.ogg|45037485|845d96b391e563672f397a4360f1b634|magnet:?dn=v2v_wdk_Exergue_Mansur_Jacoubi.ogg&xt=urn%3Asha1%3AR3GTG4UWFI2B5NFM3W7R345CH32CPODGhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Exergue_Mansur_Jacoubi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.On Collaboration, Participation and PiracyThis panel with Irit Rogoff and Lawrence Liang, moderated by Florian Schneider, took place on Oktober 11th 2006 in the context of the Workshop on "Collaboration". The Workshop took place at the Steirischer Herbst, from Oktober 7th - 13th 2006 and discussed and explored different notions on collaboration.2006-10-12T11:49+00:00en2006KEIN TVmultitude@kein.orghttp://kein.org/collaboration27894083401:34:54Ogg Theora
http://v2v.cc/v2v/show/PNNWOTJSUFPCL3QP7X3RDU4XVUTPFWDI
ed2k://|file|collaboration.ogg|278940834|5b91819f7d56397ffedbc36e285d2eb2|magnet:?dn=collaboration.ogg&xt=urn%3Asha1%3APNNWOTJSUFPCL3QP7X3RDU4XVUTPFWDIhttp://v2v.cc/sites/v2v.cc/files/torrents/collaboration.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Gesteuerte Demokratie?Der Film ist im Rahmen einer Diplomarbeit an der Hochschule für Gestaltung, Offenbach am Main entstanden. Untersucht wird die Informations- und Medienarbeit der Bundeswehr. Ausgehend vom “sicherheitspolitischen Paradigmenwechsel” am Ende des kalten Krieges werden Kontinuitäten und Wechsel in diesem Bereich betrachtet.
Anhand von Zeitzeugeninterviews mit Soldaten aus Einheiten für “Psychologische Kampfführung” (PSK) bzw. “Psychologische Verteidigung” (PSV) wird deren vornehmlich gegen die DDR gerichtete Propaganda- und Zersetzungstätigkeit beschrieben. Der Apparat der PSK bzw. PSV wurde einhergehend mit einer Skandalisierung seiner verdeckt ausgeführten Ausforschungs- und Einwirkungstätigkeit im bundesdeutschen Inland zum Ende der 80er Jahre aufgelöst. Über eine sogenannte “Studiengesellschaft für Zeitprobleme e.V.” waren getarnte Propagandaprodukte der Bundeswehr an vermeintlich wehrkritische Zielgruppen in der BRD lanciert worden.
Aus der in Waldbröl angesiedelten “Akademie für Psychologische Verteidigung” wird 1990 die “Akademie für Information- und Kommunikation der Bundeswehr” (AIK). Spezialisten der PSV übernehmen die leitenden Positionen der neuen Dienststelle, die dem Presse- und Informationsstab des Verteidigungsministeriums zugeordnet wird. Sie untersteht direkt dem zeitgleich im PR-/ Infostab neu gegründeten “Grundsatzreferat” und dient als “Thinktank” für die Öffentlichkeitsarbeit im Inland. Wie der Film belegt, werden wesentliche Tätigkeiten der PSV-Akademie fortgeführt, allerdings mit neu formuliertem Auftrag und mit neuen Zielsetzungen. Das Führungspersonal der 1994 nach Strausberg bei Berlin verlegten AIK gibt im Film ausführlich Auskunft über Auftrag und Tätigkeiten der Akademie.
Eine wesentliche Aufgabe bestand nach der Wende in der Grundlagenbeschaffung zur sicherheitspolitischen “Umorientierung” der ehemaligen DDR-Bevölkerung. Neben der Ausbildung von Fachpersonal der Presse- und Informationsarbeit wird auch heute im Rahmen von Seminaren ein “sicherheitspolitischer Dialog” mit “interessierten Bürgern” geführt. Dabei handelt es sich vornehmlich um sogenannte Multiplikatoren wie Journalisten; Richter, Staatsanwälte und Polizisten werden zu Seminaren über die “Vernetzung von innerer und aüßerer Sicherheit” eingeladen. Um weitere Bevölkerungskreise zu erreichen, arbeitet man in Strausberg mit Wissenschaftlern, Universitätsdozenten und Lehrern zusammen.
Neben der AIK ist aus der “Psychologischen Verteidigung” auch die “Truppe für Operative Information” (OpInfo) hervorgegangen. Bezeichnenderweise trägt sie im NATO-Sprachgebrauch weiterhin die Bezeichnung “Psychological Operations” (PSYOPS). Die bundesdeutschen PSYOPS-Truppen sind heute in Mayen stationiert. Dem dortigen Zentrum Operative Information (ZOpInfo) ist ein zusätzliches “Einsatzbataillon” in Koblenz unterstellt. Soldaten der OpInfo werden seit 1993/94 im Rahmen von bewaffneten Auslandsoperationen der Bundeswehr eingesetzt und wirken mit propagandistischen Mitteln auf Zielgruppen im Einsatzgebiet ein.
Im Film wird hauptsächlich die Tätigkeit des ZOpInfo im Dezernat “Video” dargestellt. Die OpInfo verfügt über weitere Kapazitäten in den Bereichen “Print”, “Radio”, “Neue Medien” “Lautsprecher” und in der Direktkommunikation. Im ZOpInfo ist auch das “Dezernat Einsatzkamera” (Combat Camera) angesiedelt. Sogenannte Einsatzkamerateams (EKT) dokumentieren weltweit Einsätze der Bundeswehr und erstellen oft schon vor der Ankunft regulärer Truppen Lageberichte für Führungsstab und Einsatzführungskommando der Bundeswehr sowie für das Verteidigungsministerium. “Auch eine Weitergabe an die Medien wäre denkbar, wenn es ein konkretes Interesse gäbe”, hieß es bereits im Mai 2003 in der Publikation Bw Aktuell. Ganz sicher jedoch wird nach entsprechender Freigabe Material der EKTs an den internen Fernsehsender der Bundeswehr, BwTv weitergegeben. Die EKTs können bei Bedarf live aus dem Einsatzgebiet senden.
BwTv wiederum ist Teil des “internen Medienmix” der Bundeswehr und wird verschlüsselt per Satellit ausgestrahlt, da den Streitkräften eine direkte Einflußnahme auf die eigene Bevölkerung gesetzlich verboten ist. Das Studio von BwTv ist im Hause der Informations- und Medienzentrale (IMZBw) der Bundeswehr in St. Augustin bei Bonn untergebracht. Hier wird neben der Koordinierung der Mitarbeiterkommunikation auch der Öffentlichkeitsarbeit zugearbeitet; die IMZBw verwaltet das Bildarchiv der Bundeswehr und beherbergt Onlineredaktionen für verschiedene Webseiten der Bundeswehr.
BwTv wurde 2002 mit Hilfe der PR-Agentur Atkon AG aufgebaut. Wie die Recherchen zum Film ergaben, wurde eine 100% Tochterfirma der Atkon AG, die Atkon TV Service GmbH damit beauftragt, sendefertige Fernsehbeiträge an private und öffentlich-rechtliche Fernsehanstalten abzugeben. Beiträge aus Material von Bundeswehr TV werden dazu über die Internetseite www.tvservicebox.de angeboten und können dann in Sendequalität bestellt werden. Die Filme bestehen aus ungekennzeichnetem Material – ein Verweis auf die Quelle wird der abnehmenden Redaktion überlassen. Völlig unklar bleibt für den unbedarften Betrachter, ob nicht auch Videomaterial der EKTs via BwTv in die Beiträge gelangt.
Die Informations- und Medienzentrale besteht darauf, dass durch dieses Vorgehen keinesfalls gegen das Verbot eines Staatsfernsehens verstoßen würde. Vielmehr könnten die Journalisten die Beiträge redaktionell bearbeiten. Gemeint ist damit vor allem, dass die Beiträge auf die entsprechenden Magazinformate zugeschnitten werden dürfen. Wie die Geschäftsbedingungen der Servicebox zeigen, ist eine “inhaltliche Sinn- und Zweckentfremdung” ausdrücklich untersagt. Atkon TV Service verfügt über ein Netzwerk von Journalisten, die im Auftrag der Bundeswehr mit Themenvorschlägen, Kontakten und Material beliefert werden (“Media Relations”)
Erst kürzlich hat das Verteidigungsministerium ein Besuchsverbot u. A. für Journalisten und Parlamentarier beim Afghanistan-Kontingent erlassen. Desweiteren werden Informationen über Anschläge auf das Kontingent nur noch auf direkte Anfrage der Presse herausgegeben. Einer freien Berichterstattung über die Bundeswehr und ihre Einsätze soll mit den dargestellten Beeinflussungs- und Zensurmaßnahmen augenscheinlich das Wasser abgegraben werden. Offenbar fürchten Ministerium und militärische Führung, die von der AIK als “konditional” bewertete Zustimmung der Bevölkerung zum Auftrag der Bundeswehr im Falle von Berichten über Verluste oder intensive Kampfhandlungen rasch zu verlieren.
Länge: 62´14 min
Entstehungsjahr: 2006 (Dreh Mai-Juni)
Drehformat: DVC Pro 25/ MiniDV, 4:3
Onlineformat: OggTheora (384x288) 182,7 MB
kostenloser Player unter www.videolan.org (VLC)
Mitwirkende:
Oberst i.G. Thomas Beier – Kommandeur Informations- und Medienzentrale der Bundeswehr (St. Augustin)
Oberleutnant Martin Besinger – Redakteuroffizier Einsatz Kamera Trupp (EKT), Zentrum Operative Information (Mayen)
Oberstleutnant Reinhard Busch – Leiter Bundeswehr TV, Informations- und Medienzentrale der Bundeswehr (St. Augustin)
Oberstleutnant Hartmut Dressel – Leiter Zielgruppenanalyse Zentrum Operative Information (Mayen), ehem. Soldat im PSV-Bataillon Clausthal-Zellerfeld
Claudia Haydt – Soziologin und Religionswissenschaftlerin, Informationsstelle Militarisierung (IMI) www.imi-online.de
Dipl. Psych. Dr. Hans-Victor Hoffmann – Wiss. Direktor FB Kommunikation der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)
Oberstleutnant Michael Kötting – Leiter Bereich Lehre der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)
Oberst i.G. Horst Matzeit – 1988 Kommandeur der Akademie für Psychologische Verteidigung (Waldbröl)
(Archivmaterial)
Dr. Alfred Mechtersheimer – ehem. Ausbildungsoffizier an der Schule für Psychologische Kampfführung (Schloß Alfter bei Bonn), dann u.A. MdB (Die Grünen) und Gründer der rechtsextremen Deutschland-Bewegung
(Archivmaterial)
Thomas Mielke – Schriftsteller und Werbefachmann (Berlin), ehem. Soldat der Psychologischen Kampfführung
Hauptfeldwebel Stephan Schwaldat – Kameramann EKT, ZOpInfo Bw (Mayen)
Oberst Rainer Senger – seit 11/2002 Kommandeur der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)
Dr. Olaf Theiler – Leiter FB Information der Akademie für Information und Kommunikation der Bundeswehr (Strausberg)
weitere Stichworte: Dr. Eberhard Taubert, Dr. Werner Marx, Franz Josef Strauss, Helmut Kamphausen, Jörg Lolland, Ortwin Buchbender, Horst Schuh, Briefzensur, Zoll- und Devisenverbringungsstelle Hannover, Organisation Gehlen, Bundesnachrichtendienst, Prof. Renate Riemeck, Deutsche Friedensunion, Friedensbewegung, Ostermärsche, Impuls TV, Münchner Sicherheitskonferenz 2006, SIKOein Dokumentarfilm von Steven Hutchings2006-09-09T17:30+00:00de2006Steven Hutchingss.hutchings@web.dehttp://19164490301:01:54Ogg Theora
http://v2v.cc/v2v/show/FI6BZZRKIS6V7TZF7WLADBGLQ5F4M3AH
ed2k://|file|gesteuerte_demokratie.ogg|191644903|77f9107d503e381b331cdf5fe36d02d7|magnet:?dn=gesteuerte_demokratie.ogg&xt=urn%3Asha1%3AFI6BZZRKIS6V7TZF7WLADBGLQ5F4M3AHhttp://v2v.cc/sites/v2v.cc/files/torrents/gesteuerte_demokratie.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Steal this FilmIn 2006, a group of friends decided to make a film about filesharing that *we* would recognise. There have been a few documentaries by 'old media' crews who don't understand the net and see peer-to-peer organisation as a threat to their livelihoods. They have no reason to represent the filesharing movement positively, and no capacity to represent it lucidly. We wanted to make a film that would explore this huge popular movement in a way that excited us, engaged us, and most importantly, focussed on what we know to be the positive and optimistic vision many filesharers and artists (they are often one) have for the future of creativity.
Hopefully you'll enjoy the first part of Steal this Film ('stockholm, summer 2006'). It achieves some, but by no means all, of our goals. To continue we need your help. this film is free for you to share, watch on your dvd player or on your ipod, or show in cinemas. But if you like the work we've done and want us to carry on, use our donate link to send us a couple of dollars or euros.
We will start making the second part straight away, and release it on this site and on major bittorrent trackers, when it's done. Each part, we estimate, will take about 2 months to complete. the plan for the second part is on our wiki. Feel free to add suggestions.
The league of noble peers. august 2006 - à nous la liberté!stockholm, summer 20062006-08-24T08:28+00:00en2006The league of noble peerspeers@stealthisfilm.comhttp://stealthisfilm.com10682241500:32:13Ogg Theora
http://v2v.cc/v2v/show/LI644FBUC72TXVBBI456JVSI42QJPZVU
ed2k://|file|StealThisFilm.ogg|106822415|76ec486d47ee9d395806c8be44296028|magnet:?dn=StealThisFilm.ogg&xt=urn%3Asha1%3ALI644FBUC72TXVBBI456JVSI42QJPZVUhttp://v2v.cc/sites/v2v.cc/files/torrents/StealThisFilm.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.dead timeFire comes to us
from the sky and the sea
Here we are, 24 years later,
again besieged by the same enemy
History, however, does not repeat itself,
it perpetuates itself
The foreigners are leaving
(many among them are Lebanese
who enjoy a double nationality)
Who witnesses for the witness?
asked Paul Celan in another time
Disaster takes care of everything
I wanted to raise my left fist,
but in the meantime I lost my sense of humour
Oh cities that have never been invaded
Have you no nostalgia for the enemy?2006-08-10T15:48+00:00en2006ghassan salhab, beirut dchttp://beirutletters.org/940608300:06:46Ogg Theora
http://v2v.cc/v2v/show/APPKBVFRYDLPHOFDMBNNJQ5CJ2Z6QKNO
ed2k://|file|v2v_beirutletters_dead_time.ogg|9406083|1a7e0f929d7ce7521a51bb0e151a9479|magnet:?dn=v2v_beirutletters_dead_time.ogg&xt=urn%3Asha1%3AAPPKBVFRYDLPHOFDMBNNJQ5CJ2Z6QKNOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_beirutletters_dead_time.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lindmann/Scholz/Brenk: Drei Lecture PerformancesLecture Performance by LInda Lindheimer, Malte Scholz and Tobias Brenk, April 6th, 2006, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2006-08-05T10:23+00:00de2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de6045750400:50:53Ogg Theora
http://v2v.cc/v2v/show/AEA6CG2YWS4WH45QGCDGS36VTSNRZRET
ed2k://|file|v2v_ut_3lectures.ogg|60457504|424e68b5926dda224ccda00d28023f38|magnet:?dn=v2v_ut_3lectures.ogg&xt=urn%3Asha1%3AAEA6CG2YWS4WH45QGCDGS36VTSNRZREThttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_3lectures.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Vera Knolle: "I didn't mean to hurt you"Lecture Performance by Vera Knolle, January 5th, 2006, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2006-08-04T15:23+00:00de2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de3100889200:26:59Ogg Theora
http://v2v.cc/v2v/show/TTIGGJG6AGKD7LGE7DMKOSJ34AXIROPS
ed2k://|file|knolle.ogg|31008892|34ce09221ff9cdcbae69ac95f721772b|magnet:?dn=knolle.ogg&xt=urn%3Asha1%3ATTIGGJG6AGKD7LGE7DMKOSJ34AXIROPShttp://v2v.cc/sites/v2v.cc/files/torrents/knolle.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.From Beirut to .. those who love usLetters from Beirut to the World
Subtitles in English and FrenchDate: July 21, 20062006-08-01T08:07+00:00ar2006Beirut DC, Samidoun, Varioushttp://www.beirutletters.org380904700:04:12Ogg Theora
http://v2v.cc/v2v/show/ZI4QMBUNLVZVTZXGXWBXMXND76H32VHL
ed2k://|file|From_Beirut_to_.._those_who_love_us.ogg|3809047|fc0469a97ae801d4f8bd60e6f4dbed4e|magnet:?dn=From_Beirut_to_.._those_who_love_us.ogg&xt=urn%3Asha1%3AZI4QMBUNLVZVTZXGXWBXMXND76H32VHLhttp://v2v.cc/sites/v2v.cc/files/torrents/From_Beirut_to_.._those_who_love_us.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.World War - Klaus ViehmannSunday, July 23 2006
Everyone knows that World War II was a global war. However, knowledge of its development and impact on Western Europe is rather limited. At least in the last two centuries knowledge of war crimes has increased. The purpose of today’s lecture is to draw a rough outline of the neglected aspects of this war and to raise some interest in the exploits and suffering of the people who were affected by fascism, “Herrenmenschentum” and aggression, and fought against it.2006-07-25T09:35+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org4376111200:30:55Ogg Theora
http://v2v.cc/v2v/show/JAPMPM3GJ3FV4AZKPQWCF4UUIU5M5ETX
ed2k://|file|v2v_wdk_World_War_Klaus_Viehmann.ogg|43761112|9c10cbbd2867b87fd06e8a11b91363bc|magnet:?dn=v2v_wdk_World_War_Klaus_Viehmann.ogg&xt=urn%3Asha1%3AJAPMPM3GJ3FV4AZKPQWCF4UUIU5M5ETXhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_World_War_Klaus_Viehmann.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.United Nations - Ariane MüllerSunday, July 23 2006
Rio, Peking, Kairo, Istanbul, Genf, Kyoto, Habitat, Houairou, Konventionen, Protokolle, Deklarationen2006-07-25T09:33+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org5230915400:21:56Ogg Theora
http://v2v.cc/v2v/show/JXANWYLMBTY72DVZQW6LDIB2KVOHIEED
ed2k://|file|v2v_wdk_United_Nations_Ariane_Mueller.ogg|52309154|986624d5921f16a545864c2d0d4608e8|magnet:?dn=v2v_wdk_United_Nations_Ariane_Mueller.ogg&xt=urn%3Asha1%3AJXANWYLMBTY72DVZQW6LDIB2KVOHIEEDhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_United_Nations_Ariane_Mueller.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Translation - Tom KeenanSunday, July 23 2006
What sort of language is war, if it is one? What would "total" conflict be? When does escalation become impossible? When the violence is not exercised to force others into a conversation, or to change the terms of a debate, but in order to end a debate, to remove the other party in a debate once and for all, when debate itself -- or politics, or language -- is itself the target of the violence .... is that the limit? Is that the moment when things actually can't get any worse?2006-07-25T09:32+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4873934900:24:33Ogg Theora
http://v2v.cc/v2v/show/S3J3TZXVOZWXT3E3J6FB54YZIJM2CEMP
ed2k://|file|v2v_wdk_Translation_Tom_Keenan.ogg|48739349|6a74e9dc4e09b2293948f8bd52429a2c|magnet:?dn=v2v_wdk_Translation_Tom_Keenan.ogg&xt=urn%3Asha1%3AS3J3TZXVOZWXT3E3J6FB54YZIJM2CEMPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Translation_Tom_Keenan.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Transition - Erzen ShkololliSunday, July 23 2006
Presentation of a works will reflect the dramatic transformation of the region, connected in particular with decay of the local totalitarian regimes during the 1990's. By representing various forms of ethnic, religious or political predestination and manipulation symbolizing the contrast social situation in his homeland.2006-07-25T09:27+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org2030657900:15:26Ogg Theora
http://v2v.cc/v2v/show/UCLD6IWEAMBSCM57H5L24ORUFJTKEMP7
ed2k://|file|v2v_wdk_Transition_Erzen_Shkololli.ogg|20306579|8673b216d441d2d65d2fc1a8fce957fb|magnet:?dn=v2v_wdk_Transition_Erzen_Shkololli.ogg&xt=urn%3Asha1%3AUCLD6IWEAMBSCM57H5L24ORUFJTKEMP7http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Transition_Erzen_Shkololli.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Theatres of Possession Operation Systems - Konrad BeckerSunday, July 23 20062006-07-25T09:23+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org8082266400:44:02Ogg Theora
http://v2v.cc/v2v/show/JZTUEEKVAFQMHSJYC5XYZ7V2RYVSAWSU
ed2k://|file|v2v_wdk_Theatres_of_Possession_Operation_Systems_Konrad_Becker.ogg|80822664|2fd9becb83fc63002444331dbfcd2c9c|magnet:?dn=v2v_wdk_Theatres_of_Possession_Operation_Systems_Konrad_Becker.ogg&xt=urn%3Asha1%3AJZTUEEKVAFQMHSJYC5XYZ7V2RYVSAWSUhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Theatres_of_Possession_Operation_Systems_Konrad_Becker.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Resistance - Ingrid StroblSunday, July 23 2006
Relativizing the Absolute "Resistance" is among those terms that although seemingly clear-cut, are in reality difficult to define. What is resistance? Who defines what it is? What conditions have to be met so that who identifies or recognizes what to be resistance? And which and whose interests stand behind the label?2006-07-25T09:22+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4598849000:24:42Ogg Theora
http://v2v.cc/v2v/show/2OJYI22MNUTOAWBLMHOXNK2OGVUO5TEQ
ed2k://|file|v2v_wdk_Resistance_Ingrid_Strobl.ogg|45988490|c06016e52761e7c26670d63890d8bdce|magnet:?dn=v2v_wdk_Resistance_Ingrid_Strobl.ogg&xt=urn%3Asha1%3A2OJYI22MNUTOAWBLMHOXNK2OGVUO5TEQhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Resistance_Ingrid_Strobl.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Redundancy - Marko PeljhanSunday, July 23 20062006-07-25T09:20+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org2372735500:15:51Ogg Theora
http://v2v.cc/v2v/show/H3XAQ44CT6OYBGELMPVQ33BTVVLRMOHT
ed2k://|file|v2v_wdk_Redundancy_Marko_Peljhan.ogg|23727355|ebe2f91341e7e70180a8a867dd2af266|magnet:?dn=v2v_wdk_Redundancy_Marko_Peljhan.ogg&xt=urn%3Asha1%3AH3XAQ44CT6OYBGELMPVQ33BTVVLRMOHThttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Redundancy_Marko_Peljhan.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Prisoner of War - Naeem MohaiemenSunday, July 23 20062006-07-25T09:00+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3715836000:19:13Ogg Theora
http://v2v.cc/v2v/show/4UHZYQZ63OUBIA5WQMRA4XZ365AEDV7C
ed2k://|file|v2v_wdk_Prisoner_of_War_Naeem_Mohaiemen.ogg|37158360|99aeb31707205483a4b0e8a0026a8a44|magnet:?dn=v2v_wdk_Prisoner_of_War_Naeem_Mohaiemen.ogg&xt=urn%3Asha1%3A4UHZYQZ63OUBIA5WQMRA4XZ365AEDV7Chttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Prisoner_of_War_Naeem_Mohaiemen.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pop Georg Seeßlen - Markus MetzSunday, July 23 2006
There is no war without pop, and there is no pop without war.2006-07-25T08:57+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org7421429900:38:34Ogg Theora
http://v2v.cc/v2v/show/YQXHEK2HMSRHXOIZW5WP4RPSEKE4FSC7
ed2k://|file|v2v_wdk_Pop_Georg_Seesslen_Markus_Metz.ogg|74214299|782f42ffcf1b9e5520d3bd482b2d7c4c|magnet:?dn=v2v_wdk_Pop_Georg_Seesslen_Markus_Metz.ogg&xt=urn%3Asha1%3AYQXHEK2HMSRHXOIZW5WP4RPSEKE4FSC7http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pop_Georg_Seesslen_Markus_Metz.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Police War - Katja DiefenbachSunday, July 23 2006
We are currently entering a hegemonic war regime dominated by strategies of preventive intervention and crisis management, and therefore subject to the logic of the police. Elements of private enterprise war, of low-intensity warfare, of counter insurgency, of biopolitical administration, and of the police state of emergency are combined and legitimated as humanitarian mission, civilian-military cooperation, or just war. This war regime follows a calculation of control and security.2006-07-25T08:56+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org6391199400:29:10Ogg Theora
http://v2v.cc/v2v/show/G3UC3XHXJGZA3JKP6AMFOUR5DWOKRUEO
ed2k://|file|v2v_wdk_Police_War_Katja_Diefenbach.ogg|63911994|7220949109714a101f7243c22e8fb8bf|magnet:?dn=v2v_wdk_Police_War_Katja_Diefenbach.ogg&xt=urn%3Asha1%3AG3UC3XHXJGZA3JKP6AMFOUR5DWOKRUEOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Police_War_Katja_Diefenbach.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Peace-for-War - Brian HolmesSunday, July 23 2006
The concept I'm going to present draws directly from the work of Shimshon
Bichler and Jonathan Nitzan. It describes the economic phases of "depth"
and "breadth," and correlates them with the first- and second-order
cybernetics of control. It attempts to situate the functions of
cultural-communicational labor within these economic phases. It questions
those autonomists who thought it would be possible to transform a broadly
expansionary phase of capitalism, like that of the nineties, into a
qualitatively different society. It’s not a polemic, but seeks to open up a
field of strategic debate. It doesn't assert a future, but observes
the unfolding of the present into the depths of violence, which has robbed
resistance movements of their potential, again. The concept is Peace-for-War.2006-07-25T08:39+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org8202454500:37:33Ogg Theora
http://v2v.cc/v2v/show/CEJUXRZ2YU5MEHVIXHE6B5EMR5S56BXJ
ed2k://|file|v2v_wdk_Peace_for_War_Brian_Holmes.ogg|82024545|815e7d2933f5ebdbdcac99d55467663a|magnet:?dn=v2v_wdk_Peace_for_War_Brian_Holmes.ogg&xt=urn%3Asha1%3ACEJUXRZ2YU5MEHVIXHE6B5EMR5S56BXJhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Peace_for_War_Brian_Holmes.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.National Anthem - Julieta ArandaSunday, July 23 20062006-07-25T08:09+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org3551402500:16:59Ogg Theora
http://v2v.cc/v2v/show/W345YL57W3NTMRFYTZ4SFBN7RQW7FHCO
ed2k://|file|v2v_wdk_National_Anthem_Julieta_Aranda.ogg|35514025|9cd6ee82a059b7d0199c83b7d8dd2f7a|magnet:?dn=v2v_wdk_National_Anthem_Julieta_Aranda.ogg&xt=urn%3Asha1%3AW345YL57W3NTMRFYTZ4SFBN7RQW7FHCOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_National_Anthem_Julieta_Aranda.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Mobilization - Akram ZaatariSunday, July 23 20062006-07-25T07:25+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5623376900:30:04Ogg Theora
http://v2v.cc/v2v/show/EVPLUT5KNOKTAKHEYU5WBK4EAVTJFDBR
ed2k://|file|v2v_wdk_Mobilization_Akram_Zaatari.ogg|56233769|01a1f3d8b7bdf3b6366bbbefdc866079|magnet:?dn=v2v_wdk_Mobilization_Akram_Zaatari.ogg&xt=urn%3Asha1%3AEVPLUT5KNOKTAKHEYU5WBK4EAVTJFDBRhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Mobilization_Akram_Zaatari.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Liberation - Ivan KucinaSaturday, July 22 20062006-07-24T22:45+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org6586446200:27:08Ogg Theora
http://v2v.cc/v2v/show/WR47MR3FOFVN327BNUKDBTVTKAYUVL2R
ed2k://|file|v2v_wdk_Liberation_Ivan_Kucina.ogg|65864462|d8cde12abc98dff8da16a3b933a674c6|magnet:?dn=v2v_wdk_Liberation_Ivan_Kucina.ogg&xt=urn%3Asha1%3AWR47MR3FOFVN327BNUKDBTVTKAYUVL2Rhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Liberation_Ivan_Kucina.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA./join #beirut - Mansur JacoubiSaturday, July 22 20062006-07-24T18:31+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org6248590200:39:29Ogg Theora
http://v2v.cc/v2v/show/EOHV6DKAHAI2CVVN25HT6GOUFDX3E5CE
ed2k://|file|v2v_wdk_join_beirut_Mansur_Jacoubi.ogg|62485902|01073652c4226e3dc9aa7f58aaf3802e|magnet:?dn=v2v_wdk_join_beirut_Mansur_Jacoubi.ogg&xt=urn%3Asha1%3AEOHV6DKAHAI2CVVN25HT6GOUFDX3E5CEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_join_beirut_Mansur_Jacoubi.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Discipline - Ulrich BroecklingSaturday, July 22 2006
disciplining in order to fight is "hot" - it mobilizes, transgresses and fuels the passions. Disciplining in order to effectively use force is "cold" - it controls, regularizes, and curbs the affects. The mix ratio is changing and the history of military disciplining can be described as a change between rather "hot" and rather "cold" epochs.2006-07-24T18:09+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org4484869900:24:09Ogg Theora
http://v2v.cc/v2v/show/ECXQW7OKLOVHO3HEU4COXKLA5OMKZ3VX
ed2k://|file|v2v_wdk_Discipline_Ulrich_Broeckling.ogg|44848699|245afcacecda1330b3c972788fa3c4d7|magnet:?dn=v2v_wdk_Discipline_Ulrich_Broeckling.ogg&xt=urn%3Asha1%3AECXQW7OKLOVHO3HEU4COXKLA5OMKZ3VXhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Discipline_Ulrich_Broeckling.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Desertion - Avery GordonSaturday, July 22 20062006-07-24T17:24+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5472630200:24:15Ogg Theora
http://v2v.cc/v2v/show/OLEFGL4RVVAII6LZKT443EIJ2L566MJT
ed2k://|file|v2v_wdk_Desertion_Avery_Gordon.ogg|54726302|6b8b43674e7be55355c4956ffb82113f|magnet:?dn=v2v_wdk_Desertion_Avery_Gordon.ogg&xt=urn%3Asha1%3AOLEFGL4RVVAII6LZKT443EIJ2L566MJThttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Desertion_Avery_Gordon.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Defeat, for the - Nora SternfeldSaturday, July 22 2006
At 12 o'clock on April 8, 2005, in the Ostarrichi-Park in front of the Landesgericht (the regional court), a temporary monument to the defeat was unveiled that triggered a debate on the process of denazification and made an issue of the fact that this process was still unfinished today. The eight-sided object was conceived as a monumental plinth and it measured 2 meters in height and had a circumference of 11 meters.2006-07-24T16:45+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org5629349900:27:17Ogg Theora
http://v2v.cc/v2v/show/3UVYIFIYDIEH6QDEGQ7FRTGSIGTPDMMS
ed2k://|file|v2v_wdk_Defeat,_for_the_Nora_Sternfeld.ogg|56293499|4e9770ec668384cc73c5f0b85a5387e1|magnet:?dn=v2v_wdk_Defeat%2C_for_the_Nora_Sternfeld.ogg&xt=urn%3Asha1%3A3UVYIFIYDIEH6QDEGQ7FRTGSIGTPDMMShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Defeat,_for_the_Nora_Sternfeld.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Declaration of War - andcompany co.Saturday, July 22 2006
andcompany & Co. Feat. Alexander Karschnia, Nicola Nord, Sascha Sulimma & Co.
In their lecture performance KRIEGSERKLÄRUNG they will explain and declare war at the same time, talking in stolen words, quotes borrowed from John L. Austin until Vladimir I. Lenin. For supplementary reading please check out the text "Die Kriegserklärung " by Karl Marx http://www.mlwerke.de/me/me10/me10_168.htm2006-07-24T16:17+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4207971500:18:54Ogg Theora
http://v2v.cc/v2v/show/ZRQN2SVZUUUZZ2HDLW5QWZ5DKSKY4B76
ed2k://|file|v2v_wdk_Declaration_of_War_andcompany_co.ogg|42079715|858dad0dd12450ee7980fb1514e7e126|magnet:?dn=v2v_wdk_Declaration_of_War_andcompany_co.ogg&xt=urn%3Asha1%3AZRQN2SVZUUUZZ2HDLW5QWZ5DKSKY4B76http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Declaration_of_War_andcompany_co.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Camp - Manuel HerzSaturday, July 22 20062006-07-24T15:36+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5610256100:28:31Ogg Theora
http://v2v.cc/v2v/show/UQNDZFVN67G4HXGTNTRSOVWPCV5MECVJ
ed2k://|file|v2v_wdk_Camp_Manuel_Herz.ogg|56102561|d6ab6cf6d72bb1fe5e77fad683665b54|magnet:?dn=v2v_wdk_Camp_Manuel_Herz.ogg&xt=urn%3Asha1%3AUQNDZFVN67G4HXGTNTRSOVWPCV5MECVJhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Camp_Manuel_Herz.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Camouflage - Stefan RömerSaturday, July 22 2006
Der traditionell militärische Begriff der "Camouflage" galt bisher immer als nationale Repräsentation. Zur Camouflage bringe ich einen anderen militärischen Begriff: das Flaggezeigen, das zur Fußball-WM 2006 andere Konnotationen in den neuerdings privatisierten und korporatisierten Öffentlichkeiten erhielt. So gegensätzlich die beiden Methoden in ihrer Intention sind, so scheinen sie als kulturelle Praktiken doch demselben Repräsentationssystem zu dienen. Beide erscheinen in einer einzigen Konstellation, wenn von Piraterie gesprochen wird. Kann dies einen neuen Handlungsraum für nicht repräsentative Praktiken eröffnen?2006-07-24T15:16+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org4197825100:21:50Ogg Theora
http://v2v.cc/v2v/show/CZ3FZA4GEU67A25YR3HE3HMKJDG225DP
ed2k://|file|v2v_wdk_Camouflage_Stefan_Roemer.ogg|41978251|e3fa05307a6790b8670879afd63d1532|magnet:?dn=v2v_wdk_Camouflage_Stefan_Roemer.ogg&xt=urn%3Asha1%3ACZ3FZA4GEU67A25YR3HE3HMKJDG225DPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Camouflage_Stefan_Roemer.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lone Twin: "Walk with me..."Lecture Performance by Lone Twin (GB), March 24th 2006 in Frankfurt. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2006-07-23T18:38+00:00en2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de11165237501:12:47Ogg Theora
http://v2v.cc/v2v/show/OYQTIK5IWA6VP7LEQFAWEKNOMK7NUAVR
ed2k://|file|v2v_ut_lonetwin.ogg|111652375|b228609544811f71782de5cd4d513fa8|magnet:?dn=v2v_ut_lonetwin.ogg&xt=urn%3Asha1%3AOYQTIK5IWA6VP7LEQFAWEKNOMK7NUAVRhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_lonetwin.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Martin Nachbar: "Ausflug"Lecture Performance by Martin Nachber, February 16rd, 2005, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2006-07-23T18:29+00:00de2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de9670106800:49:53Ogg Theora
http://v2v.cc/v2v/show/QTIYXP47SHCCF2H53ZUXUWLTIAMGX3N5
ed2k://|file|v2v_ut_nachbar.ogg|96701068|92bf62cee35291d37f2723d737979b5f|magnet:?dn=v2v_ut_nachbar.ogg&xt=urn%3Asha1%3AQTIYXP47SHCCF2H53ZUXUWLTIAMGX3N5http://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_nachbar.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Amphetamine - Hans-Christian DanySaturday, July 22 20062006-07-23T17:42+00:00de2006DICTIONARY OF WARhttp://dictionaryofwar.org4637392700:16:15Ogg Theora
http://v2v.cc/v2v/show/SD6KUCOOQXF72TNVAMV7KWVUVWFIEWZS
ed2k://|file|v2v_wdk_Amphetamine_Hans-Christian_Dany.ogg|46373927|c4c461c9f8592284e3bcfbda4f5d495a|magnet:?dn=v2v_wdk_Amphetamine_Hans-Christian_Dany.ogg&xt=urn%3Asha1%3ASD6KUCOOQXF72TNVAMV7KWVUVWFIEWZShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Amphetamine_Hans-Christian_Dany.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Exergue - Eyal WeizmanSaturday, July 22
Eyal Weizman, israeli architect is going to formulate an "exergue" that will deal with the actual situation and build a connection to the first edition in Frankfurt.2006-07-23T11:20+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org12244649200:46:10Ogg Theora
http://v2v.cc/v2v/show/ACDR6ZBORDHFTR2TKBJYYPBPTSHECILO
ed2k://|file|v2v_wdk_Exergue_Eyal_Weizman.ogg|122446492|539024bd8f49ce70cf844afceef983eb|magnet:?dn=v2v_wdk_Exergue_Eyal_Weizman.ogg&xt=urn%3Asha1%3AACDR6ZBORDHFTR2TKBJYYPBPTSHECILOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Exergue_Eyal_Weizman.torrentThis work is licensed under the Creative Commons
Attribution-ShareAlike 2.5 License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-sa/2.5/
or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The CUTThe Cut (2006) is a circa twenty minute video that condenses two years of research on the history of the John Huston film Freud the Secret Passion. Rather than present a linear history of the film, The Cut attempts to fill the gaps with fictional scenes that question the possibility of representing history and historical figures.
Freud the Secret Passion (1961), starring Montgomery Clift, Larry Parks and Susannah York, is a little-known biographical film that presents the discovery of psychoanalysis as a kind of detective story. The screenplay was based on a long, complex scenario written by Jean-Paul Sartre and subsequently rewritten by a series of Hollywood screenwriters. Working through the layers of material left out, erased, forgotten and repressed, another narrative emerges – a narrative that deals with the traces of Freud within the popular imagination, with fiction, memory, and history, and with the unavoidable complexities of translation and communication.2006-06-08T09:24+00:00en2006Geoffrey Garrisongeoffrey.garrison@gmail.comhttp://3244912300:19:50Ogg Theora
http://v2v.cc/v2v/show/XBYDV77URWN422KXMWVTLTLIZR7ZKZKC
ed2k://|file|letterbox.ogg|32449123|dcc5a7d01891a6ba6eee549384999f3f|magnet:?dn=letterbox.ogg&xt=urn%3Asha1%3AXBYDV77URWN422KXMWVTLTLIZR7ZKZKChttp://v2v.cc/sites/v2v.cc/files/torrents/letterbox.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Flexibility [Eyal Weizman]Friday, June 2 19:00 - 19:302006-06-06T09:55+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4984662400:36:19Ogg Theora
http://v2v.cc/v2v/show/4XG3KO5XMJNTYX5I2FYOT2YD3VB4OE3D
ed2k://|file|v2v_wdk_Flexibility_Eyal_Weizman.ogg|49846624|517797fe48d61cc024855a7ad1e1be5b|magnet:?dn=v2v_wdk_Flexibility_Eyal_Weizman.ogg&xt=urn%3Asha1%3A4XG3KO5XMJNTYX5I2FYOT2YD3VB4OE3Dhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Flexibility_Eyal_Weizman.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Weather [Dietmar Dath]Saturday, June 3 21:30 - 21:50
AND THE RAIN RAINED EVERY DAY.2006-06-05T20:40+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3646615500:17:14Ogg Theora
http://v2v.cc/v2v/show/YVDG7K6JTMZ5VREXBWJH5WRDANA7LFWP
ed2k://|file|v2v_wdk_Weather_Dietmar_Dath.ogg|36466155|af1bde1cd87d8e3738e99c6ca23aa080|magnet:?dn=v2v_wdk_Weather_Dietmar_Dath.ogg&xt=urn%3Asha1%3AYVDG7K6JTMZ5VREXBWJH5WRDANA7LFWPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Weather_Dietmar_Dath.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Trip [Anselm Franke]Saturday, June 3 21:00 - 21:20
Movements in space and movements of the mind: The trip as the mobilisation of empathy, mimesis and sympathetic magic; between depression and delirium. From Joseph Conrad's outposts to todays checkpoints. From the Gates of Perception to cinematic gestures and sovereign continuity.2006-06-05T20:39+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5235565900:21:26Ogg Theora
http://v2v.cc/v2v/show/OUZ5HRVPDACXFRX4NLZLEBLOSCGANUEU
ed2k://|file|v2v_wdk_Trip_Anselm_Franke.ogg|52355659|19d0e97e97463e06cb7f97d81ca73e89|magnet:?dn=v2v_wdk_Trip_Anselm_Franke.ogg&xt=urn%3Asha1%3AOUZ5HRVPDACXFRX4NLZLEBLOSCGANUEUhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Trip_Anselm_Franke.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Transfer [Apsolutno]Saturday, June 3 20:30 - 20:50
In this video piece, Association Apsolutno presents the view of the Balkans from the outside as a view which is not direct, but rather mediated through a filter of technology and media representations, based on various assumptions.2006-06-05T20:38+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org1676484200:06:42Ogg Theora
http://v2v.cc/v2v/show/BQRFQZDVUV7FLP5BAICDPQTOSJZYGKLJ
ed2k://|file|v2v_wdk_Transfer_Apsolutno.ogg|16764842|b18d0c0a6fcf0b500f7064218806c818|magnet:?dn=v2v_wdk_Transfer_Apsolutno.ogg&xt=urn%3Asha1%3ABQRFQZDVUV7FLP5BAICDPQTOSJZYGKLJhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Transfer_Apsolutno.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Timescapes [Angela Melitopolous]Saturday, June 3 20:00 - 20:20
Timescapes/B-Zone (Becoming Europe Zone) is a collaborative, non-linear video editing project investigating techniques of narration against the power politics of the segmentation of memory and communication located in a (post-) war zone where state politics concerning migration and mobility are thought of as warfare.2006-06-05T20:37+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5894773900:35:35Ogg Theora
http://v2v.cc/v2v/show/APKVRFKU4CQYW4YJL2VRZAPQOM6RAVFY
ed2k://|file|v2v_wdk_Timescapes_Angela_Melitopolous.ogg|58947739|fb4f553045272732eb33610ca5833a75|magnet:?dn=v2v_wdk_Timescapes_Angela_Melitopolous.ogg&xt=urn%3Asha1%3AAPKVRFKU4CQYW4YJL2VRZAPQOM6RAVFYhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Timescapes_Angela_Melitopolous.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Throne of Blood - moving forest [Shu Lea Cheang]Saturday, June 3 19:30 - 19:50
Kurosawa's "Throne of Blood" (1957) based on Macbeth was originally titled
"SpiderWeb Castle" - tales of ambition ridden lord Washizu (played by
Toshiro Mifune) and his vicious lady (played by Isuzu Yamada) set in
medieval Japan.
Lord Washizu was driven to his downfall following an encounter with a
witch in the SpiderWeb forest.
" You will never lose a single battle,
unless the spider web forest begins to move
and approaches the castle."
advises the witch to the bewildered Washizu.
What follows is the classical plot of betrayal schemes that lead to the
final insurgence of Washizu's own archers while the revenging troops
marching with tree branches as camouflage towards the castle.
Take off from the final scene of "Throne of Blood",I propose a project
"moving forest" . The SpiderWeb forest transformed into the deep web
forest. The revolt arrives from within. The central power is the imaginary
one. The oppositon is AMONG us. The central is AMONG us. Moving forest of
today is a forest of wifi transmitter fed on public wireless, moving
within the city jungle towards a power deprived central. Moving
forest is to be developed as a
(global)citywide wifi mobile operatic manoeuver sound event,
orchestrated yet asynchronized.2006-06-05T20:36+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org7778693000:33:54Ogg Theora
http://v2v.cc/v2v/show/VPROIFK2BLXOVSBM56WLTWHBYYKTNXBG
ed2k://|file|v2v_wdk_Throne_of_Blood_Shu_Lea_Cheang.ogg|77786930|0926e0c5690694e69c95889ccbc0f2f6|magnet:?dn=v2v_wdk_Throne_of_Blood_Shu_Lea_Cheang.ogg&xt=urn%3Asha1%3AVPROIFK2BLXOVSBM56WLTWHBYYKTNXBGhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Throne_of_Blood_Shu_Lea_Cheang.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Theatre of Operations [Celine Condorelli]Saturday, June 3 19:00 - 19:20
Proposal for a theatre of operations for the dictionary of war. Drawing package, references, materials.
"It was recognized that the chronologic development of these elements would vary from theater to theater. In theaters where a long buildup period was possible, a fairly elaborate system of communications zone sections or bases would develop well in advance of the rest of the theater elements."2006-06-05T20:35+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org2538392800:13:43Ogg Theora
http://v2v.cc/v2v/show/UD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3
ed2k://|file|v2v_wdk_Theatre_of_Operations_Celine_Condorelli.ogg|25383928|45bf0d6b84809ea4db2d27cb4dd00789|magnet:?dn=v2v_wdk_Theatre_of_Operations_Celine_Condorelli.ogg&xt=urn%3Asha1%3AUD2AAQNFBLOXWGF6HFPBSSBNKCSVFXA3http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Theatre_of_Operations_Celine_Condorelli.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Struggle for Ideas [Jan Ritsema]Saturday, June 3 18:30 - 18:502006-06-05T20:34+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org2737399400:16:10Ogg Theora
http://v2v.cc/v2v/show/CXV6C6K5KGTGMLYSYPMBNX4KBGTBELMH
ed2k://|file|v2v_wdk_Struggle_for_Ideas_Jan_Ritsema.ogg|27373994|9117f2c9a875ec16b0451d87bb58d6c1|magnet:?dn=v2v_wdk_Struggle_for_Ideas_Jan_Ritsema.ogg&xt=urn%3Asha1%3ACXV6C6K5KGTGMLYSYPMBNX4KBGTBELMHhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Struggle_for_Ideas_Jan_Ritsema.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Sound Weapon [Battery Operated]Saturday, June 3 18:00 - 18:202006-06-05T20:33+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org6579991200:30:47Ogg Theora
http://v2v.cc/v2v/show/TI7CJF5BH2IRVXSUO2NIOECQCY5IM5A5
ed2k://|file|v2v_wdk_Sound_Weapon_Battery_Operated.ogg|65799912|7763088b5cb346452aeb4bf53401a719|magnet:?dn=v2v_wdk_Sound_Weapon_Battery_Operated.ogg&xt=urn%3Asha1%3ATI7CJF5BH2IRVXSUO2NIOECQCY5IM5A5http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Sound_Weapon_Battery_Operated.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Rhizomic Maneuver [Shimon Naveh]Saturday, June 3 17:00 - 17:30
Rhizomic Maneuver is an emergent logic and form of maneuver, that divers from the traditional paradigm. Rhizomic Maneuver is based on disorder, complex geometry, a different epistemology, a different kind of learning. Unlike the industrial manoeuver which is idealistic, rhizomic maneuver is heretical.2006-06-05T20:31+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org12388056500:52:07Ogg Theora
http://v2v.cc/v2v/show/U3CACWOQBLHCZQTIFGNYUY7VR3AS3HDS
ed2k://|file|v2v_wdk_Rhizomic_Maneuver_Shimon_Naveh.ogg|123880565|ecd7d336768fe2b7d0a7eb0adc1b0e49|magnet:?dn=v2v_wdk_Rhizomic_Maneuver_Shimon_Naveh.ogg&xt=urn%3Asha1%3AU3CACWOQBLHCZQTIFGNYUY7VR3AS3HDShttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Rhizomic_Maneuver_Shimon_Naveh.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Relatively Calm [Mansur Jacoubi]Saturday, June 3 16:30 - 16:55
"Instead of calming the situation, the army shot at people for no reason... We are trying to calm the situation on both sides and I believe that we have almost succeeded. But the protesters are extremely angry. Some of their friends are dead and they are furious."
- Member of the Lebanese Parliament explaining the situation after the shooting of protesters in May 20042006-06-05T20:30+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5220400500:25:16Ogg Theora
http://v2v.cc/v2v/show/LRSYKFGY27Q2VJGXMAPKVDOMYDNJ6ZJD
ed2k://|file|v2v_wdk_Relatively_Calm_Mansur_Jacoubi.ogg|52204005|6b9cd332d777101f5537dadcc87986e2|magnet:?dn=v2v_wdk_Relatively_Calm_Mansur_Jacoubi.ogg&xt=urn%3Asha1%3ALRSYKFGY27Q2VJGXMAPKVDOMYDNJ6ZJDhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Relatively_Calm_Mansur_Jacoubi.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Pack [Hans Nieswandt]Saturday, June 3 16:00 - 16:25
Es gibt einen Einsatz. Man wird irgendwo ein- und wieder ausgeflogen. Das schwere Marschgepäck muss gepackt werden. Da muss jedes Detail stimmen und jeder Handgriff sitzen, damit man später auf jeden Fall die Stellung halten kann in seinem Nest.2006-06-05T20:29+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3834616600:16:21Ogg Theora
http://v2v.cc/v2v/show/E3UIGPTOQYYAUSBIUUXRQQTMKBVR36XN
ed2k://|file|v2v_wdk_Pack_Hans_Nieswandt.ogg|38346166|7287f899a9bbdba72688bab8d88385a8|magnet:?dn=v2v_wdk_Pack_Hans_Nieswandt.ogg&xt=urn%3Asha1%3AE3UIGPTOQYYAUSBIUUXRQQTMKBVR36XNhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Pack_Hans_Nieswandt.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Neutrality [John Palmesino]Saturday, June 3 15:30 - 16:00
Two points seem to be particularly interesting when we think of neutrality as a mean to manage postcocolonial, ethnic, racial, gender, political, social, military, technological, cultural transitions, as a dispositf of change of the contemporary space, tuned to balance the conflictual forces that flare up in almost every human settlement. First of all, in constructing an overview of contemporary human settlements, we are thinking of a world without borders, a world whose parts have become increasingly plugged into each other, and which today is completely cordless at every turn, in which we have migrations of an endless kind almost at every point of the world. The second point is that the implementation of this borderless world is accompanied by an intermingled and entangled overlapping of logistic supply networks, buffer zones, enclaves, extraterritorial bases. Wherever these transitions are occurring, new principles have been theorised to examine the nature of war and contemporary transformation processes. Today, not to have a policy, not to stand for something, not to take part, not to participate, to be a-political is becoming more and more a difficult, contrasted, almost immoral condition. Yet it might be in these very difficulties that to be neutral acquires a novel significance.2006-06-05T20:27+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4177708400:22:16Ogg Theora
http://v2v.cc/v2v/show/MQWDSDMGKVVWWYEG5F4A3SIVXFKGZAW2
ed2k://|file|v2v_wdk_Neutrality_John_Palmesino.ogg|41777084|b162e4f7d6243d4a2c7ff3ec8ec01da7|magnet:?dn=v2v_wdk_Neutrality_John_Palmesino.ogg&xt=urn%3Asha1%3AMQWDSDMGKVVWWYEG5F4A3SIVXFKGZAW2http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Neutrality_John_Palmesino.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.NATO [Srdjan Jovanovic Weiss + Katherine Carl]Saturday, June 3 15:00 - 15:30
On NATO's misunderstanding of cultural history and its effects on the decision to bomb certain buildings in Belgrade.2006-06-05T20:25+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org5903868500:37:55Ogg Theora
http://v2v.cc/v2v/show/YA33MLKAMVFZ75BQY37FZOCLELNDUWPR
ed2k://|file|v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_+_Katherine_Carl.ogg|59038685|801cd7a39ac311970dae0feef017607f|magnet:?dn=v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_%2B_Katherine_Carl.ogg&xt=urn%3Asha1%3AYA33MLKAMVFZ75BQY37FZOCLELNDUWPRhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_NATO_Srdjan_Jovanovic_Weiss_+_Katherine_Carl.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Manhood [Willem de Rooij]Saturday, June 3 14:30 - 15:00
"Representing manhood in the American war against terror: Pat Tillman and Scott Helvenston": Both Tillman and Helvenston played out traditional masculine roles in American public life before enlisting for combat in Afghanistan and Iraq. The events that followed would colour the personas they had constructed earlier.2006-06-05T20:24+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org7238933700:38:24Ogg Theora
http://v2v.cc/v2v/show/6I4TGVQIBIU2LLKEYVYFVPNCPXWHPIJH
ed2k://|file|v2v_wdk_Manhood_Willem_de_Rooij.ogg|72389337|dba26ab7debd39ac22f0aa1d6ecdcde9|magnet:?dn=v2v_wdk_Manhood_Willem_de_Rooij.ogg&xt=urn%3Asha1%3A6I4TGVQIBIU2LLKEYVYFVPNCPXWHPIJHhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Manhood_Willem_de_Rooij.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Mine [Thomas Plischke + Kattrin Deufert]Friday, June 2 21:00 - 21:20
The video proposes a sensual study on the fragmented self. The I as container can not contain itself. Selfcontainment is an unfinishable process of oneself being there for the first time and placing yourself and being placed in a constructed historical order. If I was you who were you then? The video is based on Gherasim Luca's "The Inventor of Love".2006-06-05T20:23+00:002006DICTIONARY OF WARhttp://dictionaryofwar.org3012163600:13:01Ogg Theora
http://v2v.cc/v2v/show/2DQ246CG2WLIEHC3RTAAFKQJVCLDYL2I
ed2k://|file|v2v_wdk_Mine_Thomas_Plischke_+_Kattrin_Deufert.ogg|30121636|19f26178185764b6dad706f6c0c3cd4e|magnet:?dn=v2v_wdk_Mine_Thomas_Plischke_%2B_Kattrin_Deufert.ogg&xt=urn%3Asha1%3A2DQ246CG2WLIEHC3RTAAFKQJVCLDYL2Ihttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Mine_Thomas_Plischke_+_Kattrin_Deufert.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Luftraum [Christof Kurzmann]Friday, June 2 20:30 - 21:00
when the iraq war started i made a composition called "the air between". a work about powerlessness. now, quite some time later, and with the images of the war distributed by cnn, bbc, ... i examine what's left of the emotions. how do i/we remember?2006-06-05T20:22+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org2780965800:12:13Ogg Theora
http://v2v.cc/v2v/show/EM7V6GOFTDUAMMI6KL2TNHCGFU7EFDMU
ed2k://|file|v2v_wdk_Luftraum_Christof_Kurzmann.ogg|27809658|7204d2aed53f92d251bcd21e7a62cec3|magnet:?dn=v2v_wdk_Luftraum_Christof_Kurzmann.ogg&xt=urn%3Asha1%3AEM7V6GOFTDUAMMI6KL2TNHCGFU7EFDMUhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Luftraum_Christof_Kurzmann.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Life Support [Carl Michael von Hausswolff + Thomas Nordanstad]Friday, June 2 20:00 - 20:252006-06-05T20:21+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org1343081600:13:48Ogg Theora
http://v2v.cc/v2v/show/XXG2H4TQV4CFNMFZYUHJQDCYPQU4IFKG
ed2k://|file|v2v_wdk_Life_Support_Carl_Michael_von_Hausswolff_+_Thomas_Nordanstad.ogg|13430816|9237aea0a97ac019c82da745fa2a12f1|magnet:?dn=v2v_wdk_Life_Support_Carl_Michael_von_Hausswolff_%2B_Thomas_Nordanstad.ogg&xt=urn%3Asha1%3AXXG2H4TQV4CFNMFZYUHJQDCYPQU4IFKGhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Life_Support_Carl_Michael_von_Hausswolff_+_Thomas_Nordanstad.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Kriegsmaschine / War Machine [Nicolas Siepen]Friday, June 2 19:30 - 20:00
A montage of two kinds of montage, two types of assembling images
about, in between, beyond, as a war machine within the images
themselves. A fine line between love and hate: 1. Jean Genets »Un chant
d’amour« (A love Song) – how to make love through a wall and que(e)r it
(smoke). 2. The Godard/Gorin/Mieville machine »Ici et Ailleure« (Here
and Elsewhere) – how to use a two-image-assembly to ruin the war
montage itself - are we not mature to read an Image yet? (Fascism)2006-06-05T20:20+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org2530177700:16:24Ogg Theora
http://v2v.cc/v2v/show/RU3APMQ5KVZAJ7LUNA6IFRZZXNGIJ4SQ
ed2k://|file|v2v_wdk_Kriegsmaschine_Nicolas_Siepen.ogg|25301777|62f90d4f081f96626169763cf64e6ec7|magnet:?dn=v2v_wdk_Kriegsmaschine_Nicolas_Siepen.ogg&xt=urn%3Asha1%3ARU3APMQ5KVZAJ7LUNA6IFRZZXNGIJ4SQhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Kriegsmaschine_Nicolas_Siepen.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Feathermen [Azza El-Hassan]Friday, June 2 18:30 - 19:002006-06-05T20:18+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org5502464300:25:20Ogg Theora
http://v2v.cc/v2v/show/M26SPDJH5VUZNOXKAIPGL2XFMBKWGBII
ed2k://|file|v2v_wdk_Feathermen_Azza_El-Hassan.ogg|55024643|6acd7889e09f57dadf8ac6c1ad166cee|magnet:?dn=v2v_wdk_Feathermen_Azza_El-Hassan.ogg&xt=urn%3Asha1%3AM26SPDJH5VUZNOXKAIPGL2XFMBKWGBIIhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Feathermen_Azza_El-Hassan.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Denkfabrik/Think Tank [Dan Perjovschi]Friday, June 2 18:00 - 18:05
=/°\2006-06-05T20:17+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org1254967100:05:43Ogg Theora
http://v2v.cc/v2v/show/243HDK3WD2CRGXM6IVI3GC52VUGUCUD7
ed2k://|file|v2v_wdk_Denkfabrik_ThinkTank_Dan_Perjovschi.ogg|12549671|f9f6889bd398bc6d3025ed8a67cf4865|magnet:?dn=v2v_wdk_Denkfabrik_ThinkTank_Dan_Perjovschi.ogg&xt=urn%3Asha1%3A243HDK3WD2CRGXM6IVI3GC52VUGUCUD7http://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Denkfabrik_ThinkTank_Dan_Perjovschi.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Conflicted/Inflicted [Susan Schuppli]Friday, June 2 17:30 - 17:55
"Conflicted/Inflicted" is a video based upon a found telephone answering machine tape belonging to someone named Linda. As we listen to the audio, the crisis and tensions in her life are slowly revealed.2006-06-05T20:16+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4383368500:20:50Ogg Theora
http://v2v.cc/v2v/show/FZFYY2ZASISYHEHSNZMCLEAUQIB6OLAX
ed2k://|file|v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.ogg|43833685|8846c3d7b1be871bdaf1fbff13786116|magnet:?dn=v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.ogg&xt=urn%3Asha1%3AFZFYY2ZASISYHEHSNZMCLEAUQIB6OLAXhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Conflicted_Inflicted_Susan_Schuppli.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Comrade [International Festival]Friday, June 2 17:00 - 17:15
I declare war on damaged hair and split-ends.
Victory! Because I'm worth it.
- Kate Moss for L'Oreal2006-06-05T20:15+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org2915387300:11:34Ogg Theora
http://v2v.cc/v2v/show/AIQLHMSAWPGO3QDSTYMOI25GS7PANSSW
ed2k://|file|v2v_wdk_Comrade_International_Festival.ogg|29153873|1f8d41bc706df2ff35a33d0bddd3d7fa|magnet:?dn=v2v_wdk_Comrade_International_Festival.ogg&xt=urn%3Asha1%3AAIQLHMSAWPGO3QDSTYMOI25GS7PANSSWhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Comrade_International_Festival.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Arms Race, Architectural [Ines Weizman]Friday, June 2 16:30 - 16:55
An architectural arms race is a competition between two or more countries for supremacy through the means of architecture and urbanism. Each party competes to produce architectural imagery or concrete built form to achieve a relative gain over the other. Such gain could be accounted for either symbolically, or physically interfering with urban practices in the country of the opponent.2006-06-05T19:58+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org4398576800:24:54Ogg Theora
http://v2v.cc/v2v/show/EKKTTDLRCELJQ66HJ2GU36RPV7IJFV7E
ed2k://|file|v2v_wdk_Arms_Race,_Architectural_Ines_Weizman.ogg|43985768|4547d0eb255d1baee66a573f95c597df|magnet:?dn=v2v_wdk_Arms_Race%2C_Architectural_Ines_Weizman.ogg&xt=urn%3Asha1%3AEKKTTDLRCELJQ66HJ2GU36RPV7IJFV7Ehttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Arms_Race,_Architectural_Ines_Weizman.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Exergue [Irit Rogoff]Friday, June 2 16:00 - 16:152006-06-05T19:44+00:00en2006DICTIONARY OF WARhttp://dictionaryofwar.org3572933200:17:19Ogg Theora
http://v2v.cc/v2v/show/RZVXKQVGE22HCRTGJ5UFC7EWN77HFNIT
ed2k://|file|v2v_wdk_Exergue_Irit_Rogoff.ogg|35729332|67b7014497ed82db0b8b77ba262370e1|magnet:?dn=v2v_wdk_Exergue_Irit_Rogoff.ogg&xt=urn%3Asha1%3ARZVXKQVGE22HCRTGJ5UFC7EWN77HFNIThttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_wdk_Exergue_Irit_Rogoff.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Rog - Smo zacasni / We are temporarySaturday 25th of March 2006 marked the start of the initiative to open the abandoned bicycle factory Rog for temporary use, with the intent to carry out non-profit, non-established activities on its premises. It is not a classic occupation of space, but a temporary alteration of its purposes. The 7000 square meter large factory - owned by the City of Ljubljana (MOL) - has already been left to decay for 15 years. As long as MOL doesn't develop and begin implementing a clear strategy to solve the problem of these empty premises, we self-initiatively wish to open it to all individuals and groups engaged in the non-profit sector, for the realization of independent production of cultural and social content.
Rog - Smo zacasni / We are temporary is a documentary made by the temporary users of the factory Rog premises.2006-06-02T14:54+00:002006http://tovarna.org/17255365600:23:07Ogg Theora
http://v2v.cc/v2v/show/4QGJ2WMWPK77DDLBX6H7SW62MSHNYKD5
ed2k://|file|ROG_-_smo_zacasni_-_we_are_temporary_-_documentary.ogg|172553656|3ed59f95167fc2bbb1398a3047cd7067|magnet:?dn=ROG_-_smo_zacasni_-_we_are_temporary_-_documentary.ogg&xt=urn%3Asha1%3A4QGJ2WMWPK77DDLBX6H7SW62MSHNYKD5http://v2v.cc/sites/v2v.cc/files/torrents/ROG_-_smo_zacasni_-_we_are_temporary_-_documentary.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Shigeru Ban Talks in Stockholm"Even in disaster areas, I want to create beautiful buildings,this is what it means to build a monument for common people"
Shigeru Ban gives in this talk at the Museum of Architecture in Stockholm an overview of his practice and his interest in specific materials and extraordinary conditions for architectural creation.
Shigeru Ban is one of the central characters in architecture today due is specific relation to material and innovative approach to residential areas and humanitarian projects.
Shigeru Ban offers in this lecture a context to his contributions to architecture through the use of unconventional building materials still achieving formal elegance and economical efficiency.
See further http://en.wikipedia.org/wiki/Shigeru_Ban.
International Festival proudly presents the first downloadable lecture out of many which will be collected on v2v sites as well as on www.international-festival.org and www.thetheatre.eu2006-05-19T16:15+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org9983791501:14:48Ogg Theora
http://v2v.cc/v2v/show/HROW5NHB7BA2JS27EEBOA666JBGUCZCU
ed2k://|file|shigeru_ban.ogg|99837915|d2d40fd088f52948f6c96f256ade2f1c|magnet:?dn=shigeru_ban.ogg&xt=urn%3Asha1%3AHROW5NHB7BA2JS27EEBOA666JBGUCZCUhttp://v2v.cc/sites/v2v.cc/files/torrents/shigeru_ban.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Contre-feux 5 - Communiqué viseul 5FOR THE SUPPORT OF THE 9EME COLLECTIF DES SANS-PAPIERS
FOR THE IMMEDIATE LIBERATION OF LASSANA C. AND NIAME D.,
FOR THE WITHDRAWAL OF THE BILL ON IMMIGRATION (CESEDA), AND OF THE CIRCULAR OF FEBRUARY 21, 2006, FOR THE IMMEDIATE HALT OF THE RAIDS,
AND PEOPLE SAYS NO PRODUCTION
Presents
CONTRE-FEUX (A visual communiqué 5)
Realised by Lars Ivy GOGEEN (S1G)
Lassana C., Niame D., are currently in a detention center. What is their fault ? To be foreigners. To be without papers.
Their ARREST on the spot of their dwelling makes sign towards the most absolute arbitrary and informs us about the state of our "democracies" : Raids, emergency state, covers fire, development of a new bill (CESEDA), diffusion of a circular on February 21, 2006 for better stopping the people of foreign origin...
This film tries to show and denounce the logics which underlie these policies : to foreigners is reserved the sempiternal posture of the SCAPEGOAT. The fact that the popular and average classes are impoverished tirelessly, that employment becomes a rare good and that unemployment marks with red iron the whole of the generations, that the richnesses are not redistributed any more to the greatest number..., would be ascribable to an immigration allegedly "undergone". By making immigration and people without-papers an ELECTORAL STAKE of first scale, the government does nothing but divert and distract the French population from major problems and which engage its becoming. A war is thus carried out. A social war. A racial war. It does not save and will not save anybody. Everyone is concerned. This film calls the population to fight against these iniquitous policies and claims the liberation of the two prisoners.2006-05-01T22:59+00:002006Lars Ivy GOGEENsgg@no-log.orghttp://pajol.eu.org9316102400:17:18Ogg Theora
http://v2v.cc/v2v/show/VO54ZSHI4DQZHPEVHOUIQBO35SGVRDX3
ed2k://|file|contrefeux5.ogg|93161024|b31154c9baf6d9866576a24ed22f110e|magnet:?dn=contrefeux5.ogg&xt=urn%3Asha1%3AVO54ZSHI4DQZHPEVHOUIQBO35SGVRDX3http://v2v.cc/sites/v2v.cc/files/torrents/contrefeux5.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.De-regulation: Kutlug Ataman and Irit Rogoff in conversationThe video shows a slightly edited recording of the conversation between the theorist Irit Rogoff and the artist Kutlug Ataman. It was held at the occasion of the opening of the exhibition curated by Rogoff "De-regulation with the work of Kutlug Ataman" which is shown in MUHKA Antwerp, from March 16 till May 28 2006.
The exhibition project brings together a body of work by the contemporary Istanbul/London based Turkish artist, Kutlug Ataman including 7 multiple and single screen installations by Ataman: Never My Soul, Vicious Circle, Twelve, 1 + 1 = 1, TV Room, Martin is Asleep, and Women Who Wear Wigs. This is the first time a range of works by this innovative artist have been assembled together in continental Europe.
The exhibition created an open field which collates many materials; a visual essay by the German artist and theorist Stefan Roemer, Istanbul based theorist Nermin Saybasili has gathered together an archive of wedding culture among the many different ethnic groups in the city, while London based academic and conceptualiser of the exhibition Irit Rogoff has assembled film posters from Turkey’s rich film culture and numerous images of Ataturk, which are a prevalent feature of the Istanbul urban landscape.2006-04-09T07:20+00:00en2006KEIN.TVinfo@kein.orghttp://www.de-regulation.org8714910100:46:55Ogg Theora
http://v2v.cc/v2v/show/BYZRLK5S5VN6564QSNA2I7GLOXKBQCGR
ed2k://|file|v2v_de-regulation.ogg|87149101|9d41ea5f8f1e67b4f54968d461507c62|magnet:?dn=v2v_de-regulation.ogg&xt=urn%3Asha1%3ABYZRLK5S5VN6564QSNA2I7GLOXKBQCGRhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_de-regulation.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Sortis de l'ombreThe tightening of immigration laws in France created in 1996 the movement of the "sans-papiers". With spectacular actions and a startling series of church occupations they called attention to the precarious situation of illegalized migrants: "Des papiers pour tous!" Papers for all was the slogan of a movement that spread rapidly all across europe.
The film tries to review the situation three years after the brutal eviction of the first collective of "sans papiers" from the church St. Bernard in the north of Paris in summer 1996. It features former speakers of the sans papiers like Madjiguène Cissé, Traore Gaousson, Ababacar Diop and Kamara Hamady who recall the making of the movement - alongside interviews with Guy Laveuve, one of the priests of St. Bernard, Monique Chemillier-Gendreau, professor for international law and member of the „College des Mediateurs", as well as Ariane Mnouchkine, director of „Théatre du Soleil", who supported the sans paiers movement from the very beginning.
The film was part of the arte theme evening: "no one is illegal" broadcasted in 1999.L'eglise de St. Bernard et la lutte des sans papiers2006-04-07T22:55+00:00fr2006Jochen Kraus und Florian Schneiderinfo@kein.orghttp://kein.org27198803701:06:14Ogg Theora
http://v2v.cc/v2v/show/B4J3IV6VRXX54WHI7RXK34G655VU36XF
ed2k://|file|sortie.ogg|271988037|adcdcf6e16a546643de2ac94194aa625|magnet:?dn=sortie.ogg&xt=urn%3Asha1%3AB4J3IV6VRXX54WHI7RXK34G655VU36XFhttp://v2v.cc/sites/v2v.cc/files/torrents/sortie.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Contre-feux 2The film tries to show how the new law project about immigration, that has been presented Thursday 9 February 2006 by the French minister, Nicolas Sarkozy, is a war machine against the foreigners. A machine that DESTROY existence (Family, health, solidarity…), and a machine that PRODUCE people without papers, slaves of the shadow. Immigration and people without paper are treated like an ELECTORAL STAKE by the French government and an entertainment for the French population : this last one don’t think about its dramatic issues (unemployment, retired pensions, etc.) and the government can make profit for a minority of people. It is a WAR. A war without mercy against the sharp forces of the country. A social war. A racial war. Everybody is concerned. Both films want to call the population to fight these kind of manipulations.Communiqué visuel 22006-03-17T14:34+00:00fr2006Sylvain Georgesylvain.george@club-internet.frhttp://pajol.eu.org/17507125300:24:47Ogg Theora
http://v2v.cc/v2v/show/T7E4MJWWYC7OCFMKMOR37U7M5X6PNGBQ
ed2k://|file|Contre-feux2.ogg|175071253|cd3cecdf26a34860f361c1dddc4d5c50|magnet:?dn=Contre-feux2.ogg&xt=urn%3Asha1%3AT7E4MJWWYC7OCFMKMOR37U7M5X6PNGBQhttp://v2v.cc/sites/v2v.cc/files/torrents/Contre-feux2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Contre-feux 1The film tries to show how the new law project about immigration, that has been presented Thursday 9 February 2006 by the French minister, Nicolas Sarkozy, is a war machine against the foreigners. A machine that DESTROY existence (Family, health, solidarity…), and a machine that PRODUCE people without papers, slaves of the shadow. Immigration and people without paper are treated like an ELECTORAL STAKE by the French government and an entertainment for the French population : this last one don’t think about its dramatic issues (unemployment, retired pensions, etc.) and the government can make profit for a minority of people. It is a WAR. A war without mercy against the sharp forces of the country. A social war. A racial war. Everybody is concerned. Both films want to call the population to fight these kind of manipulations.
NOW!Communiqué visuel 12006-03-17T14:27+00:00fr2006Sylvain Georgesylvain.george@club-internet.frhttp://pajol.eu.org/1140750400:10:43Ogg Theora
http://v2v.cc/v2v/show/T42W5BIJSNZ27OGKDW2CNH7ZZGZA2BRE
ed2k://|file|Contre-feux.ogg|11407504|74627dcf81e2280d49cba955b23dade7|magnet:?dn=Contre-feux.ogg&xt=urn%3Asha1%3AT42W5BIJSNZ27OGKDW2CNH7ZZGZA2BREhttp://v2v.cc/sites/v2v.cc/files/torrents/Contre-feux.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.BADco. at International Festival "The Theatre" Stockholm 3-5 February 2006International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning.
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.
Nicolina and Sergej Pristas opens in this presentation for a number of contemporary strategies of performance. In the work of BADco., a collaborative performance team based in Zagreb, modes of information flow and spatio-temporal conditions are investigated in ways where the dialectics of critique is phased to comprise an affectual opportunity rather than a territorial pressure. In their latest work “Deleted Messages” BADco. produce a kind of performance close-up in which the audience, without transforming into something else, lose, or rather multiply, orientation. This multiplication however is not homogenizing but an opportunity for desire production of an inorganic capacity.
Nicolina and Sergej Pristas address here as well the complexity of space not as space but as place; a social and situational aspect without outlines rather then a geometrical and orientational space.
BADco. is a Zagreb-based collaborative performance group. The core of the group are: Pravdan Devlahović, Ivana Ivković, Ana Kreitmeyer, Tomislav Medak, Goran Sergej Pristaš, Nikolina Pristaš, Ivana Sajko. The artistic work of BADco. is not so marked by the choice of subject matter as it is by the production of various problematic aspects of working in/as collaboration i.e. through specific ways of self-organization of the authors involved in a particular project during the process of work. Authors see their performances as performance machines which can enter various referential contexts such as social, political, intimate, dance and artistic contexts in general. Instead of thematic naming which stands closer to the traditional ideas of theatre the group prefers thinking in terms of eventality. Some key words for our thematic interest are: vitalism, virus material, collective, flesh vs. body, strategies of observing? BADco. was founded in 2000 while some of the authors worked together on the project Confessions in Theatre &TD. It was founded as a non-profit organization to produce collaborative performance work. So far the group has produced the following performances: Man.Chair (2000), 2tri4 (2001), Diderot's Nephew or Blood is Thicker than Water (2001), Solo Me (2002), RibCage (2002), Walk This Way (2003), Mass (for Election Day Silence) (2003), Deleted Messages (2004) and Fleshdance (2004).2006-02-17T00:01+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org5288130800:23:24Ogg Theora
http://v2v.cc/v2v/show/R4VZPEOUGFXWTQJSALNN6ZWR7ET32SQP
ed2k://|file|IF_pristas2.ogg|52881308|85b1883618884e849d4d6d59bac6a83f|magnet:?dn=IF_pristas2.ogg&xt=urn%3Asha1%3AR4VZPEOUGFXWTQJSALNN6ZWR7ET32SQPhttp://v2v.cc/sites/v2v.cc/files/torrents/IF_pristas2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Celiné Condorelli at International Festival "The Theatre" Stockholm 3-5 Feburary 2006International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning.
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.
Celiné Condorelli gives in this presentation in depth orientations of three central projects in her and Support Structures activities over the last few years. Celiné Condorelli’s work bring archicture into fields of social and political complexity where spaces addressed open for introspection of their inherent hierarchical and productive coordination. Specific notice is taken in respect of how and when collaboration or shared work produces autonomy rather than concessions. Celiné Condorelli and Support Structures work produce this certain kind of autonomy precisely through offering space and activity as open ends.
Celiné Condorelli is an architect. She is teaching at London Metropolitan University and her practice is concerned with architecture as interface, through art and architecture collaborations. Recent works include developing ‘Support Structure’, an RSA Art for Architecture and Arts Council England project with Artist-Curator Gavin Wade, through several exhibitions including at the Chisenhale Gallery, London, 2003, and The Economist, London, 2004, as well as taxi_onomy with artist Beatrice Gibson, supported by Arts Council England, the British Council and V2 Rotterdam.2006-02-16T22:13+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org4892546300:22:46Ogg Theora
http://v2v.cc/v2v/show/3WO4J7FOCFP7CNUSN6JX22J4MHNIOUPA
ed2k://|file|IF_celine2.ogg|48925463|c9223ee46246f02e6de7d76f32ca7402|magnet:?dn=IF_celine2.ogg&xt=urn%3Asha1%3A3WO4J7FOCFP7CNUSN6JX22J4MHNIOUPAhttp://v2v.cc/sites/v2v.cc/files/torrents/IF_celine2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival at International Festival "The Theatre" Stockholm 3-5 February 2006International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning.
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.
In this presentation International Festival speed talks through some visions on architecture and performance in relation to mobility and spectacle. The conclusion is simple: On the path to innovation we discovered something beautiful.
It’s not enough to change, real change implies to change the way things change.
International Festival is a platform that operates between architecture and performance, emphasizing the performative potentiality of space and relations. International Festival brings in context-specific projects, challenging social conventions and ways of communication through methods of filling in, shifting via oblique perspectives and ontologies of exchange. International Festival dislocates performance from its dialectical dispositif in order to produce possibilities for multiplicity of production and performance where the spectator become activated.
International Festival is formulated as a project that always finds and occupy holes in a context, and at the same time is a matter of being radically generous. International Festival in so not a matter of institutional critique but instead a generous gesture which acknowledges the heterogeneity of institutional frames.
International Festival is luxury for everyone. It's everything you could ever want it to be.
www.international-festival.org2006-02-16T21:01+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org4695590200:20:19Ogg Theora
http://v2v.cc/v2v/show/ITTZQTYBJWLDBPXE4CFQIZ3CVID2OQMO
ed2k://|file|IF_seminar_IF.ogg|46955902|49720a2a40732a506eeae795ed5f6efc|magnet:?dn=IF_seminar_IF.ogg&xt=urn%3Asha1%3AITTZQTYBJWLDBPXE4CFQIZ3CVID2OQMOhttp://v2v.cc/sites/v2v.cc/files/torrents/IF_seminar_IF.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ortlos Architects at International Festival "The Theatre" Stockholm 3-5 February 2006International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning.
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.
In this presentation ORTLOS lays out their activity as a kind of matrix, an infinite, constantly changeable field of the creative entries of those who shape it. From a certain size on, the constructs show the first signs of selforganization. And so it has been with ORTLOS right from the beginning. It is a kind of virus that is spreading, and although in the background, it makes you gradually sink into a world whose laws correspond to a different logic. ORTLOS is an instrument for the nomadic working methods.
ORTLOS architects was founded by Ivan Redi and Andrea Schröttner as a network of interdisciplinary partners, with a commitment to the on-line working methods as well as their strong interest in expanding classical architectural tasks by simulating virtual environments to be applied to future realities, with the use of cutting-edge computer technologies. Their work has been published and exhibited world wide, among others at La Biennale in Venice 2000. They are currently teaching at TUGraz.
ORTLOS architects have recently brought out their new book “ORTLOS: Architecture of the NetWORKS”, 2005 – Hatje Cantz Verlag.
www.ortlos.at2006-02-16T19:36+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org9735953300:43:53Ogg Theora
http://v2v.cc/v2v/show/GF34YSV7F7YVVEI5KVA52XL3KWRMPBDG
ed2k://|file|IF_ortlos.ogg|97359533|bf4af19566cde61b2779209381575d72|magnet:?dn=IF_ortlos.ogg&xt=urn%3Asha1%3AGF34YSV7F7YVVEI5KVA52XL3KWRMPBDGhttp://v2v.cc/sites/v2v.cc/files/torrents/IF_ortlos.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Testbedstudio at International Festival "The Theatre" Stockholm 3-5 February 2006International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning.
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.
Testbedstudio offers in this presentation very interesting models for collaboration and shared development from concept to finished project. Anders Johansson is presenting a series of projects with strong vision to change conventions of public space and their modes of efficiency. Anders Johansson opens his presentation with a document from Volksbühne in Berlin where architecture as performance is being actualized.
Testbedstudio with offices in Malmö and Stockholm are working with architecture from a number of perspectives connecting expertise from a multiplicity of fields. Their projects emphasize research and investigation combined with a strong social focus. www.testbedstudio.com2006-02-16T15:22+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org5687453200:29:26Ogg Theora
http://v2v.cc/v2v/show/5MM65A7ZYSXJW4WSDGJKBOXO4CMO27HP
ed2k://|file|if_testbed.ogg|56874532|f5496d3f01c1dedd987d07d79a513525|magnet:?dn=if_testbed.ogg&xt=urn%3Asha1%3A5MM65A7ZYSXJW4WSDGJKBOXO4CMO27HPhttp://v2v.cc/sites/v2v.cc/files/torrents/if_testbed.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Platforma 9,81 at International Festival "The Theatre" Stockholm 3-5 February 2006International Festival “The Theatre” takes as a series of departure points for the realization of the project – to develop and build a full-scale theatre on the basis of a budget conventionally issued for a theatre/dance performance - during Steirischer Herbst 2007 a number of seminars. These seminars are to be held on a quarterly basis in different cities in Europe, inviting old and new guest for discussions and processes. At each seminar a public session will be held where the invited guests give presentations of their own work, practically and theoretically. Some of the presentations will be given specific weight to the project itself, others will be concerned with local projects or with more general issues concerning performance and architecture in its widest possible meaning.
The first seminar was given at the art space Tensta Konsthall in Stockholm 3-5 February 2006.
Platforma 9,81 gives in this presentation an overview of their work based in Zagreb. Marko Sancarin gives special weight to their project Invisible Zagreb in which the architectural office mapped abandoned areas of the city and its surroundings.
Platforma 9,81 was created in 1999 as a reaction to the inability of the architectural scene to establish an interdisciplinary and open dialogue within the scene and externally in regard to the problems of urban space culture, digitalization of the environment, influences of globalization to the perception of space and the needs of new educational methods in architecture today. Their projects have a profoundly public quality and regularly draw together a large number of people from different domains of life. Their relation to architecture and urban planning is marked by an informal approach, non-institutional strategies of action, tendency towards research and away from habitual practice.
Platforma 9,81 have so far realized a number of media projects /1:1000, Architecture Live, Architecture to the People, Open Programme, Mobile Living Room/ that have dealt with the problem of built-up environments and have popularized the contemporary relationship with architecture. The realized projects and installations have a program link to art, media and urban culture /Zone of Movement of the Blind, installations for Vote ’99, the interior for the program Art Lazareti in the quarantine of Dubrovnik, the display of the 26th Youth Salon/. At the meeting of architecture students on the island of Vis - EASA 2002 – they coordinated workshops and lectures and participated in the organization of the event. The workshop “Light” was exclusively organized and carried out by Platforma 9,81. Platforma 9,81 feel especially proud to participate as members of the active art and NGO scene in Croatia, a scene incorporating a critical mass of people and knowledge in aim of realization of developmental urban culture projects. We collaborate with numerous Croatian and foreign institutions that work with architecture and culture.2006-02-16T13:46+00:00en2006International Festivaleverybody@international-festival.orghttp://www.international-festival.org7122968700:35:33Ogg Theora
http://v2v.cc/v2v/show/HJET373VUFXCYQZHVHDAOVWIEDNJ4FR6
ed2k://|file|if_platforma.ogg|71229687|d32f2ef44e280524fad039709d924124|magnet:?dn=if_platforma.ogg&xt=urn%3Asha1%3AHJET373VUFXCYQZHVHDAOVWIEDNJ4FR6http://v2v.cc/sites/v2v.cc/files/torrents/if_platforma.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Felix Kubin: Paralektronoia über Geister und ElektrizitätLecture Performance by Felix Kubin, December 8th, 2005, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2006-01-18T19:52+00:00de2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de15228283301:00:27Ogg Theora
http://v2v.cc/v2v/show/ZW5DSXL2XY6AFS33KAUEYTJEYR25UEW3
ed2k://|file|v2v_ut_kubin.ogg|152282833|099c7ead48b89ea79bdfd377bc0c4d0a|magnet:?dn=v2v_ut_kubin.ogg&xt=urn%3Asha1%3AZW5DSXL2XY6AFS33KAUEYTJEYR25UEW3http://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_kubin.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jürgen Fritz: Black Market International - The 2th AnniversaryLecture Performance by Jürgen Fritz (Black Market), November 10th, 2005, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2006-01-15T18:29+00:00en2006Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de6906025400:47:21Ogg Theora
http://v2v.cc/v2v/show/BAWCET6ASVYZ54BGUZO45NWH6PYB6ONC
ed2k://|file|v2v_ut_fritz.ogg|69060254|14f2d263ceceeb2bae32ac14433a16fe|magnet:?dn=v2v_ut_fritz.ogg&xt=urn%3Asha1%3ABAWCET6ASVYZ54BGUZO45NWH6PYB6ONChttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_fritz.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival - Plastic Bag Video 6The series of videos created under the motto “many and half good” continues. The sixth version is not much at all, just a bit of happiness with the editing software and a certain love for good commercials. Reediting commercials is of course not something new but one can wonder what position this work offers in respect of viral marketing.
International Festival is in this series interested in using a particular cinematic segment, in a fast processes of editing, and to issue as many different perspectives into a scene as possible. How vast is the potentiality of a particular scene, and what can post-production processes offer to it. The Plastic Bag Videos series can be understood as a number of etudes not on creation but in respect of what new technologies provide in respect of post-production.2006-01-13T13:34+00:00en2006International Festivalmarten@international-festival.orghttp://www.international-festival.org1027947500:02:00Ogg Theora
http://v2v.cc/v2v/show/CZWEFOKPLSZ3SAM4C6BSTWERGHBA2BRC
ed2k://|file|if_bouncing_plastic_bags.ogg|10279475|f138aa9a81f775fcc08c9bce60558ef5|magnet:?dn=if_bouncing_plastic_bags.ogg&xt=urn%3Asha1%3ACZWEFOKPLSZ3SAM4C6BSTWERGHBA2BRChttp://v2v.cc/sites/v2v.cc/files/torrents/if_bouncing_plastic_bags.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Archipelago of ExceptionThe cartography that describes this archipelago of state-of-exception extraterritorial spaces, leads us to reflect upon the scope of the sovereignty of the traditional State and also upon the nature of power, the validity of political rights and the value of human life in an increasingly interdependent world. The closing session of the conference "Archipelago of Exception - Sovereignties of Extraterritoriality" from november 10 to 11, 2005, in CCCB Barcelona, features Zygmunt Bauman, Emeritus Professor of Sociology, University of Leeds, and as a respondant, Giorgio Agamben, Professor of Aesthetics, Faculty of Arts and Design, University IUAV of Venice.Zygmunt Bauman and Giorgio Agamben in conversation2005-12-09T12:36+00:00en2005KEIN TVinfo@kein.orghttp://roundtbale.kein.org26702376301:34:47Ogg Theora
http://v2v.cc/v2v/show/M7XI2SI4RIYYPSU6J5J2M7J6YJYPN6AL
ed2k://|file|archipelago.ogg|267023763|cfe7e22cdc003dd322354941673fb91d|magnet:?dn=archipelago.ogg&xt=urn%3Asha1%3AM7XI2SI4RIYYPSU6J5J2M7J6YJYPN6ALhttp://v2v.cc/sites/v2v.cc/files/torrents/archipelago.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Robert VerzolaRobert Verzola (Philippines) notes that the utility of personal technical skills depends on context; working in rural projects, he concluded that farmers have more important skills in relation to local needs. Verzola has been trying to find a way to apply his technical knowledge to rural projects, yet many places have no electricity. Going there with a laptop is like going to help the poor from inside a limousine. Alternative uses of technologies - building on technologies already integrated into everyday lives - can be very effective, such as VCDs (commonly used as karaoke machine), and mobile phones (mainly used to contact overseas working family members).Incommunicado Interviews2005-11-05T18:51+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2700435900:13:34Ogg Theora
http://v2v.cc/v2v/show/MYUMIBO4WPD4U2H7YUZWNNSKGGNQYSZT
ed2k://|file|verzola.ogg|27004359|1e4a7be503bd1d63c3d9ef90b17adcb3|magnet:?dn=verzola.ogg&xt=urn%3Asha1%3AMYUMIBO4WPD4U2H7YUZWNNSKGGNQYSZThttp://v2v.cc/sites/v2v.cc/files/torrents/verzola.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ravi SundaramFor Ravi Sundaram (India), the central dynamic of 'development' is an informal network economy on the margins (or even outside of) of modern property regimes. His research focuses on ordinary people constructing decentralized technological infrastructures through extra-market, non-legal forms of organising access to media. Even though in countries like India, many users of electronic media exist outside the dominant property regime, development organisations continue to employ a simplistic schema of civil society, state, and market actors and a morally-charged language of representation that is out of synch with the dynamic of informal network economies, relating to it only in the negative terms of piracy and a violation of property rights, of its formalization, and of the mediation of the conflicts between informality and a new regime of property rights.Incommunicado Interviews2005-11-05T18:34+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2541458700:13:40Ogg Theora
http://v2v.cc/v2v/show/7XHQORYICT4KYIJ6JRF2IBJ4PRARJORM
ed2k://|file|sundaram.ogg|25414587|6b54ee60a8979da3872b8fb1fd2b3d47|magnet:?dn=sundaram.ogg&xt=urn%3Asha1%3A7XHQORYICT4KYIJ6JRF2IBJ4PRARJORMhttp://v2v.cc/sites/v2v.cc/files/torrents/sundaram.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Bernardo SorjBernardo Sorj, who is researching telecentres in Brazil, argues to develop an integrated view on the use of Internet in the slums. Digital inclusion is not an aim in itself. It only makes sense in a broader context of social and political If you can't read of type it is cynical to talk about universal access. These days, civil society is facing a crisis of maturity. Global civil society is a nice utopia but doesn't exist. Instead we should talk about national civil society. Resources are in the North and not in the South. We should to make global agendas, this time with good intensions. Brazil is not Afghanistan is not Cote d'Ivor. There is not one solution for all countries.Incommunicado Interviews2005-11-05T18:26+00:002005Incommunicadovideo@incommunicado.infohttp://incommunicado.info6123910800:20:52Ogg Theora
http://v2v.cc/v2v/show/JMUIG7PBDZATP6UWZTFWIE5Y4SPRIQBH
ed2k://|file|sorj.ogg|61239108|0dc49f7533872e2ee462685a76651c42|magnet:?dn=sorj.ogg&xt=urn%3Asha1%3AJMUIG7PBDZATP6UWZTFWIE5Y4SPRIQBHhttp://v2v.cc/sites/v2v.cc/files/torrents/sorj.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Shuddhabrata SenguptaShuddhabrata Sengupta (India) calls on those promoting ICT development to 'develop a thought of our own obsolescence', just as today's gadgets will be obsolete tomorrow, our self-image as those who already represent a technological future that has yet to arrive elsewhere is mistaken. He also stresses the need to approach collective efforts in a more factual way, beyond the romantic idea of cross-cultural collaboration as an end in itself, and instead focus on the aims, ethics, and protocols of collaboration. The idea of development arrived in the info-technological context long after it transformed agriculture and industrial technology transfer, yet it tends to be used in a linear, rather uncritical way. Instead, Sengupta suggests focusing on the conditions of potentiality in all spaces, beyond simplistic local/global distinctions and the assumptions about needs and communal authenticity that accompany them.Incommunicado Interviews2005-11-05T18:16+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2288587500:16:23Ogg Theora
http://v2v.cc/v2v/show/A7OOYTWOB3VFZAS4NSKKM5HASDKK2ZAN
ed2k://|file|sengupta.ogg|22885875|0828cc411b5b3c54faac1dfd3f159948|magnet:?dn=sengupta.ogg&xt=urn%3Asha1%3AA7OOYTWOB3VFZAS4NSKKM5HASDKK2ZANhttp://v2v.cc/sites/v2v.cc/files/torrents/sengupta.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Sylvestre OuedraogoSylvestre Ouedraogo (Burkina Faso) works at an NGO called Yam Pukri, meaning 'open your mind'. Whereas Western countries tend to think that everyone should have a computer, Ouedraogo stresses the fact that it is more important to learn how to use the computer as a tool for information gathering and communication means.Incommunicado Interviews2005-11-05T18:12+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info1962526600:05:37Ogg Theora
http://v2v.cc/v2v/show/6GI4XCE4BV7IA3TDVB3LFKHBAQHDXBOH
ed2k://|file|oueadraogo.ogg|19625266|ce8cba222be9d60ca4c8155dc7e2deb0|magnet:?dn=oueadraogo.ogg&xt=urn%3Asha1%3A6GI4XCE4BV7IA3TDVB3LFKHBAQHDXBOHhttp://v2v.cc/sites/v2v.cc/files/torrents/oueadraogo.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ned RossiterThe Australian digital media theorist Ned Rossiter (Northern Ireland-based) comments on the rise of China and the consequences of geopolitical shifts for the future study of media. He regards the rise of civil society as a consequence of the void left by neo-liberalism, and addresses the limits of transferring central tenets of representative democracy - accountability, representativeness, transparency - to non-state actors. Furthermore, Rossiter elaborates on the crisis of civil society and the emergence of new forms of institutional articulation like the organized network. He recognises a danger in assuming that all of us in fact continue to live in the same world, especially in the context of ICT debates that revive simplistic North/South divides.Incommunicado Interviews2005-11-05T18:07+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2009418800:11:06Ogg Theora
http://v2v.cc/v2v/show/IKAIXDQX6RXYCEFYDJW76FXVFOZM6VSU
ed2k://|file|rossiter.ogg|20094188|79b612d83a674410ab010a3d78957645|magnet:?dn=rossiter.ogg&xt=urn%3Asha1%3AIKAIXDQX6RXYCEFYDJW76FXVFOZM6VSUhttp://v2v.cc/sites/v2v.cc/files/torrents/rossiter.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Richard RogersRichard Rogers (The Netherlands) focuses on the implications of global civil society's 'issue drift'. As global civil society moves from issue to issue, from place to place and from forum to forum, the question is: do they remember to keep up with what is happening on the ground? Rogers and his colleagues at the Govcom.org Foundation strive to answer such questions through web and news analysis. Analytical software tools such as the Issue Crawler and the Issue Scraper are based on the assumption that the web can be mapped to show where an issue is currently 'located'. Rogers also addresses the rise of 'rights talk', including the development of new communication rights, cultural rights and internet rights, and reflects on the circumstances under which issues should (not) be turned into rights.Incommunicado Interviews2005-11-05T18:00+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2097681500:14:17Ogg Theora
http://v2v.cc/v2v/show/DXEBT3CCGJFNAQP37TT37VHQY5EWTGK5
ed2k://|file|rogers.ogg|20976815|c5f578ee9b8ca4d4a9cc0848a7d09e6f|magnet:?dn=rogers.ogg&xt=urn%3Asha1%3ADXEBT3CCGJFNAQP37TT37VHQY5EWTGK5http://v2v.cc/sites/v2v.cc/files/torrents/rogers.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jan Nederveen PieterseLong-time analyst of development regimes, Jan Nederveen Pieterse (USA) summarizes Incommunicado 05 as 'civil society meets development', since commercial parties and governments were not represented at the conference. The current vortex of change, in which corporations try to maintain information monopolies, calls for a new political rendez-vous in which emerging information economies can challenge these monopolies in areas like intellectual property rights. Digital orientalism is a concept of our times: Western content and representations are deeply wired into all levels of information technology. According to Nederveen Pieterse, the world of development studies has been one of great fashions and plain humbug, but also very profound criticism, great hopes, struggle, and negotiations.Incommunicado Interviews2005-11-05T17:52+00:002005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2774601900:10:12Ogg Theora
http://v2v.cc/v2v/show/K2X2WWSDRYQVEIBOCGWIQOLORBI4MVYS
ed2k://|file|nederveen.ogg|27746019|ad3e4591ee33b1c19ec37d2b9331062f|magnet:?dn=nederveen.ogg&xt=urn%3Asha1%3AK2X2WWSDRYQVEIBOCGWIQOLORBI4MVYShttp://v2v.cc/sites/v2v.cc/files/torrents/nederveen.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Tracey NaughtonTracey Naughton (South Africa) comes up with a few humbling accounts of the fundamental obstacles to (info) developments. She argues to go back to the seventies, a time in which work for and with the poor could be done in a direct and non-bureaucratic manner. According to her we need a more human-centrered globalization, one in which people are in the centre of development concerns and work is done on the ground by people who have a holistic combination of skills.Incommunicado Interviews2005-11-05T17:46+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info3845563700:17:04Ogg Theora
http://v2v.cc/v2v/show/BVQAWXYVXRVU2H4PLNJI2PMFA777RDZW
ed2k://|file|naughton.ogg|38455637|171ec46c1a90c5dc8465cd81e656d78a|magnet:?dn=naughton.ogg&xt=urn%3Asha1%3ABVQAWXYVXRVU2H4PLNJI2PMFA777RDZWhttp://v2v.cc/sites/v2v.cc/files/torrents/naughton.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Monica NarulaMonica Narula (Delhi) talks about the 'listening project' she did with Raqs Media Collective. Sometimes you have to listen beyond the words, and an event like Incommunicado 05 means being attentive to one another. At Sarai, Narula works with the broadsheet collective, with which she publishes a broadsheet, a poster/factsheet/newspaper. Narula recognises that the contemporary vision of the world is thoroughly mapped, difficult to break down, and while the north-south metaphor has been useful, it will limit our view if we cling to it.Incommunicado Interviews2005-11-05T17:23+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2128130000:08:54Ogg Theora
http://v2v.cc/v2v/show/VEDWHW5W6WH37OC5RLO77HX7OHDMJY4I
ed2k://|file|narula.ogg|21281300|e18b725d1ef210dea474333215874f83|magnet:?dn=narula.ogg&xt=urn%3Asha1%3AVEDWHW5W6WH37OC5RLO77HX7OHDMJY4Ihttp://v2v.cc/sites/v2v.cc/files/torrents/narula.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Muthoni DorcasMuthoni Dorcas (Kenya) is the co-founder of LinuxChix Africa, an initiative that facilitates the active participation of African women in the FOSS (free and open source software) movement across this region. She considers free software an affordable way for people to develop software for local markets. Refusing to talk about Africa as 'poor', Dorcas rather thinks of it as a continent under-utilizing its manifold resources.Incommunicado Interviews2005-11-05T16:54+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info892380000:04:26Ogg Theora
http://v2v.cc/v2v/show/FWBDGR5Z5R7RWJUNGJ43743G5OWFAU6H
ed2k://|file|muthoni.ogg|8923800|b2b6255f889a1372dbe0454ac6495b38|magnet:?dn=muthoni.ogg&xt=urn%3Asha1%3AFWBDGR5Z5R7RWJUNGJ43743G5OWFAU6Hhttp://v2v.cc/sites/v2v.cc/files/torrents/muthoni.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Thomas KeenanThomas Keenan (USA) points out that the human rights movement is very sensitive to the criticism. Critics therefore are often regarded as being in support of the wrong actors, and betraying its ideals. Keenan considers the notion of 'global civil society' to be a very tricky term, since its dynamic is strongly related to global media platforms (satellite tv, internet etc). There is a certain actuality to global civil society that needs to be criticized, acknowledging the danger that it is being enlisted as the front actor of a borderless market world. To understand and recognise what is left out, global civil society needs to reshape itself. And while market forces should certainly not be underestimated, it also does not make sense to think of markets only in antagonistic terms.Incommunicado Interviews2005-11-05T16:46+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2698795800:11:33Ogg Theora
http://v2v.cc/v2v/show/FQVF2MODIYBMQEMURT2TCRAYMT2URSJP
ed2k://|file|keenan.ogg|26987958|c7f28efb6c3c32e7e8387035b813fb64|magnet:?dn=keenan.ogg&xt=urn%3Asha1%3AFQVF2MODIYBMQEMURT2TCRAYMT2URSJPhttp://v2v.cc/sites/v2v.cc/files/torrents/keenan.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ednah KaramagiEdnah Karamagi (Uganda) stresses the importance of including the rural population in development projects. Otherwise, the divide between the rural and the urban will simply increase. NGOs play an important role in Uganda, because they succeed in reaching out to local grassroots organisations. ICTs should be considered in terms of technologies rather than just machines, including the use of community radio in local languages, or using technologies for music, dance and drama.Incommunicado Interviews2005-11-05T16:39+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info3646857900:10:31Ogg Theora
http://v2v.cc/v2v/show/FCKBACBYMPQHVKN4DPJ7VNPZGZFG76NU
ed2k://|file|karamaqi.ogg|36468579|98f139be1c04dabb8eb8253b85b4f53d|magnet:?dn=karamaqi.ogg&xt=urn%3Asha1%3AFCKBACBYMPQHVKN4DPJ7VNPZGZFG76NUhttp://v2v.cc/sites/v2v.cc/files/torrents/karamaqi.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Michael GursteinICT consultant Michael Gurstein (Canada) compares the use of civil society in developing and developed countries. He discusses its involvement in the WSIS process and advocates the need to strengthen citizen involvement rather than 'civil society'. Furthermore, Gurstein suggests possible uses of the idea of digital orientalism in the digital divide debate.Incommunicado Interviews2005-11-05T16:32+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info1449310300:05:58Ogg Theora
http://v2v.cc/v2v/show/WRJDLV47ZGDW74VR27E6UXZ4HZMBNOZS
ed2k://|file|gurstein.ogg|14493103|2da251153d729f5888be8942a36c0d0f|magnet:?dn=gurstein.ogg&xt=urn%3Asha1%3AWRJDLV47ZGDW74VR27E6UXZ4HZMBNOZShttp://v2v.cc/sites/v2v.cc/files/torrents/gurstein.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Felipe FonsecaFelipe Fonseca (Brasil), free software activist and consultant to the Brazilian Ministry of Culture, discusses the strategic use of free software by the Brazilian government, the tension between governmental FOSS adoption as a cost-cutting measure and the need for a broader debate about software development. Fonseca advocates a broader definition of digital inclusion beyond access, including the creative re-appropriation (rather than mere use) of these technologies and their possibilities.Incommunicado Interviews2005-11-05T16:19+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info1264539000:04:42Ogg Theora
http://v2v.cc/v2v/show/Y7BSF4GYHHCT7EUMMGSPNHRXJNIKML4H
ed2k://|file|fonseca.ogg|12645390|5fcedbe34d553354489bbc5f3598afe1|magnet:?dn=fonseca.ogg&xt=urn%3Asha1%3AY7BSF4GYHHCT7EUMMGSPNHRXJNIKML4Hhttp://v2v.cc/sites/v2v.cc/files/torrents/fonseca.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Steve CislerThrough examples from his 8-month, 30,000 km offline travels, Steve Cisler (USA) reflects on whether or not there really is a need for the kinds of information technologies he used to promote as an Apple researcher and IT consultant. Reporting on his encounters, he raises a number of questions regarding ICT4D approaches, including the allocation of development resources, the emphasis on different kinds of literacy, the need to write grant applications that are 'buzzword compliant', and the total-cost-of-ownership model as an alternative and more comprehensive approach to project evaluation.Incommunicado Interviews2005-11-05T16:03+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info3281221200:17:30Ogg Theora
http://v2v.cc/v2v/show/ZL6UXOZFYFY6J3RILJR2RJUQOXO74MJK
ed2k://|file|cisler.ogg|32812212|ac4888a8db859ed11f4ab48bf5991fbf|magnet:?dn=cisler.ogg&xt=urn%3Asha1%3AZL6UXOZFYFY6J3RILJR2RJUQOXO74MJKhttp://v2v.cc/sites/v2v.cc/files/torrents/cisler.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Anriette EsterhuysenFor Anriette Esterhuysen (South Africa) of the APC network, development critique tends to forget the practitioners, who are marginalised by theoretical discourses simply because they don't hear and speak them. Naive critiques of private sector involvement in development fail to acknowledge that markets are necessarily part of the solution.Incommunicado Interviews2005-11-05T15:40+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info2243686600:09:11Ogg Theora
http://v2v.cc/v2v/show/J2H4GVPA2UYAUBLDQSISJQLIXKHFQQRI
ed2k://|file|estherhuysen.ogg|22436866|810dd153e8629548ca355e4c68342ef1|magnet:?dn=estherhuysen.ogg&xt=urn%3Asha1%3AJ2H4GVPA2UYAUBLDQSISJQLIXKHFQQRIhttp://v2v.cc/sites/v2v.cc/files/torrents/estherhuysen.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Enrique ChaparroFor Enrique Chaparro (Buenos Aires), the buzzwords in the ICT for Development discourse (info-society, info-development) are simply substitutes for an older discourse. He focuses on free and open source software, but acknowledges that computers will neither end world poverty nor close the digital divide. A firm believer in free markets - ideally, everyone getting into the market has an equal position, without taxes or monopolies -, he does not expect such markets to exist anytime soon, even given the efforts and hard work by many civil society organizations in reigning in dominant market actors.Incommunicado Interviews2005-11-05T14:58+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info4129206700:20:15Ogg Theora
http://v2v.cc/v2v/show/E42N3F2R257IFZHXRIL54MFAUITXJEXW
ed2k://|file|chaparro.ogg|41292067|2a6a6ece0b9031dfe079dd2de31a0f91|magnet:?dn=chaparro.ogg&xt=urn%3Asha1%3AE42N3F2R257IFZHXRIL54MFAUITXJEXWhttp://v2v.cc/sites/v2v.cc/files/torrents/chaparro.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Beatriz BusanicheThe free software activist Beatriz Busaniche (Argentina), member of Fundacion Via Libre, talks about the free software community and its ethics, the need to shift from technical to political discussion of software and ICT, and the tendency to approach ICT as a new utopianism. She addresses civil society as a dangerous concept that shifts emphasis from citizens and the grassroots to self-selected organizations marked by their dependence on donors and the burden of having to 'represent'. Busaniche places the development of free software into a broader political, even revolutionary perspective.Incommunicado Interviews2005-11-05T14:43+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info3977108200:22:11Ogg Theora
http://v2v.cc/v2v/show/VPHSL3SVGXY7JGW2TVDQWZTVBBSYPF6V
ed2k://|file|busaniche.ogg|39771082|8c25d4c874315ee0ea0e7cabc3a207be|magnet:?dn=busaniche.ogg&xt=urn%3Asha1%3AVPHSL3SVGXY7JGW2TVDQWZTVBBSYPF6Vhttp://v2v.cc/sites/v2v.cc/files/torrents/busaniche.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Sally BurchSally Burch talks about her WSIS experiences and how social movements are linking up in order to exchange experiences and concepts. Solidarity is no longer going in one direction, from North to South. The World Social Forum is creating a new platform where social movements, that previously only worked on one issue, can come together. Burch stresses the need for communication rights in a media landscape which is increasingly dominated by big players and converging technologies.Incommunicado Interviews2005-11-05T14:33+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info3069360000:16:13Ogg Theora
http://v2v.cc/v2v/show/3QU4NTAVWMHJEHDFRE44UMNS6F42U4YQ
ed2k://|file|burch.ogg|30693600|48de94b227b4c4419569f092d8b1ce0b|magnet:?dn=burch.ogg&xt=urn%3Asha1%3A3QU4NTAVWMHJEHDFRE44UMNS6F42U4YQhttp://v2v.cc/sites/v2v.cc/files/torrents/burch.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Solomon BenjaminSolomon Benjamin Urban Planner Solomon Benjamin (India), speaks about Bangalore, the Silicon Valley of India, and his work in a cross-disciplinary team on city-based work focusing on local politics. Bangalore is a city on which the recent boom of the IT industries has had a huge impact. Stressing that we shouldn't lose sight of what is happening on the ground as we theorize ICT matters, Benjamin argues that civil society initiatives enrich the local knowledge and create a platform that is also available and valuable to other actors.Incommunicado Interviews2005-11-05T14:19+00:00en2005Incommunicadovideo@incommunicado.infohttp://incommunicado.info7944706800:38:13Ogg Theora
http://v2v.cc/v2v/show/OMH2DEZXMQQCHELSCIP27PSO54QKEFD5
ed2k://|file|benjamin.ogg|79447068|62f26a381bb1fe4e15da945c11f09990|magnet:?dn=benjamin.ogg&xt=urn%3Asha1%3AOMH2DEZXMQQCHELSCIP27PSO54QKEFD5http://v2v.cc/sites/v2v.cc/files/torrents/benjamin.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.John AndersonReflecting on his work on internet adoption in Middle East countries, John Anderson (USA) focuses on social uses of technology and the alliances needed to build them. Some of the debates around information rights seem a repeat of earlier 'mass media' discussions on new terrain. Both imply a generality of communication whereas communication is always very specific. On the notion of a 'global civil society', Anderson feels that the premier position of NGOs is undeserved, since civil society is always intensely local.Incommunicado Interviews2005-11-05T11:04+00:00en2005incommunicadovideo@incommunicado.infohttp://incommunicado.info3275654500:13:52Ogg Theora
http://v2v.cc/v2v/show/Y3HLUBN46F5FA2H6LC6H2OV2NR7CGQ2K
ed2k://|file|anderson.ogg|32756545|ff7fb57d77b5f45011c6d26968ee602d|magnet:?dn=anderson.ogg&xt=urn%3Asha1%3AY3HLUBN46F5FA2H6LC6H2OV2NR7CGQ2Khttp://v2v.cc/sites/v2v.cc/files/torrents/anderson.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival - Plastic Bag Video 5International Festival Plastic Bag Videos
The series of videos created under the motto “many and half good” continues. In this fifth extended version of 17 minutes yet a new mode procedure is used. The scene from American Beauty has been crossed edited with the scenes from Hitchcock’s Rear Window were the curious James Stewart is looking out onto his backyard. A dialogue between the two subjects of the movies are established and we can both experience how we introduce subjectivity to the plastic bag and at the same time see to what extent Stewart is producing direction and causality. Classical action images are thus transformed through the process of post-production into a kind of time image.
International Festival is in this series interested in using a particular cinematic segment, in a fast processes of editing, and to issue as many different perspectives into a scene as possible. How vast is the potentiality of a particular scene, and what can post-production processes offer to it. The Plastic Bag Videos series can be understood as a number of etudes not on creation but in respect of what new technologies provide in respect of post-production.2005-10-24T16:29+00:00en2005International Festivalmarten@international-festival.orghttp://www.international-festival.org6427965000:17:59Ogg Theora
http://v2v.cc/v2v/show/6LJJG7OMMB7ZNIRZ2KY4FBUX4P6KPGP4
ed2k://|file|IF_plastic_bag_rear_window.ogg|64279650|24e722838517376e4d33cd3299f0617a|magnet:?dn=IF_plastic_bag_rear_window.ogg&xt=urn%3Asha1%3A6LJJG7OMMB7ZNIRZ2KY4FBUX4P6KPGP4http://v2v.cc/sites/v2v.cc/files/torrents/IF_plastic_bag_rear_window.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival Plastic Bag Video 4International Festival Plastic Bag Videos
The series of videos created under the motto “many and half good” continues. In this fourth video a different mode of reference is made. The video works by Bruce Nauman from the early 70s is here recycled and recontextualized. The narrative through an appropriation of Nauman's structure introduce a kind of exhaustion, or rather complete which passes notions of technique and ability.
To the tacky soundtrack by Thomas Newman is this time superimposed with Mike Oldfield's Tubular Bells which we all recall from “The Exorcist”, yet a reference to turning bodies, and perhaps also a hidden desire to offer a way out of the grip that the neo avant-garde still hold on contemporary art practices; to exorcise the avant-garde.
On another level this version also alludes to Nauman's relation to his studio as a site of production of art. "Whatever I do in the studio it will be art" - this series of works understand digital editing devises similarly as a site for production of video.
International Festival is in this series interested in using a particular cinematic segment, in a fast processes of editing, and to issue as many different perspectives into a scene as possible. How vast is the potentiality of a particular scene, and what can post-production processes offer to it. The Plastic Bag Videos series can be understood as a number of etudes not on creation but in respect of what new technologies provide in respect of post-production.2005-10-24T16:07+00:00en2005International Festivalmarten@international-festival.orghttp://www.international-festival.org537848300:01:45Ogg Theora
http://v2v.cc/v2v/show/HHLZDLKOYIL3GVUFNZPEVQQ3ISJTKK3X
ed2k://|file|If_plastic_resolving_usd.ogg|5378483|7702b1bd3af6a8be7e983c667078abc6|magnet:?dn=If_plastic_resolving_usd.ogg&xt=urn%3Asha1%3AHHLZDLKOYIL3GVUFNZPEVQQ3ISJTKK3Xhttp://v2v.cc/sites/v2v.cc/files/torrents/If_plastic_resolving_usd.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival - Plastic bag video 3International Festival Plastic Bag Videos The series of videos created under the motto “many and half good” continues. In this third video a sequence from a recently released advertisement for Citroen is used to recontexualize the scene. To the tacky soundtrack and the tremendously sentimental narrative a computer rendered voise has been addred, which render the scene a radically different quality. Questions about subjectivity is here asked in respect of contemporary notions on mediatization. International Festival is in this series interested in using a particular cinematic segment, in a fast processes of editing, and to issue as many different perspectives into a scene as possible. How vast is the potentiality of a particular scene, and what can post-production processes offer to it. The Plastic Bag Videos series can be understood as a number of etudes not on creation but in respect of what new technologies provide in respect of post-production.2005-10-18T16:47+00:00en2005International Festivalmarten@international-festival.orghttp://www.international-festival.org510581000:01:35Ogg Theora
http://v2v.cc/v2v/show/DUPFCJVRTPWCZA3FUQUNTCLXDUL7W66G
ed2k://|file|IF_plastic_robot.ogg|5105810|56e2df1fa459b7a3e2c562b7e343fbe6|magnet:?dn=IF_plastic_robot.ogg&xt=urn%3Asha1%3ADUPFCJVRTPWCZA3FUQUNTCLXDUL7W66Ghttp://v2v.cc/sites/v2v.cc/files/torrents/IF_plastic_robot.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Tim Etchells (Forced Entertainment): "In the Event"Lecture Performance by Tim Etchells (Forced Entertainment), September 3rd, 2005, in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2005-10-18T12:29+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de7441491500:59:29Ogg Theora
http://v2v.cc/v2v/show/BHSXMUU3ASYHCUSCJJVCEFFR2BUUS4FV
ed2k://|file|v2_ut_etchells.ogg|74414915|6da713c1ed9e4885e55205d58ab1c8c6|magnet:?dn=v2_ut_etchells.ogg&xt=urn%3Asha1%3ABHSXMUU3ASYHCUSCJJVCEFFR2BUUS4FVhttp://v2v.cc/sites/v2v.cc/files/torrents/v2_ut_etchells.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Stefan Kaegi: "v.l.n.r. - Gruppen von Gruppen"Lecture by Stefan Kaegi, August 14th, 2005 in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover at AtelierFrankfurt.2005-10-08T22:04+00:00de2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de6024421800:51:25Ogg Theora
http://v2v.cc/v2v/show/3ZKUL6DTQPQYTD6SR3VWUMKRCI26B223
ed2k://|file|v2v_ut_kaegi.ogg|60244218|e52e0cd8f78c0ccb1a2530fbecb622ae|magnet:?dn=v2v_ut_kaegi.ogg&xt=urn%3Asha1%3A3ZKUL6DTQPQYTD6SR3VWUMKRCI26B223http://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_kaegi.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Sibylle Peters: "The Art of Demonstration"Lecture Performance by Sibylle Peters, June 16th, 2005 in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover at AtelierFrankfurt.2005-10-08T16:41+00:00de2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de15222573701:13:37Ogg Theora
http://v2v.cc/v2v/show/LDIKLZA3XS3QW3XFG4TXA7XQKTEHMSDM
ed2k://|file|v2v_ut_peters.ogg|152225737|f38d5eb91b5d173519056ba1d2606444|magnet:?dn=v2v_ut_peters.ogg&xt=urn%3Asha1%3ALDIKLZA3XS3QW3XFG4TXA7XQKTEHMSDMhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_peters.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Deufert + Plischke: "Directory II: Songs of Love and War"Performance by Kattrin Deufert + Thomas Plischke (Frankfurter Küche Leipzig), July 21st, 2005 in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover at AtelierFrankfurt.2005-10-08T12:04+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de31304137000:48:08Ogg Theora
http://v2v.cc/v2v/show/MNRBS4W5T2QIOV7BXL54D6ZTPS7SQCDL
ed2k://|file|v2v_ut_fkleipzig2.ogg|313041370|7b7b4d3aed38d7fd81daa6e4103a64ba|magnet:?dn=v2v_ut_fkleipzig2.ogg&xt=urn%3Asha1%3AMNRBS4W5T2QIOV7BXL54D6ZTPS7SQCDLhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_fkleipzig2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Petra Sabisch: "Kontaminiert"Lecture Performance by Petra Sabisch, January 27th, 2005 in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover at AtelierFrankfurt.2005-10-07T17:35+00:00de2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de10569685901:14:16Ogg Theora
http://v2v.cc/v2v/show/M6CLBRRU4U5KM5MSLJRQXS3BIYIUCW4O
ed2k://|file|v2v_ut_sabisch.ogg|105696859|78aba7733b2c9f0e0b114934c117622b|magnet:?dn=v2v_ut_sabisch.ogg&xt=urn%3Asha1%3AM6CLBRRU4U5KM5MSLJRQXS3BIYIUCW4Ohttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_sabisch.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival Plastic Bag Video 2International Festival Plastic Bag Videos
The series of videos created under the motto “many and half good” continues. In this second video a sequence from a recently released film “Four Brothers” (John Singleton) are used to recontexualize the scene. To the tacky soundtrack and the tremendously sentimental narrative highly violent images are attached, which render the scene a radically different quality. However, in respect of cinema, is it still ‘American Beauty”.
International Festival is in this series interested in using a particular cinematic segment, in a fast processes of editing, and to issue as many different perspectives into a scene as possible. How vast is the potentiality of a particular scene, and what can post-production processes offer to it. The Plastic Bag Videos series can be understood as a number of etudes not on creation but in respect of what new technologies provide in respect of post-production.2005-10-04T22:34+00:00en2005International Festivalmarten@international-festival.orghttp://www.international-festival.org412075500:01:36Ogg Theora
http://v2v.cc/v2v/show/HNE25DGEPHTQP5IC5NTT42QLUMFZHJNK
ed2k://|file|plastic_bag_video_4.ogg|4120755|dbb680d5a033d781632de65983ad6490|magnet:?dn=plastic_bag_video_4.ogg&xt=urn%3Asha1%3AHNE25DGEPHTQP5IC5NTT42QLUMFZHJNKhttp://v2v.cc/sites/v2v.cc/files/torrents/plastic_bag_video_4.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival Plastic Bag Video 1International Festival - Plastic Bag Videos
In October 2005 International Festival issues a series of videos created around the representation of plastic bags in cinema. The starting point is a scene from American Beauty where the plastic bag is addressed as a dancer. International Festival is in this series interested in using a particular cinematic segment, in fast processes of editing, and to issue as many different perspectives into a scene as possible. How vast is the potentiality of a particular scene, and what can post-production processes offer to it. This is perhaps not about making good videos but many and half good.2005-10-01T21:40+00:00en2005International Festivalmarten@international-festival.orghttp://www.international-festival.org401592200:01:41Ogg Theora
http://v2v.cc/v2v/show/OSEXG7C7TGNDMR64JPPYRSSQ4KEH62N6
ed2k://|file|Plastic_bag_video_2.ogg|4015922|4e8e2c27de8760ed03ef8f0fd417a9a7|magnet:?dn=Plastic_bag_video_2.ogg&xt=urn%3Asha1%3AOSEXG7C7TGNDMR64JPPYRSSQ4KEH62N6http://v2v.cc/sites/v2v.cc/files/torrents/Plastic_bag_video_2.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Tanger nonstop"Tanger nonstop" is a 97 minutes documentary in and about the morrocan city of Tangiers featuring the writer Mohamed Choukri, the story-teller Mohammed Mrabet, the painter Hamri and the Jilala musicians. The film goes on a trip criss-crossing the myths of the legendary "Interzone" and encounters a postcolonial presence. Situated in the very north of Marokko, Tangiers is today a city like any other in the socalled "third world": surrounded by slums and a free-trade zone of sweat shops where young women from the south produce cheap clothes for the seasonal sale. The sell-out seems to be the remaining perspective for a city and its inhabitants: immigrants, smugglers and passers-by -- such as the german post-wave band Kastrierte Philosophen who are roaming through Tangiers dressed up in old colonial style and endlessly reciting fragments of Brion Gysins novel "The Process". Ten years after the first release the film is now available online with german subtitles. Original languages are english, arabic, spanish, french.Geschichten aus 1001 Stadt2005-09-25T13:56+00:00de1996Jochen Kraus and Florian Schneiderfls@kein.orghttp://kein.org44150365601:36:36Ogg Theora
http://v2v.cc/v2v/show/7U5LPWTSJVDAXLISYAWZRPMZHEJD27W4
ed2k://|file|v2v_tangernonstop.ogg|441503656|8d73228c610eb2cd2a346d502ea2c8d7|magnet:?dn=v2v_tangernonstop.ogg&xt=urn%3Asha1%3A7U5LPWTSJVDAXLISYAWZRPMZHEJD27W4http://v2v.cc/sites/v2v.cc/files/torrents/v2v_tangernonstop.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Vanderbeek RevisitedStan Vanderbeek (1927-1984) experimented with the interaction of man and the Intermedia-Network of film, TV, video and computer graphics. He subverted the industrialized mass-media by revealing their structure in his works.
At first he used collages of magazine- and newspaper imagery or painted directly onto the film. In 1963 he set up the "Movie-Drome", a multiprojection enviroment. The idea was to set up centers like this all over the world and to network them via satellite, enableling intercultural communication between artist communities. (see http://www.medienkunstnetz.de/source-text/133/)
In 1966 he produced computer films with Kenneth Knowlton from Bell Telephone Laboratories (now AT&T). He also worked as "Artist in Residence" at WGBH TV in Boston, at NASA and at the M.I.T. Center for Advanced Visual Studies. As seen in this documentary Vanderbeek explored the man-machine graphical interface and produced works of great beauty.Stan Vanderbeek (1927-1984)2005-08-18T16:11+00:002005Steven Hutchingsstevehutch@gmx.nethttp://5951818500:14:17Ogg Theora
http://v2v.cc/v2v/show/DNV6RTYQSMB6NGZDLSM76SPLLCHEN6E3
ed2k://|file|vanderbeekrevisitedtheora.ogg|59518185|f3a32318b3d010464916a3c296e33063|magnet:?dn=vanderbeekrevisitedtheora.ogg&xt=urn%3Asha1%3ADNV6RTYQSMB6NGZDLSM76SPLLCHEN6E3http://v2v.cc/sites/v2v.cc/files/torrents/vanderbeekrevisitedtheora.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.mdewireless streaming 1jueves 4 de agosto 2005: "desde la terraza" un hibrid-dorkbot simultaneamente desde angola, saas fee, medellin. Orientados hacia selectas terrazas del barrio gotico de barcelona. altred.net y medellinwireless presentaran desde medellin los beneficos estrategicos de tener un lugar desde el que se puede dominar la ciudad. en barcelona [autonomiaAerea] estaran algunos de los madridwireless plus yves y los vecinos de las terrazas (live!) desde las 4.30pm hora locombiana, 11.30pm hora catalana.(tba alejo velez presentara algo del netlabel series de mde).
un evento organizado por ninguno (dont make your name using others people work!)
KDaG!!primera prueba (first test)2005-08-13T20:54+00:00es2005alejoodalejo@znerol.chhttp://www.dorkbot.org/dorkbotmde/4602597600:15:17Ogg Theora
http://v2v.cc/v2v/show/DEOXNAKV4OTV546GSZU7PPKCQ576LQ57
ed2k://|file|terraza.dv.ogg|46025976|7655d090c1ef84faf770ab6dac662be8|magnet:?dn=terraza.dv.ogg&xt=urn%3Asha1%3ADEOXNAKV4OTV546GSZU7PPKCQ576LQ57http://v2v.cc/sites/v2v.cc/files/torrents/terraza.dv.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.No Land! No House! No Vote!(HQ)This ' video newsletter ' features interviews with housing activists from Cape Town (specifically, Vrygrond, Delft and QQ section and Kwezi Park in Khayelitsha), talking about the ongoing housing struggle in the city.voices from the housing struggle - Cape Town 20052005-07-30T08:09+00:00en2005Indymedia South Africa (Cape Town)imc-ct@lists.indymedia.orghttp://sa.indymedia.org128738918400:29:29Ogg Theora
http://v2v.cc/v2v/show/K7ZU72A3C3LRLDUSOYMBZTLHAUMTVWGG
ed2k://|file|nohousenovote_pro.ogg|1287389184|e8fc4475e3ae493dd5a465c1ef8b51b4|magnet:?dn=nohousenovote_pro.ogg&xt=urn%3Asha1%3AK7ZU72A3C3LRLDUSOYMBZTLHAUMTVWGGhttp://v2v.cc/sites/v2v.cc/files/torrents/nohousenovote_pro.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.No Land! No House! No Vote!This ' video newsletter ' features interviews with housing activists from Cape Town (specifically, Vrygrond, Delft and QQ section and Kwezi Park in Khayelitsha), talking about the ongoing housing struggle in the city.voices from the housing struggle - Cape Town 20052005-07-29T17:41+00:00en2005Indymedia South Africa (Cape Town)imc-ct@lists.indymedia.orghttp://sa.indymedia.org21341245500:34:27Ogg Theora
http://v2v.cc/v2v/show/HSX3CTRTFYKL3UQPFXYMINJGGZZDWBER
ed2k://|file|nohousenovote_preview.ogg|213412455|77e90cb1e9802c7fe577744cf826ac15|magnet:?dn=nohousenovote_preview.ogg&xt=urn%3Asha1%3AHSX3CTRTFYKL3UQPFXYMINJGGZZDWBERhttp://v2v.cc/sites/v2v.cc/files/torrents/nohousenovote_preview.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.ljublianingThis was shoot during dash workshop in ljubliana, in march 2005, but doesn't want to be a sort of documentary, in the way i was there not to make documentation but to listen to.....thx to Taja to let me use her poem and to Ana for poem translation.ljublians2005-07-27T17:13+00:00en2005valevalentina@riereta.nethttp://r23.cc5112353800:10:43Ogg Theora
http://v2v.cc/v2v/show/JKDJUWC3ERQZJLDDDMARQZQRAJZOLMYY
ed2k://|file|ljublianing.ogg|51123538|1b2ea012a97eae3896beafcd0fddbd20|magnet:?dn=ljublianing.ogg&xt=urn%3Asha1%3AJKDJUWC3ERQZJLDDDMARQZQRAJZOLMYYhttp://v2v.cc/sites/v2v.cc/files/torrents/ljublianing.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview with Zelimir ZilnikAdem, a young journalist from Tetovo, Mazedonia, is interviewing Zelimir Zilnik on his film "Kenedi comes back home". Zilnik had presented his latest documentary in the course of the evening program of the Youth Organising Institute, a summer school, that took place in Novi Sad from July 12th to 22nd 2005. The Youth Organising Institute (YOI) is run by the Johns Hopkins University of Bologna and was held in 2005 in cooperation with Kuda.org, the students union of Novi Sad University, kein.org and freelance trainers. YOI brought together 40 young people from the balkan region (Croatia, Mazedonia, Moldavia, Romaina, Serbia and Montenegro and more) that are active in their communities in order to train them, to offer a space for project development and to connect and network on the issues of their local projects.2005-07-25T13:38+00:00sr2005yoi2005adem_03@yahoo.comhttp://yoi2005.net3379847300:11:42Ogg Theora
http://v2v.cc/v2v/show/CWRIXTT3NDZMSVL5GAXD3JZ6FECQYN2X
ed2k://|file|v2v_yoi_zilnik.ogg|33798473|9ec7d360e758cd55befe6e257a871656|magnet:?dn=v2v_yoi_zilnik.ogg&xt=urn%3Asha1%3ACWRIXTT3NDZMSVL5GAXD3JZ6FECQYN2Xhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_yoi_zilnik.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The fourth episode of IFtv reports on tourism, flowers, castles and politicsAn insight into the culture of tourism, how can it be that we all the time get lost when we are out travelling. The castle Jimena de la Frontera is situated a short distance from Gibraltar. In its striking location it has played an important role in the region since the 8th century.
Flowers are adored not only for their fragrance but also for the visual pleasure they produce. IFtv honours the colours and shapes of the vegetable kingdom. Finally we focus on the current political situation where Spain unexpectedly made a bold move regarding the influx of immigrants from non-european countries.2005-06-27T13:56+00:00en2005International Festivalmarten_spangberg@aisikl.orghttp://www.international-festival.org/5327685900:09:01Ogg Theora
http://v2v.cc/v2v/show/RGO7DBUHQT2GWDNF4ZNU4UP2WQOWIRJM
ed2k://|file|IFTV050623.ogg|53276859|df7588b6a1139319119ca1299ff76b37|magnet:?dn=IFTV050623.ogg&xt=urn%3Asha1%3ARGO7DBUHQT2GWDNF4ZNU4UP2WQOWIRJMhttp://v2v.cc/sites/v2v.cc/files/torrents/IFTV050623.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The third episode of IFtv brings the audience closer to Spanish culture.Our chef and cooking expert Mette Ingvartsen takes a thorough look into a Spanish kitchen and offer us to share a real paella. This paella is not just any paella but cooked in accordance with the secret recipe of the southern frontier. As you will see paella also has a strong connection to Moroccan culture.
During the visit to the tiny city of Tarifa our team found a book café where they could exchange their favorite books. As the café was closing for the season the exchange developed into a race against the clock. What don’t we do for literature?
A visit to the market continues IFtv’s focus on public space, the market being a site for precarious workers and illegal aliens to establish informal exchange. Individuals without an address often have difficulties to obtain a mobile telephone, IFtv therefore reflects on the importance of public phones.2005-06-26T20:03+00:00en2005International Festivalmarten_spangberg@aisikl.orghttp://www.international-festival.org/5475378300:09:58Ogg Theora
http://v2v.cc/v2v/show/TEP5CSKOXZVF5QA3XM2NP2TYHGHFFHCQ
ed2k://|file|IFTV050622.ogg|54753783|acc2edbd090d07a62929c17c462b156b|magnet:?dn=IFTV050622.ogg&xt=urn%3Asha1%3ATEP5CSKOXZVF5QA3XM2NP2TYHGHFFHCQhttp://v2v.cc/sites/v2v.cc/files/torrents/IFTV050622.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.The seconds episode of IFtv, direct from Tarifa in the south of Spain, brings forth a series of new interesting topics.The beach, the square and the playground are all examined through unexpected perspectives, where different kinds of inter-human communication are underlined. Communication becomes a more direct theme for two reportages: a political contemplation on the abundance of antennas, and the daily contribution from IFtv’s correspondents in Second Life.
Body boarding an important part of today’s beach life, are put on a strange wave surfing in the direction of the far east.
Our ice-cream aficionado Palle Torsson brings his critical eye closer to the local ice-cream production. In Tarifa he found a stand where the traditions of home made ice-cream was proudly maintained.2005-06-26T19:40+00:00en2005International Festivalmarten_spangberg@aisikl.orghttp://www.international-festival.org/4939327900:09:55Ogg Theora
http://v2v.cc/v2v/show/OQLBU74YFHZ6ACMC7JBTNGORZCGF2WSG
ed2k://|file|IFTV050621.ogg|49393279|116e02509ea88582af23dfc16b670478|magnet:?dn=IFTV050621.ogg&xt=urn%3Asha1%3AOQLBU74YFHZ6ACMC7JBTNGORZCGF2WSGhttp://v2v.cc/sites/v2v.cc/files/torrents/IFTV050621.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.International Festival takes a grip on the southern most part of Europe.International Festival takes a grip on the southern most part of Europe.
Together with the team we visit the old and the new, work and leisure, urban as well as the rural.
The harbor has for centuries been central to the city of Tarifa. International Festival brings details to our knowledge of the last frontier of Europe. In Tarifa, the port to Africa, we also meet a strong religious tradition. International Festival brings back the church as a place of meeting and being together, something the church originally shared with our life in parks. The park is a strong part of daily life where different people participate to create connections.
In a few smaller reportage time, children and the cleaners of the city is given a window to show us their ways of spending a Sunday.
Finally, we are brought on a trip to the amazing Pablo Picasso terminal of the Malaga airport, world famous for its excellent artwork.
International Festival welcome you to a series of programs focusing on life around the straights of Gibraltar.2005-06-26T17:27+00:00en2005International Festivalmarten_spangberg@aisikl.orghttp://www.international-festival.org/6333017600:11:59Ogg Theora
http://v2v.cc/v2v/show/FWFTXQFF2CLCIJPQ5AJAUFQYTI2TZEP2
ed2k://|file|IFTV050620.ogg|63330176|a7a2745d442608e1bbc9ee0a8d502846|magnet:?dn=IFTV050620.ogg&xt=urn%3Asha1%3AFWFTXQFF2CLCIJPQ5AJAUFQYTI2TZEP2http://v2v.cc/sites/v2v.cc/files/torrents/IFTV050620.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Ship to ShoreThe "Fadaiat Ship-to-Shore" project aims to physically explore on a sailing boat the migration routes between Morocco, and Spain. It will test civil society counter-surveillance technologies developed on the shore by the teams of Fadaiat// Borderline Academy.2005-06-21T00:58+00:00en2005neurovisioninfo@borderlineacademy.orghttp://borderlineacademy.org6731910700:30:10Ogg Theora
http://v2v.cc/v2v/show/TAFQGAJ3CNJ4ZOUZVRA6UVYIXPM5AI5P
ed2k://|file|v2v_ba_ship2shores.ogg|67319107|a3bd2220982f323d92c4026f0389d405|magnet:?dn=v2v_ba_ship2shores.ogg&xt=urn%3Asha1%3ATAFQGAJ3CNJ4ZOUZVRA6UVYIXPM5AI5Phttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ba_ship2shores.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.http://borderlineacademy.orgThe Swedish artists duo Mårten Spångberg (choreographer, Brussels) and Tor Lindstrand (architect, Stockholm) present their project "International Festival" on June 20th, at the Borderline Academy in Tarifa (ES).: "International Festival propose an alternative mode of production, which deterritorialise notions of commodity and spectacle, not in leaving choreography and becoming something else, nor by commenting directly on current notions of dance and theatre. International Festival maintains an interest in media specificity but instead of announcing itself through and obsolete author position however the product might imply a blurred author position, it deterritorialises entirely the position of the production, not only choreographic writing but also of writing as production, not to mention of how it dislocates notion of collaboration."2005-06-21T00:50+00:00en2005neurovisioninfo@borderlineacademy.orghttp://borderlineacademy.org8624712900:34:26Ogg Theora
http://v2v.cc/v2v/show/JE7ITW3QCCG2DKOPT5IXCNZQ6HVFAPFX
ed2k://|file|v2v_ba-if.ogg|86247129|667d03487ba3f2cacac8409d9e173fe5|magnet:?dn=v2v_ba-if.ogg&xt=urn%3Asha1%3AJE7ITW3QCCG2DKOPT5IXCNZQ6HVFAPFXhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ba-if.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Borderline Academy: Round Table on MigrationA round table talk on borders, migration and freedom of movement with an emphasis on the situation in the Straits of Gibraltar -- featuring the local activists Helena Maleno and Nieves Garcia Benito as well as the migration researcher Sandro Mezzadra from Bologna. The presentations have been recorded at the Borderline Academy in Tarifa, at June 19th, 2005.2005-06-20T00:26+00:002005neurovisioninfo@borderlineacademyhttp://borderlineacademy.org27061096901:45:53Ogg Theora
http://v2v.cc/v2v/show/G2XWL76NWEJYLV2WXNMZDNZKKV3AR7QV
ed2k://|file|v2v_ba_migration.ogg|270610969|050ee236c46944f3f08cb4aaec9afeea|magnet:?dn=v2v_ba_migration.ogg&xt=urn%3Asha1%3AG2XWL76NWEJYLV2WXNMZDNZKKV3AR7QVhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ba_migration.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Border GeographiesPhil Misselwitz and Tiem Rienets present their project "Borderline Geographies" at the Borderline Academy 2005 in Tarifa (ES): Israeli, palestinian and german students map the area of East Jerusalem and explore the urban and cultural consequences of the conflict.2005-06-19T15:55+00:00en2005neurovisioninfo@borderlineacademy.orghttp://borderlineacademy.org12725864600:55:55Ogg Theora
http://v2v.cc/v2v/show/I3R2MBSPFCCY3LYXPXFRGSE7XOPS6TIE
ed2k://|file|v2v_ba_bordergeographies.ogg|127258646|de1ea209c86d357b5c9af19a4707f0a6|magnet:?dn=v2v_ba_bordergeographies.ogg&xt=urn%3Asha1%3AI3R2MBSPFCCY3LYXPXFRGSE7XOPS6TIEhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ba_bordergeographies.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Interview with Florian Schneider about FadaiatRaw, unedited interview with Florian Schneider. Schneider was one of the 40 guests interviewed at Incommunicado (15-17 June 2005, Amsterdam) for an upcoming DVD. He talks about Incommunicado and the Fadaiat / Borderline Academy taking place in Tarifa (18-26 June 2005).At the Incommunicado Conference in Amsterdam2005-06-19T15:52+00:00en2005Incommunicado Interview Crewgerbrand@oudenaarden.nlhttp://www.incommunicado.info4740275000:27:48Ogg Theora
http://v2v.cc/v2v/show/USMFKRRJGOGVAMLQ35NSZR4RBG6VAID2
ed2k://|file|interview_fls_incommunicado_uncut.ogg|47402750|bbcb1eb661981bbdb82082f8132edea0|magnet:?dn=interview_fls_incommunicado_uncut.ogg&xt=urn%3Asha1%3AUSMFKRRJGOGVAMLQ35NSZR4RBG6VAID2http://v2v.cc/sites/v2v.cc/files/torrents/interview_fls_incommunicado_uncut.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Opening Fadaiat2// Borderline AcademyOn Saturday, June 18th 2005 "Fadaiat2// Borderline Academy" has been opened in the old castle Guzmán El Bueno in Tarifa (ES). Javier Mohedano, Jose Perez de Lama and Florian Schneider introduced the idea and the background of the 10-days event. To be continued!2005-06-18T21:43+00:002005neurovisioninfo@borderlineacademy.orghttp://borderlineacademy.org9986658500:37:44Ogg Theora
http://v2v.cc/v2v/show/CCOFJ2VTB3P3MYUBZHXOHPDGPEZE3SDP
ed2k://|file|v2v_ba_opening.ogg|99866585|e7713460d3c1ed2ce9a7fe9c9e25d481|magnet:?dn=v2v_ba_opening.ogg&xt=urn%3Asha1%3ACCOFJ2VTB3P3MYUBZHXOHPDGPEZE3SDPhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ba_opening.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Claire Denis: Vienna ConversationIn May 2005, the Film Museum in Vienna has presented the work of French filmmaker Claire Denis – arguably the most important woman working in cinema today. The video contains the full recording of a 1.5 hours long conversation between Claire Denis and the Austrian film critics Michael Omasta and Isabella Reicher on Saturday, May 7th, 2005
Claire Denis has dedicated herself to an uncompromising aesthetic in which sensory experiences, physicality and "musical images" are given priority over conventional narrative schemes. At the same time, her work revolves around key issues of the present: blurred gender distinctions; transgressions of social and cultural boundaries; the dissolution of national identities in the postcolonial era; and finally, the essential topic of sexuality and (filmic) desire.2005-05-11T18:25+00:00en2005KEIN.TVinfo@kein.orghttp://kein.org24243137201:35:12Ogg Theora
http://v2v.cc/v2v/show/3SQP727V3IXHXZDVRUS4MN3344LMEYWX
ed2k://|file|v2v_denis.ogg|242431372|c133c23c4d53cc6002140f9d661d21b3|magnet:?dn=v2v_denis.ogg&xt=urn%3Asha1%3A3SQP727V3IXHXZDVRUS4MN3344LMEYWXhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_denis.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.FK Leipzig: "Directory""Directory" -
Performance by Kattrin Deufert + Thomas Plischke / Frankfurter Küche (Leipzig), March 22nd 2005 in Frankfurt/Main. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover at AtelierFrankfurt.2005-05-09T14:40+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dehttp://www.unfriendly-takeover.de19468622601:25:59Ogg Theora
http://v2v.cc/v2v/show/GLUAXQEBIWQYWUQF44WGO57Y266FEG53
ed2k://|file|v2v_ut_fkleipzig.ogg|194686226|f1ed5bd45317524bab8e74271321d96f|magnet:?dn=v2v_ut_fkleipzig.ogg&xt=urn%3Asha1%3AGLUAXQEBIWQYWUQF44WGO57Y266FEG53http://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_fkleipzig.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Adrian Williams: "man made me""man made me" -
Lecture Performance by Adrian Williams (USA/D),
February 17th 2005 in Frankfurt/Main.
Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2005-05-08T12:13+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dewww.unfriendly-takeover.de2295212000:10:05Ogg Theora
http://v2v.cc/v2v/show/QCVMT4EL42FG66KRJA3WAJS3M3PXSWZB
ed2k://|file|v2v_ut_williams.ogg|22952120|b4d9e381e95cda83701a52173f382c1a|magnet:?dn=v2v_ut_williams.ogg&xt=urn%3Asha1%3AQCVMT4EL42FG66KRJA3WAJS3M3PXSWZBhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_williams.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Xavier Le Roy: "Product of Circumstances""Product of Circumstances" -
Lecture Performance by Xavier Le Roy (F/D),
May 5th 2005 in Frankfurt.
Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.
www.unfriendly-takeover.de2005-05-08T08:47+00:00en2005Unfriendly Takevoerinfo@unfriendly-takeover.dewww.unfriendly-takeover.de16685559201:29:18Ogg Theora
http://v2v.cc/v2v/show/LDSXA5FGDZFWYOILW655AOYII2QUXFFM
ed2k://|file|v2v_ut_leroy.ogg|166855592|7eb791906dc4b82c0933f5b3e3e974b5|magnet:?dn=v2v_ut_leroy.ogg&xt=urn%3Asha1%3ALDSXA5FGDZFWYOILW655AOYII2QUXFFMhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_leroy.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Rebecca Schneider/Ann Pellegrini: Passing onRebecca Schneider and Ann Pellegrini present "Passing on" at the summeracademy in Frankfurt on August 22, 2004. Rebecca Schneider is Associate Professor of Theatre and Performance Studies at Brown University. As a "performing theorist" she has occasionally collaborated with artists, most recently in an installation by Hannah Hurtzig and Heike Roms at the British Museum in London as part of the London International Festival of Theatre. Ann Pellegrini is Associate Professor of Religious Studies and Performance Studies at New York University. Her most recebt work ist the coedited volume Queer Theory and the Jewish Question.2005-04-22T14:06+00:00en2005KEIN.TVinfo@kein.orghttp://theater.kein.org13539737600:00:00Ogg Theora
http://v2v.cc/v2v/show/SW55XTL64FGCN4IPDPABBN2I2NX652D2
ed2k://|file|v2v_schneider_pellegrini.ogg|135397376|ebf61613046cac2f46a728a3b2924b6f|magnet:?dn=v2v_schneider_pellegrini.ogg&xt=urn%3Asha1%3ASW55XTL64FGCN4IPDPABBN2I2NX652D2http://v2v.cc/sites/v2v.cc/files/torrents/v2v_schneider_pellegrini.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Slavoj Žižek: The Spectator´s Malevolent NeutralitySlavoj Zizek is philosopher and Psychoanalyst from Ljubljana. His lecture on the specific roles of viewers and doers is entitled "The Spectator´s Malevolent Neutrality" and was held on June 8, 2004 during the Theaterformen festival in Brunswick (DE).2005-04-22T09:32+00:00en2005KEIN.TVinfo@kein.orghttp://theater.kein.org32923570501:31:38Ogg Theora
http://v2v.cc/v2v/show/REXDAYBWFTTWF7XPKTEC2ZPW7TIB5NDF
ed2k://|file|v2v_zizek.ogg|329235705|7583667dc505cc88829031f927f41af1|magnet:?dn=v2v_zizek.ogg&xt=urn%3Asha1%3AREXDAYBWFTTWF7XPKTEC2ZPW7TIB5NDFhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_zizek.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jean-Marie Straub and Daniele Huillet in conversationJean-Marie Straub and Daniele Huillet talk about Ford, Fassbinder and their own films at the Viennale Filmfestival in Vienna, on October 19th, 2004. The conversation with Hartmut Bitomsky, Tag Gallagher, Jean-Pierre Gorin and Hans Hurch is in german, parts in english and french.2005-04-22T09:15+00:00de2005KEIN.TVinfo@kein.orghttp://theater.kein.org26691607902:18:50Ogg Theora
http://v2v.cc/v2v/show/BU3QRJPZVGMIZNXOFLIEFHIOWBLPF56K
ed2k://|file|v2v_straub.ogg|266916079|118ff2f005271c25e5652a97c14f507a|magnet:?dn=v2v_straub.ogg&xt=urn%3Asha1%3ABU3QRJPZVGMIZNXOFLIEFHIOWBLPF56Khttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_straub.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Franco B: Illustrated LectureFranco B, performance artist based in London, presents "Illustrated Lecture" at the international summer academy in Franfurt on August 24, 2004.2005-04-21T21:20+00:00en2005KEIN.TVinfo@kein.orghttp://theater.kein.org9846004700:58:13Ogg Theora
http://v2v.cc/v2v/show/OW2RESILW52SOSP2L77EI5W7BETVCPNO
ed2k://|file|v2v_francob-ffm.ogg|98460047|e3544dbc388e71fbcca56cf428284f29|magnet:?dn=v2v_francob-ffm.ogg&xt=urn%3Asha1%3AOW2RESILW52SOSP2L77EI5W7BETVCPNOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_francob-ffm.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Antonio Negri: Der Schauspieler und der ZuschauerIn his lecture "Der Schauspieler und der Zuschauer" from June 13th 2004 in Hannover at the Thaterformen Festival, Antonio Negri talks about immaterial labor, public services, collaboration and the construction of community. The lecture is held in italian with consecutive translation into german.2005-04-21T21:07+00:00de2005KEIN.TVinfo@kein.orghttp://theater.kein.org419430400:00:00Ogg Theora
http://v2v.cc/v2v/show/MQ5P7XEZU3EV2EXRUOMFPSRWNGH7BZUW
http://v2v.cc/sites/v2v.cc/files/torrents/v2v_negri3.torrentmagnet:?dn=v2v_negri3.ogg&xt=urn%3Asha1%3AMQ5P7XEZU3EV2EXRUOMFPSRWNGH7BZUWed2k://|file|v2v_negri3.ogg|4194304|710d13955e28ee1dc8528f57bca2ecd7|This work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Jacques Rancière: The Emancipated SpectatorJacques Rancière presents "The Emancipated Spectator" at the opening of the 5th international summer academy in Frankfurt on August 20, 2004.2005-04-21T11:44+00:00en2005KEIN.TVinfo@kein.orghttp://theater.kein.org13034124301:11:54Ogg Theora
http://v2v.cc/v2v/show/APBR4LTZMA5GTGP7DGNEBDJLWNTVS26S
ed2k://|file|v2v_ranciere-ffm.ogg|130341243|4ff38d95a0b6b47db84324691cdb5449|magnet:?dn=v2v_ranciere-ffm.ogg&xt=urn%3Asha1%3AAPBR4LTZMA5GTGP7DGNEBDJLWNTVS26Shttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ranciere-ffm.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Performance Lecture by Daniel Belasco Rogers"Unfallen" - Lecture Performance by Daniel Belasco Rogers/Plan B (D/GB), September 30th 2004 in Frankfurt. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2005-04-01T22:11+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dewww.unfriendly-takeover.de9499866401:10:52Ogg Theora
http://v2v.cc/v2v/show/QGJHOP5HZNF2XUHD7KQGGZVV5OJ5AGJF
ed2k://|file|v2v_ut_rogers.ogg|94998664|1814ff64f29ad919f9f87a9c27fb7fb4|magnet:?dn=v2v_ut_rogers.ogg&xt=urn%3Asha1%3AQGJHOP5HZNF2XUHD7KQGGZVV5OJ5AGJFhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_rogers.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lecture Performance by A Rose Is"Adsense Lecture" - Lecture Performance by A Rose Is, December 8th in Frankfurt. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2005-03-28T23:49+00:00de2004Unfriendly Takeoverinfo@unfriendly-takeover.dewww.unfriendly-takeover.de6132452100:29:49Ogg Theora
http://v2v.cc/v2v/show/VYOZMAAACV3XZIWCZAZ5BRE2KQL42IMO
ed2k://|file|v2v_ut_aroseis.ogg|61324521|efce4dc65d1f7689a940a4e6f6b64688|magnet:?dn=v2v_ut_aroseis.ogg&xt=urn%3Asha1%3AVYOZMAAACV3XZIWCZAZ5BRE2KQL42IMOhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_aroseis.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lecture Performance by Pirkko Husemann"Die anwesende Abwesenheit künstlerischer Arbeitsprozesse" - Lecture Performance by Pirkko Husemann, August 5th 2004 in Frankfurt. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2005-03-28T22:12+00:00de2005Unfriendly Takeoverinfo@unfriendly-takeover.dewww.unfriendly-takeover.de6076232900:48:15Ogg Theora
http://v2v.cc/v2v/show/VNSJID4OBAMCQCAGTOPDAD3HKNF6K4HL
ed2k://|file|v2v_ut_husemann.ogg|60762329|fcd417df876cd3285d16bd079eb90ab9|magnet:?dn=v2v_ut_husemann.ogg&xt=urn%3Asha1%3AVNSJID4OBAMCQCAGTOPDAD3HKNF6K4HLhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_husemann.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lecture Performance by Marten Spangberg"Extra Clear Power" - Lecture Performance by Marten Spangberg, July 8th in Frankfurt. Part of the ongoing programme "Performing Lectures" by Unfriendly Takeover.2005-03-28T19:08+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dewww.unfriendly-takeover.de17291914100:57:11Ogg Theora
http://v2v.cc/v2v/show/VVCFT3FCUKY7XMCZHAYZY4ZWVJSQ7VCD
ed2k://|file|v2v_ut_spangberg.ogg|172919141|d110b82a852e00a45143fef528243dce|magnet:?dn=v2v_ut_spangberg.ogg&xt=urn%3Asha1%3AVVCFT3FCUKY7XMCZHAYZY4ZWVJSQ7VCDhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_spangberg.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Lecture David Weber-KrebsLecture Performance by David Weber-Krebs as part of the programme "Performing Lectures" by Unfriendly Takeover in Frankfurt/Main. www.unfriendly-takeover.de2005-03-28T11:13+00:00en2005Unfriendly Takeoverinfo@unfriendly-takeover.dewww.unfriendly-takeover.de4161051500:41:23Ogg Theora
http://v2v.cc/v2v/show/LO6F3LBAYTTLAXBU5GDEDY2FHUDXUEKQ
ed2k://|file|v2v_ut_weber-krebs.ogg|41610515|86c8e2ab2c289c19d66451a1fd15748f|magnet:?dn=v2v_ut_weber-krebs.ogg&xt=urn%3Asha1%3ALO6F3LBAYTTLAXBU5GDEDY2FHUDXUEKQhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_ut_weber-krebs.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.Academy as potentialityOn Saturday, March 19th, 2005, the last day of MODE05, Irit Rogoff joined for a lecture on "Academy as Potentiality".2005-03-23T15:03+00:00en2005KEIN.TVfls@kein.orghttp://kein.org12006165600:46:03Ogg Theora
http://v2v.cc/v2v/show/ZUMUGYGWTELRXDP5SKQL32KGTUX7Y2JD
ed2k://|file|v2v_m05-rogoff.ogg|120061656|f43eb9eace0e110c855515bfa043a082|magnet:?dn=v2v_m05-rogoff.ogg&xt=urn%3Asha1%3AZUMUGYGWTELRXDP5SKQL32KGTUX7Y2JDhttp://v2v.cc/sites/v2v.cc/files/torrents/v2v_m05-rogoff.torrentThis work is licensed under the Creative Commons
Attribution-NonCommercial-ShareAlike License.
To view a copy of this license, visit
http://creativecommons.org/licenses/by-nc-sa/1.0/ or send a letter to
Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA.